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Piano seul
4765
Orgue
1551
Piano Facile
327
Piano, Voix et Guitare
276
Piano, Voix
255
Piano Trio: piano, violon, violoncelle
119
Accompagnement Piano
82
Instruments en Do
32
Orgue, Piano (duo)
31
1 Piano, 4 mains
30
2 Pianos, 4 mains
28
Clavecin
26
Orgue, Trompette (duo)
22
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
18
Clavier
7
1 Piano, 6 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
4
Piano (partie séparée)
3
Fake Book
2
2 Orgues (duo)
1
2 Accordéons
1
Piano grosses notes
1
2 Pianos, 8 mains
1
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GUITARES
Guitare
425
Guitare notes et tablatures
173
2 Guitares (duo)
51
Piano, Guitare (duo)
33
Ligne De Mélodie, (Paroles) et Accords
21
4 Guitares (Quatuor)
14
Ukulele
14
3 Guitares (trio)
8
Banjo
8
Basse electrique
7
Mandoline
5
Guitare (partie séparée)
2
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
2 Mandolines (duo)
1
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VOIX
Chorale SATB
109
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35
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17
Pack Instrumental pour Chorale
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12
Voix Soprano, Piano
10
Voix Alto, Piano
6
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4
Voix seule
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3
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Voix duo, Piano
1
Voix Soprano
1
Chorale
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Voix duo
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Flûte traversière et Piano
422
Clarinette et Piano
256
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241
Saxophone Alto et Piano
224
Hautbois, Piano (duo)
220
2 Saxophones (duo)
198
Saxophone Tenor et Piano
194
2 Flûtes traversières (duo)
169
2 Clarinettes (duo)
140
Quatuor de Saxophones: 4 saxophones
131
Flûte, Hautbois, Clarinette, Basson
120
Flûte traversière
107
Flûte, Clarinette (duo)
105
Saxophone Soprano et Piano
98
Clarinette
98
Quatuor de Clarinettes: 4 clarinettes
91
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3 Saxophones (trio)
73
Quatuor de Flûtes : 4 flûtes
53
Clarinette (partie séparée)
52
Saxophone (partie séparée)
50
Quintette de Clarinettes: 5 clarinettes
48
3 Clarinettes (trio)
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2 Saxophones, Piano
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42
Quintette de Saxophone: 5 saxophones
40
2 Flûtes traversières, Piano
37
2 Clarinettes, Piano
32
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31
Flûte, trombone et piano
27
Flûte, Violon et Violoncelle
27
Hautbois (partie séparée)
27
Clarinette, Violoncelle, Piano (trio)
26
Ensemble de Flûtes
26
Trio de Flûtes: 3 flûtes
24
Flûte, Violoncelle, Piano (trio)
24
Flute (partie séparée)
23
Flûte, Violon, Piano
23
Flûte et Guitare
22
Quatuor de Flûtes à bec
22
Ensemble de Clarinettes
21
Clarinette, Violon (duo)
19
Flûte, Hautbois, Piano (trio)
19
Flûte, Alto et Piano
17
Cor anglais, Piano
17
Flûte, Clarinette et Basson
15
Saxophone Tenor
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Ensemble de saxophones
12
Flûte, Hautbois, Clarinette (trio)
11
Hautbois, Basson (duo)
11
Flûte, Violoncelle
11
Clarinette, trompette et piano
11
Saxophone Baryton, Piano
11
Clarinette Basse, Piano
10
Flûte à Bec
10
Flûte à bec Soprano
10
Flûte, Violon, Violoncelle et Piano
9
5 Flûtes à bec
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2 Hautbois (duo)
8
Flute, Cor (duo)
8
Flûte, Hautbois, Basson
8
Flûte, Violon
7
Flûte, Basson et Piano
7
Hautbois, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Flûte traversière, Orgue (duo)
6
Flûte, Violoncelle, Guitare
6
Hautbois, Flûte
6
Flûte, Hautbois (duo)
5
Clarinette, Orgue
5
Cor Anglais
5
Flûte, Trombone (duo)
4
Flûte à bec Alto
4
Flûte, Saxophone (duo)
4
Flûte, Alto (duo)
4
Piccolo, Piano
4
Clarinette, Guitare (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Saxophone Soprano
4
Clarinette, Alto et Piano (trio)
4
Clarinette, Violoncelle (duo)
3
Hautbois
3
Clarinette Basse
3
Hautbois, Violoncelle
3
Hautbois et alto (duo)
3
Clarinette, Harpe (duo)
3
Ensemble De Flûte à bec
3
Piccolo
3
Saxophone et Guitare
2
Saxophone et Harpe
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec, Guitare (duo)
2
Hautbois, Harpe
2
2 Flûte à bec (duo)
2
2 Clarinettes, Basson
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Tuba (duo)
2
Flûte, Violon, Guitare
2
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Soprano, Piano
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Violon
1
2 Hautbois, Piano
