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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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FLUTE TRAVERSI…
FORMATION MUSI…
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Pat\'s Song
Non classifié
552
Piano & claviers
Piano, Voix
515
Piano seul
433
Piano Facile
282
Piano, Voix et Guitare
118
Piano grosses notes
83
Instruments en Do
77
Orgue
21
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
7
Accompagnement Piano
7
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitare notes et tablatures
42
Guitare
29
Ukulele
15
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
11
2 Guitares (duo)
3
Dulcimer
2
Paroles et Accords
2
Mandoline
2
Banjo
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
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Voix
Chorale SATB
199
Chorale 3 parties
92
Chorale 2 parties
57
Chorale TTBB
49
Chorale SSAA
38
Chorale Unison
32
Voix Soprano, Piano
16
Voix duo
6
Voix duo, Piano
5
Voix seule
4
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Chorale
1
Voix Tenor
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
Voix Moyenne
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 15 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quintette de Saxophone: 5 saxophones
60
Flûte traversière et Piano
52
Quatuor de Saxophones: 4 saxophones
44
Flûte, Hautbois, Clarinette, Basson
41
Hautbois (partie séparée)
38
Saxophone Alto et Piano
37
Saxophone (partie séparée)
36
Clarinette et Piano
32
Hautbois, Piano (duo)
30
Flûte traversière
23
Quatuor de Clarinettes: 4 clarinettes
21
Saxophone Tenor et Piano
20
Saxophone Alto
20
Clarinette
18
Saxophone Tenor
17
2 Flûtes traversières (duo)
16
2 Clarinettes (duo)
16
Saxophone Soprano et Piano
12
2 Saxophones (duo)
12
Clarinette (partie séparée)
8
Ensemble de Clarinettes
7
Ensemble de Flûtes
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
Flûte et Guitare
3
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Flûte, Violon, Piano
3
Hautbois
3
3 Saxophones (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette et Basson
2
Cor anglais, Piano
2
Flûte, Violon
2
Clarinette, Violon (duo)
2
Flûte, Hautbois (duo)
2
Clarinette Basse
2
Flûte à bec Alto
2
Harmonica
2
Hautbois, Clarinette (duo)
2
Flûte, Alto (duo)
1
Saxophone
1
Saxophone et Guitare
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Clarinette, Violoncelle (duo)
1
Hautbois, violon (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Clarinette, Harpe (duo)
1
Cornemuse
1
Hautbois, Basson (duo)
1
Clarinette, Trompette (duo)
1
Cor Anglais
1
Flute, harpe et violon
1
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
+ 63 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trompette
36
Trompette, Piano
29
Cor et Piano
27
Trombone et Piano
24
Quatuor de Cuivres
18
Trombone
17
Tuba et Piano
15
Trombone (partie séparée)
10
Trompette (partie séparée)
8
Tuba
8
Ensemble de Trombones
6
Tuba (partie séparée)
5
2 Euphoniums et 2 Tubas
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
4
Cor
4
2 Trompettes (duo)
3
Cor (partie séparée)
3
3 Trombones (trio)
2
Ensemble de Trompettes
2
3 Trompettes (trio)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Trombone basse
1
Euphonium, Piano (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Saxophone (duo)
1
2 Trombones, Piano
1
Trompette, Trombone (duo)
1
Ensemble de Tubas
1
Trompette et Guitare
1
2 Cors (duo)
1
Cor Anglais
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon et Piano
67
Violoncelle, Piano
47
Harpe
44
Alto, Piano
38
Violon
34
Violon, Violoncelle (duo)
25
Violoncelle
19
Contrebasse, Piano (duo)
19
2 Violons (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto (partie séparée)
13
Alto seul
13
Trio à cordes
9
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
7
Contrebasse (partie séparée)
7
Contre Basse
7
Violon, Alto (duo)
6
2 Altos (duo)
6
Harpe, Flûte (duo)
5
Violon (partie séparée)
5
Piano Trio: Violon, Alto, Piano
5
Ensemble d'Altos
4
Violon, Guitare (duo)
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
4 Violoncelles
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
183
Orchestre
57
Orchestre à Cordes
45
Cloches
34
Ensemble de cuivres
19
Orchestre de chambre
14
Ensemble Jazz
12
Fanfare
11
Percussion (partie séparée)
9
Batterie
7
Ensemble de Percussions
5
Marimba
2
Vibraphone et Marimba
1
Vibraphone
1
Timbales (partie séparée)
1
Jazz combo
1
+ 11 instrumentations
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Autres
Théorie de la musique
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Crtitères actifs :
Pat\'s Song
Saxophone Baryton, Piano
Partitions à imprimer
3 partitions trouvées
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Morning Has Broken
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Saxophone Baryton, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Crazy
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Patsy Cline
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Debra E
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Crazy
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Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1211964 By Patsy Cline. By Willie Nelson. Arranged by Debra E. Stempien, Gregory H. Turner. Country,Jazz,Po...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1211964 By Patsy Cline. By Willie Nelson. Arranged by Debra E. Stempien, Gregory H. Turner. Country,Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #809512. Published by Standard Time (A0.1211964). This bari sax solo with piano accompaniment is an arrangement of Willie Nelson's classic song, originally made famous by Patsy Cline. (Please note that the provided audio is an alto sax version.) Play along with the accompaniment at the link provided!
$9.99
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
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Pat\'s Song
