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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude In A Major
Sheetmusicplus
Non classifié
404
Piano & claviers
Piano seul
367
Orgue
112
Accompagnement Piano
49
Piano Facile
33
Piano, Voix
16
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
5
Instruments en Do
5
Piano, Voix et Guitare
4
Orgue, Piano (duo)
4
1 Piano, 4 mains
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 11 instrumentations
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Guitares
Guitare
21
Guitare notes et tablatures
10
Piano, Guitare (duo)
8
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
Banjo
2
3 Guitares (trio)
2
Ukulele
1
+ 3 instrumentations
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Voix
Voix Tenor, Piano
17
Chorale SATB
10
Voix Soprano, Piano
7
Voix Alto, Piano
5
Chorale 3 parties
4
Voix Tenor
4
Chorale 2 parties
1
Voix Soprano
1
+ 3 instrumentations
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Vents
Flûte traversière et Piano
59
Hautbois, Piano (duo)
52
Saxophone Tenor et Piano
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Clarinette et Piano
33
3 Saxophones (trio)
32
Saxophone Soprano et Piano
30
Quatuor de Saxophones: 4 saxophones
28
Saxophone Alto et Piano
28
3 Clarinettes (trio)
13
Flûte, Clarinette, Piano (trio)
13
Quatuor de Clarinettes: 4 clarinettes
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte, trombone et piano
12
Flûte traversière
11
2 Flûtes traversières, Piano
11
Flûte, Violon et Violoncelle
10
2 Clarinettes, Piano
10
Cor anglais, Piano
7
Clarinette
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Violoncelle, Piano (trio)
7
Clarinette, Violon (duo)
6
Ensemble de Clarinettes
6
Flûte et Guitare
6
Saxophone Baryton, Piano
6
Flûte, Alto et Piano
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Violon, Piano
5
Quintette de Saxophone: 5 saxophones
5
2 Clarinettes (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
2 Flûtes traversières (duo)
4
Clarinette, trompette et piano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois, Basson
4
Flûte, Violon, Violoncelle et Piano
4
Clarinette Basse, Piano
3
Flûte, Hautbois, Piano (trio)
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de Flûtes
2
2 Saxophones (duo)
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Basson et Piano
2
Flûte, Violoncelle, Guitare
2
Flûte, Clarinette (duo)
2
Saxophone Alto
2
Cor anglais et Harpe (duo)
1
Flûte, Violon
1
Hautbois, Harpe
1
Clarinette, Basson (duo)
1
2 Hautbois (duo)
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
Saxophone Tenor
1
Saxophone (partie séparée)
1
Piccolo, Piano
1
Hautbois (partie séparée)
1
Clarinette, Alto et Piano (trio)
1
2 Clarinettes, Basson
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois
1
Clarinette, Saxophone, Piano
1
Flûte à bec Alto
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano
1
Flûte à Bec
1
+ 67 instrumentations
Retracter
Cuivres
Trombone et Piano
43
Trompette, Piano
40
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Cor et Piano
17
Quatuor de cuivres: 4 trompettes
9
Euphonium, Piano (duo)
9
Quatuor de cuivres: 4 cors
8
Quatuor de cuivres: 4 trombones
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor anglais, Piano
7
Trompette, Violoncelle et Piano
7
Quatuor de Cuivres
7
Trompette
6
Trio de Cuivres
5
Trombone
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Trombones (trio)
3
Ensemble de Trombones
3
Tuba
2
Ensemble de Cors
2
2 Trompettes (duo)
2
Cor anglais et Harpe (duo)
1
Trompette (partie séparée)
1
3 Trompettes (trio)
1
Cor, Violoncelle et Piano
1
Trompette, Trombone, Piano
1
Tuba et Piano
1
Ensemble de Trompettes
1
Cor
1
Euphonium
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
55
Quatuor à cordes: 2 violons, alto, violoncelle
51
Alto, Piano
41
Violoncelle, Piano
39
Trio à Cordes: violon, alto, violoncelle
17
Trio à Cordes: 2 violons, violoncelle
16
Violon
15
Violoncelle
11
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
10
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
7
Quatuor à cordes: 4 violons
7
4 Violoncelles
7
Harpe
6
2 Violons (duo)
3
Violoncelle , Guitare (duo)
3
Alto (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
2
Alto seul
2
Violon, Trompette et Piano
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Violon (partie séparée)
1
Alto, Guitare (duo)
1
2 Violons, Piano
1
2 Altos (duo)
1
Contre Basse
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
12
Ensemble de cuivres
7
Orchestre
7
Orchestre de chambre
6
Orchestre d'harmonie
4
Cloches
3
Marimba
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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Vous avez sélectionné:
Prelude In A Major
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James Guthrie, ASCAP
#
BACH: Sonata in C Major BWV 10
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Bach-Gounod: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Bar
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding....
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Pachelbel: Canon for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Saxophone Baryton, Piano
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Contemporain
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Baritone Saxophone,Piano - SKU: A0.1315649 By Brandon C Stanley. By Brandon C Stanley. Arranged by Brandon C Stanley. 20th Century,Classical. Score and ...
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Baritone Saxophone,Piano - SKU: A0.1315649 By Brandon C Stanley. By Brandon C Stanley. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #904392. Published by Brandon C Stanley (A0.1315649). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo baritone saxophone (saxophone baryton) and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Baritone Saxophone (English)Saxophone Baryton (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo baritone saxophone (saxophone baryton) alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
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Prelude In A Major
