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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music: Felix Mendelssohn
Non classifié
325
Piano & claviers
Piano seul
496
Piano, Voix
133
Piano Facile
108
Orgue
48
1 Piano, 4 mains
29
Piano, Voix et Guitare
17
Piano Trio: piano, violon, violoncelle
14
Instruments en Do
9
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Accordéons
3
Accordéon
3
Instrument seul et Orgue
2
Piano grosses notes
2
Orgue, Trompette (duo)
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon, Voix
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Ligne De Mélodie, (Paroles) et Accords
15
Guitare
12
Ukulele
4
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Mandoline
1
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 5 instrumentations
Retracter
Voix
Voix haute
81
Voix Moyenne
80
Voix basse, Piano
80
Chorale SATB
63
Chorale 3 parties
49
Chorale 2 parties
27
Voix duo, Piano
17
Chorale TTBB
12
Chorale Unison
8
Chorale SSAA
7
Chorale
6
Voix seule
4
Voix Alto, Piano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
73
Clarinette et Piano
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Quatuor de Saxophones: 4 saxophones
45
Saxophone Alto et Piano
43
Hautbois, Piano (duo)
41
Flûte, Hautbois, Clarinette, Basson
33
Saxophone Tenor et Piano
30
Clarinette
28
Saxophone Soprano et Piano
26
2 Saxophones (duo)
25
Flûte traversière
20
Quatuor de Clarinettes: 4 clarinettes
18
2 Flûtes traversières (duo)
18
Clarinette (partie séparée)
18
Quintette de Saxophone: 5 saxophones
14
Quatuor de Flûtes : 4 flûtes
14
Saxophone Baryton, Piano
12
Trio de Flûtes: 3 flûtes
11
Saxophone Alto
11
Cor anglais, Piano
11
Saxophone (partie séparée)
11
2 Clarinettes (duo)
11
Flûte, Clarinette (duo)
9
Quatuor de Flûtes à bec
9
Flute (partie séparée)
7
Hautbois (partie séparée)
7
Ensemble de Clarinettes
6
Flûte et Guitare
6
3 Clarinettes (trio)
6
Saxophone Tenor
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette Basse, Piano
5
Ensemble de saxophones
5
Piccolo
4
Saxophone
4
2 Flûtes traversières, Piano
3
3 Saxophones (trio)
3
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Ensemble à vent
2
5 Flûtes à bec
2
Flûte, Violon
2
Clarinette, Guitare (duo)
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
1
2 Clarinettes, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
Flûte et Trio à cordes
1
Saxophone Soprano
1
Hautbois
1
Flûte, Violon, Piano
1
Flûte irlandaise
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violon (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Flûtes à bec (trio)
1
2 Flûte à bec (duo)
1
Saxophone, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Ocarina
1
Flûte à bec Alto, Piano
1
+ 60 instrumentations
Retracter
Cuivres
Trompette, Piano
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trombone et Piano
37
Cor et Piano
27
Trompette
21
Trombone (partie séparée)
21
Euphonium, Piano (duo)
14
2 Trompettes (duo)
13
Trompette (partie séparée)
12
Tuba et Piano
12
Cor anglais, Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor (partie séparée)
8
2 Trombones (duo)
8
2 Cors (duo)
8
Quatuor de Cuivres
7
Trombone
7
3 Trompettes (trio)
6
Tuba (partie séparée)
6
Trio de Cuivres
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor
3
4 Tubas
3
2 Euphoniums et 2 Tubas
2
Trompette et Guitare
2
3 Cors (trio)
2
Euphonium
2
Trompette, Violoncelle (duo)
1
Ensemble de Trombones
1
Cor, Violoncelle (duo)
1
2 Tubas (duo)
1
Bass Clef Instruments
1
Trombone, Orgue
1
Trompette, Basson (duo)
1
Cor et Basson (duo)
1
3 Trombones (trio)
1
Instruments en Sib
1
2 Euphoniums (duo)
1
2 Cors, Piano
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violon et Piano
93
Violoncelle, Piano
66
Alto, Piano
46
Violon (partie séparée)
41
Violon
28
2 Violoncelles (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Violons (duo)
18
Violon, Violoncelle (duo)
16
Violoncelle (partie séparée)
15
Alto seul
13
Contrebasse (partie séparée)
13
Violoncelle
12
Violon, Alto (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
Harpe
8
Contrebasse, Piano (duo)
8
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Alto (partie séparée)
5
4 Violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à cordes
4
2 Altos (duo)
4
Violon, Guitare (duo)
3
2 Violons, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
1
Violon, Basson (duo)
1
Violon, Orgue
1
Alto et Basson
1
Contre Basse
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
65
Orchestre d'harmonie
47
Orchestre
46
Cloches
10
Ensemble de cuivres
10
Percussion (partie séparée)
8
Orchestre de chambre
8
Timbales (partie séparée)
3
Marimba
3
Piano et Orchestre
2
Quatuor à Vent : 4 instruments à vents
