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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Perhaps, Perhaps, Perhaps
Non classifié
526
Piano & claviers
Piano seul
218
Piano Facile
44
Piano, Voix et Guitare
41
Piano, Voix
35
Instruments en Do
21
Orgue
13
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
Piano (partie séparée)
2
Accordéon
2
2 Pianos, 4 mains
2
Piano grosses notes
2
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
11
Paroles et Accords
7
Guitare (partie séparée)
5
2 Guitares (duo)
5
Banjo
4
2 Mandolines (duo)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Guitare Pedal Steel
1
4 Guitares (Quatuor)
1
Mandoline
1
Basse electrique
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
128
Chorale 3 parties
36
Chorale TTBB
18
Chorale SSAA
15
Chorale 2 parties
14
Voix Alto, Piano
10
Chorale Unison
7
Voix seule
4
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix duo
2
Voix Tenor
1
Chorale
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
93
Quintette de Saxophone: 5 saxophones
75
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
37
2 Saxophones (duo)
36
Saxophone Alto et Piano
28
Quatuor de Clarinettes: 4 clarinettes
28
Flûte, Hautbois, Clarinette, Basson
26
Clarinette et Piano
23
2 Flûtes traversières (duo)
23
Quatuor de Flûtes : 4 flûtes
20
Clarinette
18
2 Clarinettes (duo)
18
Saxophone (partie séparée)
17
Flûte traversière
17
Hautbois, Piano (duo)
17
Saxophone Soprano et Piano
17
Saxophone Alto
15
Ensemble de saxophones
14
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Flûte, Clarinette (duo)
11
Saxophone Tenor
10
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
7
Quintette de Flûte : 5 flûtes
7
Hautbois (partie séparée)
6
Clarinette, Trompette (duo)
6
2 Flûte à bec (duo)
5
Saxophone Baryton, Piano
5
Cor anglais, Piano
5
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
5
3 Saxophones (trio)
4
Clarinette (partie séparée)
4
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
Flute (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Flûte et Guitare
3
Flûte, Saxophone (duo)
3
2 Saxophones, Piano
3
Clarinette Basse, Piano
2
Clarinette, Harpe (duo)
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Flûte, Hautbois, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Orgue
1
Clarinette Basse
1
Instruments en Mib
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Flûte irlandaise
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
17
Trombone et Piano
13
Trombone (partie séparée)
12
Trompette, Trombone (duo)
12
Trompette, Piano
11
Cor et Piano
11
Trombone
11
Ensemble de Trombones
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Trompette (partie séparée)
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
5
Cor anglais, Piano
5
Quatuor de Cuivres
5
Cor (partie séparée)
4
Tuba
3
Bass Clef Instruments
3
Euphonium, Piano (duo)
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
2
Cor
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Tuba (partie séparée)
2
Trombone, Tuba (duo)
1
Tuba et Orgue
1
Euphonium
1
Trombone, Orgue
1
4 Tubas
1
2 Cors (duo)
1
3 Trombones (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon et Piano
31
Violoncelle, Piano
28
Violon, Violoncelle (duo)
18
Alto, Piano
17
Violoncelle
14
Violon
13
2 Violons (duo)
13
2 Violoncelles (duo)
12
2 Altos (duo)
10
2 Harpes (duo)
10
Harpe
10
Alto seul
8
Ensemble d'Altos
8
Ensemble de Violons
8
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Violon (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
4 Violoncelles
3
Contrebasse, Piano (duo)
3
Contre Basse
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Harpe et Orgue
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
62
Orchestre à Cordes
52
Orchestre
44
Orchestre de chambre
27
Ensemble de cuivres
19
Ensemble Jazz
16
Cloches
7
Fanfare
4
Batterie
3
Batterie (partie séparée)
3
Marimba
2
2 Marimbas
1
Vibraphone
1
Orchestre, Violon
1
Percussion (partie séparée)
1
2 Xylophones
1
+ 11 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Perhaps, Perhaps, Perhaps
Saxophone Baryton, Piano
Partitions à imprimer
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Turkish March by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155648 Composed by L…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155648 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755952. Published by Woods Only, Arrangements (A0.1155648). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.83 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Amazing Grace, Gospel Hymn for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.592651 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.592651 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411255. Published by David McKeown (A0.592651). Amazing Grace is a beautiful hymn arranged here for Solo Baritone Saxophone and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
$2.49
2.29 €
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Saxophone Baryton, Piano
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John Newton
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David McKeown
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Amazing Grace, Gospel Hymn for Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.8 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by Ja…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.96 €
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Saxophone Baryton, Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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