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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Night A Year
Non classifié
113
Piano & claviers
Piano seul
70
Piano, Voix
17
Piano Facile
12
Piano, Voix et Guitare
9
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue
2
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Piano, Guitare (duo)
2
Voix
Chorale SATB
24
Chorale 3 parties
8
Chorale SSAA
2
Chorale Unison
2
Chorale TTBB
2
Voix Tenor, Piano
1
Chorale 2 parties
1
Voix Alto, Piano
1
+ 3 instrumentations
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Vents
Saxophone Alto
12
Saxophone Tenor
12
Saxophone Alto et Piano
12
Saxophone Tenor et Piano
11
Saxophone (partie séparée)
10
Saxophone Soprano et Piano
8
Flûte traversière et Piano
8
Clarinette et Piano
6
Quatuor de Saxophones: 4 saxophones
6
Ensemble de saxophones
6
Quintette de Saxophone: 5 saxophones
6
Flûte traversière
6
Saxophone Soprano
5
Saxophone Baryton, Piano
5
Hautbois, Piano (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
Clarinette
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
2 Saxophones (duo)
3
Quatuor de Clarinettes: 4 clarinettes
2
Flute (partie séparée)
2
Ensemble de Clarinettes
2
Clarinette Basse, Piano
2
Hautbois (partie séparée)
2
Cor anglais, Piano
2
Hautbois
1
Ensemble de Flûtes
1
Piccolo, Piano
1
Flute, harpe et violon
1
2 Flûtes traversières (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Quintette de Flûte : 5 flûtes
1
+ 28 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
13
Trompette
10
Trombone
9
Quatuor de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor et Piano
5
Tuba et Piano
3
Trompette (partie séparée)
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Trompette, Piano
2
Cor
2
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
Euphonium
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
2 Tubas (duo)
1
+ 17 instrumentations
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Cordes
Violon
14
Quatuor à cordes: 2 violons, alto, violoncelle
12
Harpe
10
Violoncelle
9
Violon et Piano
9
Violoncelle, Piano
5
Alto, Piano
5
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
1
Violon, Clarinette, Piano (trio)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
Violon, Violoncelle (duo)
1
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
3 Harpes
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
49
Orchestre
17
Orchestre à Cordes
13
Ensemble de cuivres
8
Orchestre de chambre
3
Jazz combo
3
Ensemble Jazz
2
Ensemble de Percussions
2
Fanfare
1
Batterie
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
One Night A Year
Saxophone Baryton, Piano
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Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.85 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548670 Composed by Ad…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Saxophone Baryton, Piano
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Adam
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James M
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O Holy Night for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
23 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
You've Got A Friend
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.547818 By James Taylo…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.547818 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 9 pages. Jmsgu3 #3056305. Published by jmsgu3 (A0.547818). Carole King: You've Got A Friend arranged for Baritone Sax & Piano.Includes solo instrument part.Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub or recital hall performance.
$67.95
62.64 €
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Saxophone Baryton, Piano
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James Taylor
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James M
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Piano
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You've Got A Friend
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jmsgu3
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SheetMusicPlus
I Write The Songs
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549336 By Barry Manil…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549336 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486311. Published by jmsgu3 (A0.549336). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.83 €
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Saxophone Baryton, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
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One Night A Year