2
Percussion
1
Orchestre, Violon
1
Xylophone, Piano
1
Ensemble de Percussions
1
Ensemble Jazz
1
Batterie (partie séparée)
1
+ 12 instrumentations
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Autres
Instruments
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BALALAIKA
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
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LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
Music: Felix Mendelssohn
Saxophone Baryton, Piano
Partitions à imprimer
12 partitions trouvées
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1
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Wedding March (for Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Classique
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Felix Bartholdy Mendelssohn
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Harry Walker
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Wedding March
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SCORE EDITIONS
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SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Harry Walker. 19th Century, Wedding. Score and part. 5 pages. SCORE EDITIONS #877617....
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Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Harry Walker. 19th Century, Wedding. Score and part. 5 pages. SCORE EDITIONS #877617. Published by SCORE EDITIONS
$4.99
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The Elephant
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1265064 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instruc...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1265064 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857904. Published by Matthew Nunes Music (A0.1265064). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Hark, the Herald Angels Sing (Solo Bari Sax and Piano)
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Charles Wesley, Felix Mendelss
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.723377 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Prais...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.723377 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132683. Published by Lagom Music (A0.723377). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
Angels From The Realms Of Glory (Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Angels From The Realms Of Glor
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1260210 By Stephen DeCesare. By Traditional, Felix Mendelssohn. Arranged by Stephen DeCesare. Christian,Chr...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1260210 By Stephen DeCesare. By Traditional, Felix Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #853439. Published by Exultet Music (A0.1260210). The Christmas carol that is widely used in many churches and performed in concerts throughout the world has been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any venue.
$4.99
Once In Royal David's City (with "Hark! The Herald Angels Sing") (Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Once In Royal David's City
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1268783 By Stephen DeCesare. By Henry J. Gauntlett, Felix Mendelssohn. Arranged by Stephen DeCesare. Christ...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1268783 By Stephen DeCesare. By Henry J. Gauntlett, Felix Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Sacred,Standards,Traditional. Score and part. 10 pages. Exultet Music #861314. Published by Exultet Music (A0.1268783). Two of the most beloved Christmas carols have now been joined into one anthem and scored for a Baritone Saxophone with Piano accompaniment. Â Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$4.99
Ding Dong! Merrily On High (Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Ding Dong! Merrily On High
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1223168 By Stephen DeCesare. By Thoinot Arbeau, Spiritual, Felix Mendelssohn. Arranged by Stephen DeCesare....
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1223168 By Stephen DeCesare. By Thoinot Arbeau, Spiritual, Felix Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Exultet Music #819375. Published by Exultet Music (A0.1223168). The Christmas carol that has been a staple in the repertoire for years has been freshly arranged by utilizing melodies of Hark! The Herald and Go Tell It On The Mountain and scored for a Baritone Saxophone solo with Piano accompaniment. Â An accompaniment track is also available.
$4.99
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Music: Felix Mendelssohn