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Clarinette et Alto
1
Flûte, Trompette (duo)
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Instruments en Mib
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Saxophone
1
Flûte à bec, Harpe
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Flûte, alto et harpe
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3 Flûtes à bec (trio)
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Ensemble à vent
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Cor anglais et Harpe (duo)
1
Saxophone, Violon (duo)
1
Saxophone et Piano
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4 Hautbois
1
Flûte et Trio à cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Saxophone, Piano
1
2 Hautbois et Cor anglais
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
249
Trombone et Piano
221
Trompette, Piano
213
Trompette, Trombone (duo)
137
Trompette
118
2 Trombones (duo)
115
2 Trompettes (duo)
111
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
Trombone
78
Cor et Piano
73
Trombone (partie séparée)
44
Trompette (partie séparée)
33
2 Cors (duo)
32
Quatuor de cuivres: 4 trombones
32
Ensemble de Trombones
30
Quatuor de Cuivres
28
Cor
27
2 Euphoniums et 2 Tubas
24
Tuba et Piano
24
Trompette, Violoncelle et Piano
22
Euphonium, Piano (duo)
21
Quatuor de cuivres: 4 cors
20
Quatuor de cuivres: 4 trompettes
19
Cor (partie séparée)
18
Cor anglais, Piano
17
Tuba (partie séparée)
13
Tuba
12
Ensemble de Trompettes
11
Ensemble de Cors
9
Euphonium
9
Trio de Cuivres
7
Cornet A Pistons
6
Trompette, Trombone, Piano
6
4 Tubas
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
3 Trombones (trio)
6
Cor Anglais
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Clarinette, Cor (duo)
4
Trombone basse
4
3 Trompettes (trio)
4
Trombone, Orgue
4
Trompette et Guitare
4
Trombone, Tuba (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
2 Tubas (duo)
2
Cor et Orgue
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone basse et Piano
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Trompette, Harpe
1
3 Tubas (trio)
1
Trombone, Violon (duo)
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Instruments en Sib
1
Cor, Violoncelle (duo)
1
Tuba et Orgue
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Cor, Tuba (duo)
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Cor, Violoncelle et Piano
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Ensemble de Tubas
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Cor anglais et Harpe (duo)
1
Cor et Harpe
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Trompette, violon (duo)
1
3 Cors (trio)
1
Trompette, Violoncelle (duo)
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Bass Clef Instruments
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
586
Violon et Piano
551
Violoncelle, Piano
332
Alto, Piano
241
Violon
178
Violoncelle
144
2 Violoncelles (duo)
138
2 Violons (duo)
135
Violon, Violoncelle (duo)
132
Trio à Cordes: violon, alto, violoncelle
115
2 Altos (duo)
112
Alto seul
83
Violon, Alto (duo)
83
Harpe
71
Violon (partie séparée)
51
Piano Trio: Violon, Alto, Piano
48
Trio à Cordes: 2 violons, violoncelle
44
4 Violoncelles
31
Trio à cordes: 3 violins
28
Alto (partie séparée)
27
Contrebasse (partie séparée)
19
Quatuor à cordes: 4 violons
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violoncelle (partie séparée)
14
Trio à Cordes: 3 violoncelles
13
Alto, Violoncelle (duo)
13
Harpe, Flûte (duo)
12
Harpe, Violon (duo)
12
Harpe, Violoncelle (duo)
11
Violon, Clarinette, Piano (trio)
11
Alto et Harpe
9
Violon, Guitare (duo)
8
Violoncelle , Guitare (duo)
8
Contre Basse
6
2 Violons, Piano
6
Violon, Orgue
6
Harpe, Voix
4
Violoncelle, Orgue
4
Contrebasse, Piano (duo)
4
Ensemble de Violons
4
2 Harpes (duo)
3
Alto, Orgue
3
4 Contrebasses
3
Trio à cordes: 3 altos
3
Violon, Basson (duo)
3
Violon, Trompette et Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
1
Ensemble de Violoncelles
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Ensemble d'Altos
1
2 Violoncelles, Piano
1
Flûte, Contrebasse (duo)
1
Alto et Basson
1
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PERCUSSIONS & ORCHESTRES
Jazz combo
313
Orchestre d'harmonie
277
Orchestre à Cordes
195
Orchestre
149
Ensemble de cuivres
113
Cloches
78
Orchestre de chambre
46
Ensemble Jazz
28
Ensemble de Percussions
16
Percussion (partie séparée)
15
Timbales (partie séparée)
10
Marimba
7
Quatuor à Vent : 4 instruments à vents
3
Quintette à Vent
3
Percussion
2
Batterie (partie séparée)
2
Timbales
2
Xylophone
1
Batterie
1
Vibraphone
1
Fanfare
1
Big band
1
Xylophone, Piano
1
Caisse Claire
1
Vibraphone et Marimba
1
