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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIOLON
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XYLOPHONE
Method
Non classifié
995
Piano & claviers
Piano seul
1 525
Piano Facile
544
Piano, Voix et Guitare
72
Piano, Voix
44
Orgue
40
Accordéon
37
1 Piano, 4 mains
31
2 Pianos, 4 mains
14
Instruments en Do
13
1 Piano, 6 mains
6
Piano Trio: piano, violon, violoncelle
3
Clavier
2
Accompagnement Piano
2
Concertina
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Piano grosses notes
1
+ 14 instrumentations
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Guitares
Guitare
365
Basse electrique
315
Guitare notes et tablatures
174
Mandoline
22
Ukulele
21
Banjo
16
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7
Dulcimer
7
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4
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
2
3 Guitares (trio)
2
2 Mandolines (duo)
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
2 Ukuleles
1
+ 11 instrumentations
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Voix
Chorale SATB
62
Voix seule
18
Chorale 3 parties
13
Chorale 2 parties
12
Chorale TTBB
9
Chorale Unison
7
Voix duo
6
Voix Tenor, Piano
1
+ 3 instrumentations
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Vents
Hautbois
61
Quatuor de Clarinettes: 4 clarinettes
54
Clarinette
41
Flûte traversière
39
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
19
Flûte irlandaise
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à bec Soprano
14
Quintette de Saxophone: 5 saxophones
13
3 Saxophones (trio)
13
Clarinette et Piano
12
Harmonica
12
Flûte, Hautbois, Clarinette, Basson
12
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Saxophone
9
Saxophone Alto et Piano
9
2 Flûte à bec (duo)
8
2 Flûtes traversières (duo)
8
2 Clarinettes (duo)
8
Saxophone Soprano et Piano
7
Trio de Flûtes: 3 flûtes
6
Hautbois (partie séparée)
6
Flûte à Bec
6
Flûte à bec Alto
6
Quatuor de Flûtes : 4 flûtes
5
Quintette de Flûte : 5 flûtes
4
Hautbois, Piano (duo)
4
Flûte, Clarinette (duo)
4
Saxophone Tenor
4
Saxophone Baryton, Piano
3
Saxophone Alto
3
Flûte à bec Soprano, Basse continue
3
Flûte de Pan
2
Ensemble de Hautbois
2
Ensemble De Flûte à bec
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
2
Clarinette Basse
2
2 Hautbois (duo)
2
Saxophone (partie séparée)
2
Instruments en Mib
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
Quatuor de Flûtes à bec
2
Flûte traversière, Basse continue
1
Flûte à bec Soprano, Piano
1
4 Hautbois
1
Flûte et Guitare
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
Ocarina
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
3 Clarinettes (trio)
1
Flûte à bec Tenor
1
+ 54 instrumentations
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Cuivres
Trompette
72
Trombone
51
2 Cors (duo)
46
Tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor
9
Trompette, Piano
7
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Cor (duo)
5
2 Trompettes (duo)
5
Bass Clef Instruments
5
2 Trombones (duo)
5
Trompette, violon (duo)
3
Euphonium
3
Cor et Piano
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
2
3 Tubas (trio)
2
Cor anglais, Piano
2
2 Tubas (duo)
2
Ensemble de Cors
2
3 Cors (trio)
2
Trombone basse
2
Euphonium, Tuba (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Instruments en Sib
2
Ensemble de Trombones
1
Tuba et Orgue
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Piano
1
Cornet A Pistons
1
Quatuor de cuivres: 4 cors
1
+ 31 instrumentations
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Violon
111
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63
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55
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48
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39
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37
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24
2 Violons (duo)
19
Violon (partie séparée)
15
Contre Basse
12
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
11
2 Violoncelles (duo)
11
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Harpe et Piano
6
2 Altos (duo)
5
Autoharp
5
Alto (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
4 Violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Voix
2
Trio à cordes: 3 altos
2
Violoncelle, Orchestre
2
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Harpe et mandoline
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
190
Orchestre à Cordes
52
Batterie
47
Orchestre
30
Cloches
22
Orchestre de chambre
9
Percussion
6
Caisse Claire
5
Fanfare
4
Conga
4
2 Xylophones
4
Vibraphone
4
Ensemble Jazz
4
Ensemble de cuivres
3
Marimba
3
Ensemble d'École
2
Jazz combo
2
Cajon
2
Orchestre, Violon
2
Piano et Orchestre
1
Timbales
1
Bongos
1
Bodhran
1
Instrumentation Flexible
1
Xylophone
1
Ensemble de Percussions
1
+ 21 instrumentations
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Autres
Formation musicale - Solfège
32
Théorie de la musique
27
Papeterie
3
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--INSTRUMENTS--
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BANJO
BASSE
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Saxophone Baryton, Piano
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Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Arioso by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Baritone Sa
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Sc...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651666. Published by Woods Only, Arrangements (A0.1047137). This easy arrangement for baritone sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Air on the G String by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
#
Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
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