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FORMATION MUSI…
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LUTH
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PIANO & CLAVIERS
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6033
Piano seul
4734
Piano Facile
681
Piano, Voix et Guitare
416
Instruments en Do
217
Orgue
190
1 Piano, 4 mains
82
Accordéon
50
Accompagnement Piano
39
Piano Trio: piano, violon, violoncelle
33
Piano grosses notes
24
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
12
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
3
Orgue, Trompette (duo)
3
Accordéon, Piano
2
Piano (partie séparée)
2
Accordéon, Voix
2
2 Accordéons
1
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Guitare notes et tablatures
629
Basse electrique
396
Guitare
176
Ligne De Mélodie, (Paroles) et Accords
144
Ukulele
65
2 Guitares (duo)
31
Piano, Guitare (duo)
12
Mandoline
11
Ensemble de guitares
9
3 Guitares (trio)
7
4 Guitares (Quatuor)
7
Paroles et Accords
4
Mandoline, Guitare (duo)
2
Banjo
2
Guitare (partie séparée)
2
Dulcimer
2
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1
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
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68
Chorale 3 parties
66
Chorale TTBB
57
Voix Alto, Piano
50
Voix Soprano, Piano
45
Chorale SSAA
38
Chorale 2 parties
33
Voix Tenor, Piano
32
Voix duo, Piano
25
Voix moyenne, Piano
24
Voix basse, Piano
18
Voix haute
17
Chorale Unison
17
Voix duo
10
Voix Baryton, Piano
7
Voix Tenor
4
Voix Mezzo-Soprano, Piano
2
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2
Chorale
1
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160
Clarinette et Piano
133
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127
Saxophone Alto
103
2 Flûtes traversières (duo)
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Saxophone Tenor
85
Saxophone Alto et Piano
74
Saxophone Tenor et Piano
72
2 Saxophones (duo)
67
2 Clarinettes (duo)
51
Quatuor de Saxophones: 4 saxophones
50
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Saxophone Soprano et Piano
44
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43
Flûte et Guitare
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Hautbois
39
Instruments en Mib
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37
Trio de Flûtes: 3 flûtes
37
Ensemble de saxophones
35
Quintette de Saxophone: 5 saxophones
35
Flûte, Hautbois, Clarinette, Basson
33
Hautbois (partie séparée)
33
Saxophone
30
3 Saxophones (trio)
26
Cor anglais, Piano
22
Flûte à Bec
21
Ensemble de Clarinettes
21
Saxophone (partie séparée)
19
Flûte, Clarinette (duo)
18
2 Hautbois (duo)
17
Hautbois, Basson (duo)
15
Ensemble de Flûtes
14
2 Flûtes traversières, Piano
14
Flûte, Violon, Piano
12
Flûte, Violoncelle, Piano (trio)
11
Quintette de Clarinettes: 5 clarinettes
11
Clarinette, Violon (duo)
10
Flûte, Clarinette, Piano (trio)
10
3 Clarinettes (trio)
10
Flûte, Hautbois, Clarinette (trio)
10
2 Flûte à bec (duo)
10
Clarinette, Violoncelle, Piano (trio)
9
Clarinette Basse, Piano
8
Saxophone Baryton, Piano
8
Clarinette, Guitare (duo)
7
Quintette de Flûte : 5 flûtes
7
Flûte à bec Soprano
7
2 Clarinettes, Piano
7
Flûte, trombone et piano
6
Harmonica
6
Flûte, Violon et Violoncelle
6
Quatuor de Flûtes à bec
6
Flûte traversière, Orchestre
6
Saxophone Soprano
5
Flûte et Trio à cordes
5
Cor Anglais
5
Flûte, Hautbois, Basson
5
2 Cors Anglais Et Pianoforte
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Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Violoncelle
4
Flûte, Violon
4
Clarinette, Basson (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Alto et Piano
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Piano (trio)
3
Saxophone, Violon (duo)
3
Flute, harpe et violon
3
Clarinette, Violoncelle (duo)
3
Hautbois, Flûte
2
Ensemble à vent
2
Hautbois, Trompette (duo)
2
Clarinette Basse
2
Clarinette (partie séparée)
2
Flûte à bec Alto, Piano
2
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2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
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Hautbois, Violoncelle
2
Flûte à Bec, Piano
2
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Flute (partie séparée)
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Flûte, Clarinette, Cor, Basson (Quartet)
2
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2
Hautbois, violon (duo)
2
Flûte à bec Alto
2
Piccolo, Piano
2
Flûte, Clarinette et Basson
2
Flûte traversière, Basse continue
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Saxophone et Guitare
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Basson (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Saxophone, Piano
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Clarinette, Trombone (duo)
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Ensemble de Hautbois
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
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Clarinette, trompette et piano
1
Clarinette, Harpe (duo)
1
Flûte irlandaise
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Saxophone et violoncelle
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5 Flûtes à bec
1
3 Hautbois
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Cor anglais et Harpe (duo)
1
Hautbois, Harpe
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Trompette
190
Trompette, Piano
90
Quatuor de Cuivres
73
Trombone
68
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trombone et Piano
61
Cor
53
Cor et Piano
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