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AUTRES
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PRELUDE
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Partitions à imprimer
11 partitions trouvées
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1
Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by F…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053655. Published by jmsgu3 (A0.1476129). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$32.95
30.12 €
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Saxophone Baryton, Piano
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude in G Minor for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.550364 Composed by Al…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.550364 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614317. Published by jmsgu3 (A0.550364). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$15.95
14.58 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Al…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
3 Preludes
Saxophone Baryton, Piano
Baritone Saxophone & Piano - Grade 4 - Digital Download SKU: R0.46000 Composed by G…
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Baritone Saxophone & Piano - Grade 4 - Digital Download SKU: R0.46000 Composed by George Gershwin. Arranged by Marco Santi. Baritone Saxophone & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #46000. Published by Editions Marc Reift - Digital (R0.46000).
$17.95
16.41 €
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Saxophone Baryton, Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Ba…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.12 €
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Saxophone Baryton, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J.…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.12 €
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Saxophone Baryton, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Jo…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.12 €
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Saxophone Baryton, Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Digital Download SKU: A0.1315649 By Brandon C Stanley. B…
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Baritone Saxophone,Piano - Digital Download SKU: A0.1315649 By Brandon C Stanley. By Brandon C Stanley. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #904392. Published by Brandon C Stanley (A0.1315649). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo baritone saxophone (saxophone baryton) and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Baritone Saxophone (English)Saxophone Baryton (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo baritone saxophone (saxophone baryton) alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
4.56 €
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Saxophone Baryton, Piano
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Ave Maria - Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.721819 Composed by Ch…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.721819 Composed by Charles Francois Gounod. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 5 pages. Music-Scores.com #5038237. Published by Music-Scores.com (A0.721819). Gounod so admired Bach as a composer that he wrote this beautiful melody above the 1st Prelude Book 1.Arranged as a duo for Baritone Saxophone and Piano.Duration 3 minutes, 40 seconds.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
6.35 €
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Saxophone Baryton, Piano
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Charles Francois Gounod
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Ave Maria - Baritone Saxophone and Piano
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Music-Scores.com
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SheetMusicPlus
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551572 Composed by Jo…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
30.12 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.533522 Composed by Pa…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010455. Published by Musik Fabrik Music Publishing (A0.533522). Written for Jay C. Easton, this piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95
18.24 €
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Saxophone Baryton, Piano
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Paul Wehage
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Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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