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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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GUITARE
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Piano, Voix et Guitare
57
Instruments en Do
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Accompagnement Piano
20
2 Pianos, 4 mains
11
Accordéon
9
Clavecin
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
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Accordéon - Piano, Voix, Guitare
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
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Clavier
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Orgue, Trompette (duo)
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GUITARES
Guitare
167
Guitare notes et tablatures
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Basse electrique
30
2 Guitares (duo)
27
Ligne De Mélodie, (Paroles) et Accords
19
Ukulele
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3 Guitares (trio)
14
4 Guitares (Quatuor)
13
Guitare (partie séparée)
6
Ensemble de guitares
6
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Mandoline
4
Guitare, Violon, Violoncelle (trio)
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
2
Dulcimer
2
Orchestre à Plectres
1
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VOIX
Chorale SATB
208
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33
Chorale TTBB
29
Chorale 2 parties
23
Voix seule
21
Chorale SSAA
13
Chorale Unison
11
Voix duo, Piano
9
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix moyenne, Piano
5
Voix Tenor
4
Voix Tenor, Piano
3
Chorale SSATB
2
Voix Soprano
2
Voix duo
2
Chorale SSAB, Piano
1
Voix, Guitare
1
Chorale
1
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VENTS
Flûte traversière
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Saxophone
87
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
Clarinette
81
Flûte traversière et Piano
79
Quatuor de Saxophones: 4 saxophones
53
Ensemble de Clarinettes
40
Hautbois, Piano (duo)
40
Saxophone (partie séparée)
40
Clarinette et Piano
40
Ensemble de saxophones
38
Saxophone Alto et Piano
36
Saxophone Alto
35
Hautbois, Clarinette, Basson (trio d'anches)
31
Flûte, Hautbois, Clarinette, Basson
30
Saxophone Tenor
25
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Tenor et Piano
25
Quintette de Saxophone: 5 saxophones
24
2 Flûtes traversières (duo)
21
Saxophone Soprano et Piano
21
Flûte et Guitare
18
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16
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15
Flûte à Bec
13
Ensemble de Flûtes
12
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11
2 Clarinettes (duo)
11
2 Saxophones (duo)
9
2 Flûte à bec (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
Clarinette (partie séparée)
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Trio de Flûtes: 3 flûtes
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Hautbois
6
Cor anglais, Piano
6
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6
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5
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4
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4
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4
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4
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Flûte à bec Soprano
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1
Flûte à bec Tenor
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Flûte, Violon, Guitare
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Flûte à bec Alto, Piano
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Ensemble à vent
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Flûte, Hautbois (duo)
1
Clarinette, Contrebasse (duo)
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Flûte, trombone et piano
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Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
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Piccolo
1
Flûte, Violoncelle, Guitare
1
Flûte, Violoncelle
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Flûte, Violon, Piano
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Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Clarinette, Tuba
1
Hautbois, Basson (duo)
1
4 Hautbois
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CUIVRES
Trompette
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trombone
48
Trombone et Piano
34
Trompette, Piano
31
Trombone (partie séparée)
22
Cor et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
19
Trompette (partie séparée)
16
Cor
13
Ensemble de Trombones
9
Quatuor de Cuivres
9
Euphonium, Piano (duo)
9
2 Trombones (duo)
8
Ensemble de Trompettes
7
Bass Clef Instruments
6
Cor anglais, Piano
6
2 Trompettes (duo)
6
Tuba
6
Cor (partie séparée)
5
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Trompette, Trombone (duo)
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
2
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Euphonium
1
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CORDES
Violon
164
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
137
Violoncelle, Piano
73
Alto, Piano
55
Alto seul
43
Harpe
42
Violoncelle
36
2 Violons (duo)
35
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
23
Violoncelle (partie séparée)
22
Violon (partie séparée)
19
Trio à Cordes: 2 violons, violoncelle
18
2 Violoncelles (duo)
16
Violon, Alto (duo)
15
Ensemble d'Altos
11
Violon, Basse continue
11
Violon, Guitare (duo)
10
Alto (partie séparée)
10
Contrebasse, Piano (duo)
10
2 Altos (duo)
9
Violoncelle, Basse continue
9
Contre Basse
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
7
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
5
2 Harpes (duo)
5
4 Violoncelles
5
2 Violons, Piano
4
Trio à Cordes: 2 violons, alto
4
Alto, Guitare (duo)
4
Ensemble de Violons
4
Violoncelle , Guitare (duo)
3
Violon, Basson (duo)
3
Trio à cordes
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Violoncelle, Orchestre
1
Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Alto et Basson
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2815
Orchestre à Cordes
110
Orchestre
60
Ensemble de cuivres
45
Orchestre de chambre
42
Batterie
26
Ensemble Jazz
25
Ensemble de Percussions
15
Cloches
8
Fanfare
4
Percussion (partie séparée)
4
Batterie (partie séparée)
3
Jazz combo
3
Percussion
1
Timbales (partie séparée)
1
Xylophone
1
Voix et Orchestre
1
Marimba
1
Quintette à Vent
1
Marimba, Piano (duo)
1
Orchestre, Violon
1
Xylophone, Piano
1
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Saxophone Baryton, Piano
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Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Al…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.38 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.35 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.59 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Nocturne Op. 9, No. 1 for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1281222 Composed by F…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1281222 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872566. Published by Diego Marani (A0.1281222). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for baritone sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
8.28 €
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Saxophone Baryton, Piano
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Baritone Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Can't Help Falling In Love
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.845295 By Elvis Presl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.845295 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6682465. Published by Phil Beaman (A0.845295). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
5.52 €
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Saxophone Baryton, Piano
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Fr…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4623209. Published by Raymond Fenech (A0.760540). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
3.68 €
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Saxophone Baryton, Piano
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
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