2 Trompettes (duo)
40
Instruments en Sib
25
Cor anglais, Piano
22
Tuba et Piano
21
Trompette (partie séparée)
16
Tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
2 Trombones (duo)
13
Euphonium, Piano (duo)
12
Ensemble de Trombones
9
Quatuor de cuivres: 4 trombones
9
2 Cors (duo)
8
Euphonium
8
Trombone, Tuba (duo)
7
Trompette, Tuba (duo)
7
Trompette, Trombone (duo)
7
Cor (partie séparée)
6
Quatuor de cuivres: 4 trompettes
6
Tuba et Orgue
5
Instruments en Fa
5
Bass Clef Instruments
5
Trompette, Saxophone (duo)
5
Cor Anglais
5
2 Cors Anglais Et Pianoforte
5
Ensemble de Trompettes
4
3 Trombones (trio)
4
Trombone (partie séparée)
4
Trio de Cuivres
4
Trompette, Violoncelle et Piano
3
Cor, Tuba (duo)
3
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3
Trompette, Cor (duo)
3
Trompette, violon (duo)
2
Cor, Orchestre
2
3 Cors (trio)
2
Trombone, violoncelle (duo)
2
3 Trompettes (trio)
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Ensemble de Cors
2
2 Tubas (duo)
2
Tuba (partie séparée)
1
Trombone, Violon (duo)
1
3 Tubas (trio)
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Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor, Violoncelle et Piano
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2 Euphoniums et 2 Tubas
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Trompette, Trombone, Piano
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CORDES
Violon et Piano
600
Violon
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430
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292
Violoncelle
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Alto, Piano
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Alto seul
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2 Violons (duo)
162
Violon, Violoncelle (duo)
125
Violon (partie séparée)
121
2 Violoncelles (duo)
121
Trio à Cordes: violon, alto, violoncelle
89
Harpe
85
Alto (partie séparée)
59
Alto, Violoncelle (duo)
59
Contre Basse
41
Violon, Alto (duo)
40
Contrebasse, Piano (duo)
32
2 Altos (duo)
32
Trio à Cordes: 2 violons, violoncelle
26
Violon, Guitare (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle (partie séparée)
19
Trio à cordes: 3 violins
16
Piano Trio: Violon, Alto, Piano
14
4 Violoncelles
14
Quatuor à cordes: 4 violons
12
Contrebasse (partie séparée)
12
Violoncelle , Guitare (duo)
11
2 Violons, Piano
10
Violon, Basse continue
9
Trio à Cordes: 3 violoncelles
7
Trio à cordes
6
Alto, Guitare (duo)
6
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Ensemble d'Altos
4
Violoncelle, Orchestre
4
Violoncelle, Basse continue
3
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Contrebasses (duo)
3
2 Altos, Piano
2
2 Violoncelles, Piano
2
Harpe, Voix
2
Violon, Basson (duo)
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Violon, Clarinette, Piano (trio)
2
2 Harpes (duo)
1
Alto et Basson
1
2 Violons et Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
661
Orchestre à Cordes
365
Orchestre
289
Orchestre de chambre
94
Ensemble Jazz
39
Ensemble de cuivres
20
Batterie
12
Jazz combo
12
Cloches
11
Marimba
7
Orchestre, Violon
7
Piano et Orchestre
4
Vibraphone (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
Fanfare
2
Ensemble de Percussions
2
Quintette à Vent
1
Marimba et Orgue
1
Percussion
1
Batterie (partie séparée)
1
Big band
1
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Major D
Saxophone Baryton, Piano
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Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.14 €
#
Saxophone Baryton, Piano
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
(+)
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.4 €
#
Saxophone Baryton, Piano
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Pachelbel: Canon for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Jo…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.14 €
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Saxophone Baryton, Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473979 Composed by G…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473979 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050970. Published by Rodrigo Faleiros (A0.1473979). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo baritone sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.65 €
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Saxophone Baryton, Piano
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Toreador March (from the opera Carmen) - easy version
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473980 Composed by G…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473980 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050971. Published by Rodrigo Faleiros (A0.1473980). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo baritone sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
3.65 €
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Saxophone Baryton, Piano
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Al…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Air on the G String by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1045604 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
1.82 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Fr…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4623209. Published by Raymond Fenech (A0.760540). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
3.65 €
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Saxophone Baryton, Piano
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
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