English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
14
Librairie
Musicale
0
Matériel
de Musique
362
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
472
PIANO & CLAVIERS
Piano seul
226
Piano, Voix
110
Piano, Voix et Guitare
38
Piano Facile
25
Orgue
21
Instruments en Do
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
5
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
19
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
13
Paroles et Accords
6
Ukulele
3
Basse electrique
2
Guitare, Orchestre
1
Guitare (partie séparée)
1
2 Guitares (duo)
1
Mandoline
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
154
Chorale 3 parties
53
Chorale 2 parties
27
Chorale TTBB
18
Chorale Unison
8
Voix duo, Piano
7
Voix duo
6
Chorale
6
Chorale SSAA
6
Voix haute
5
Voix Alto, Piano
3
Voix Soprano, Piano
3
Voix basse, Piano
1
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
34
Flûte traversière et Piano
32
Saxophone Alto et Piano
26
Flûte, Hautbois, Clarinette, Basson
26
Clarinette et Piano
26
Hautbois, Piano (duo)
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone Soprano et Piano
20
Saxophone Tenor et Piano
20
Saxophone (partie séparée)
17
2 Flûtes traversières (duo)
17
Clarinette
17
2 Saxophones (duo)
16
Saxophone Baryton, Piano
14
Ensemble de saxophones
13
Clarinette (partie séparée)
13
Quatuor de Clarinettes: 4 clarinettes
12
2 Clarinettes (duo)
10
Ensemble de Flûtes
10
Cor anglais, Piano
10
Hautbois (partie séparée)
10
Ensemble de Clarinettes
9
Clarinette Basse, Piano
8
3 Clarinettes (trio)
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Alto
5
Quintette de Saxophone: 5 saxophones
5
Flûte traversière
4
Flûte, Hautbois, Clarinette (trio)
4
Flute (partie séparée)
4
Flûte, Hautbois, Basson
4
Flûte, Clarinette et Basson
4
Quintette de Clarinettes: 5 clarinettes
3
3 Saxophones (trio)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
2
Hautbois, Flûte
2
Quatuor de Flûtes à bec
2
Harmonica
2
Hautbois
2
Saxophone Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Flûte traversière, Orgue (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Cor Anglais
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Saxophone Soprano
1
Ocarina
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Euphonium, Piano (duo)
20
Trombone et Piano
19
Trompette, Piano
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Cor et Piano
15
Trompette (partie séparée)
11
Cor anglais, Piano
10
Trompette
10
Ensemble de Trombones
7
Tuba et Piano
6
Cor
6
Quatuor de Cuivres
5
Trombone (partie séparée)
5
Trombone
5
Cor (partie séparée)
5
2 Trompettes (duo)
4
Tuba (partie séparée)
4
Tuba
4
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
2
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
Trombone, Orgue
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse
1
Ensemble de Trompettes
1
Trio de Cuivres
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
44
2 Violoncelles (duo)
29
Alto, Piano
24
Violoncelle, Piano
23
Violon
16
Violon (partie séparée)
15
Harpe
11
2 Violons (duo)
11
Violon, Violoncelle (duo)
10
Violoncelle
9
Alto seul
7
Contre Basse
7
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
6
Violon, Alto (duo)
5
Violoncelle (partie séparée)
5
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Ensemble de Violons
1
Ensemble d'Altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
493
Orchestre
55
Orchestre à Cordes
46
Ensemble de cuivres
26
Cloches
20
Orchestre de chambre
19
Ensemble Jazz
11
Percussion (partie séparée)
10
Ensemble de Percussions
6
Batterie
3
Xylophone, Piano
3
Batterie (partie séparée)
2
Fanfare
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Once Again
Saxophone Baryton, Piano
Partitions à imprimer
14 partitions trouvées
<
1
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.65 €
#
Saxophone Baryton, Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.91 €
#
Saxophone Baryton, Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
O Come, O Come Emmanuel for Solo Bari Saxophone
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.967690 Composed by Tr…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.967690 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Sacred. Score and part. 12 pages. Lawrence H Underwood #6189345. Published by Lawrence H Underwood (A0.967690). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
$5.99
5.44 €
#
Saxophone Baryton, Piano
#
Traditional
#
Lawrence H
#
O Come, O Come Emmanuel for Solo Bari Saxophone
#
Lawrence H Underwood
#
SheetMusicPlus
Drifting Clouds
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373729 Composed by L…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373729 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958120. Published by Lawrence H Underwood (A0.1373729). This original composition by veteran performer and music educator, Lawrence Underwood, is the fifth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Drifting Clouds evokes images of clear, bright skies with gentle clouds floating on an easy breeze. The specter of rain appears in the middle of the piece, taking the solo into a minor waltz, before the threat of stormy weather dissipates and the skies clear once again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
6.35 €
#
Saxophone Baryton, Piano
#
Lawrence H Underwood
#
Drifting Clouds
#
Lawrence H Underwood
#
SheetMusicPlus
Cogs & Gears
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1374176 Composed by L…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1374176 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958752. Published by Lawrence H Underwood (A0.1374176). This original composition by veteran performer and music educator, Lawrence Underwood, is the tenth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Cogs & Gears evokes images of a well-oiled machine, driving. . .pushing. . .moving. The opening section locks measures of 3/4 and 6/8 together, working in tandem to propel the melody forward. The middle of the piece keeps the same pulse, but uses a jaunty melody to move first into 4 and then, with increasing frequency, measures of 2 and 3. The opening motif reappears before the piece once again pushes into the the lively second theme as it bounces towards its playful conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
6.35 €
#
Saxophone Baryton, Piano
#
Lawrence H Underwood
#
Cogs & Gears
#
Lawrence H Underwood
#
SheetMusicPlus
Goodbye Yellow Brick Road
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.547876 By Elton John.…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.547876 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 8 pages. Jmsgu3 #3073391. Published by jmsgu3 (A0.547876). BARITONE SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of tonal harmony. The verses are syllabic, arranged in 8 regular phrases. The last phrase is elided with a melismatic bridge that suddenly modulates to the lowered mediant, causing a chromatic mediant relation. Further drama is introduced by the voice leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. -jmsgu3
$53.95
48.97 €
#
Saxophone Baryton, Piano
#
Elton John
#
James M
#
Goodbye Yellow Brick Road
#
jmsgu3
#
SheetMusicPlus
Jingle Bells for Solo Bari Saxophone
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.967676 Composed by Ja…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.967676 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189289. Published by Lawrence H Underwood (A0.967676). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
5.44 €
#
Saxophone Baryton, Piano
#
James Pierpont
#
Lawrence H
#
Jingle Bells for Solo Bari Saxophone
#
Lawrence H Underwood
#
SheetMusicPlus
Adagio from BWV 974 for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1208360 Composed by J…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1208360 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #806468. Published by Diego Marani (A0.1208360). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for baritone sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.16 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Diego Marani
#
Adagio from BWV 974 for Baritone Saxophone and Piano
#
Diego Marani
#
SheetMusicPlus
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by Ge…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.91 €
#
Saxophone Baryton, Piano
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Ed…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.65 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
 
#
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Ed…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.65 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Ed…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.65 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Ed…
(+)
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.42 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Ed…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
29.91 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale