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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIOLON
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PIANO & CLAVIERS
Piano seul
677
Piano Facile
349
Orgue
126
1 Piano, 4 mains
58
Piano, Voix et Guitare
46
Accompagnement Piano
34
Piano, Voix
34
Instruments en Do
20
2 Pianos, 4 mains
17
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano (partie séparée)
6
Orgue, Trompette (duo)
5
Piano grosses notes
5
1 Piano, 6 mains
4
Accordéon, Piano
4
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
1
Ensemble de Pianos
1
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GUITARES
Guitare notes et tablatures
61
Guitare
36
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
11
Basse electrique
8
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
Ukulele
5
Guitare (partie séparée)
4
Mandoline
3
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
2
3 Guitares (trio)
1
Banjo
1
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VOIX
Chorale SATB
107
Chorale 3 parties
30
Chorale TTBB
16
Chorale 2 parties
15
Chorale SSAA
14
Chorale Unison
10
Voix duo
4
Voix Soprano, Piano
3
Soli, choeur mixte et accompagnement
3
Voix duo, Piano
2
Chorale SSATB
1
Voix basse, Piano
1
Chorale
1
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VENTS
Clarinette (partie séparée)
281
Saxophone (partie séparée)
191
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
113
Hautbois (partie séparée)
105
Clarinette
101
Flûte traversière et Piano
96
Quatuor de Saxophones: 4 saxophones
88
Flute (partie séparée)
78
Flûte traversière
73
2 Saxophones (duo)
71
Flûte, Hautbois, Clarinette, Basson
69
Clarinette et Piano
63
2 Flûtes traversières (duo)
60
Saxophone Alto et Piano
55
Quatuor de Clarinettes: 4 clarinettes
52
Quintette de Saxophone: 5 saxophones
50
Hautbois, Piano (duo)
49
2 Clarinettes (duo)
41
Ensemble de saxophones
41
Ensemble de Clarinettes
39
Quatuor de Flûtes : 4 flûtes
38
3 Saxophones (trio)
33
Saxophone Alto
32
Saxophone Tenor et Piano
32
Saxophone Soprano et Piano
29
Flûte, Clarinette (duo)
25
3 Clarinettes (trio)
24
Ensemble de Flûtes
20
Hautbois
19
Quintette de Clarinettes: 5 clarinettes
18
Trio de Flûtes: 3 flûtes
17
2 Hautbois (duo)
14
Saxophone Baryton, Piano
14
Cor anglais, Piano
13
Flûte et Guitare
13
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
10
Piccolo
9
Clarinette, Basson (duo)
9
Clarinette Basse
9
Flûte à Bec
9
Quatuor de Flûtes à bec
8
Saxophone Tenor
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Clarinette, Guitare (duo)
7
Clarinette Basse, Piano
6
Flûte, Clarinette et Basson
6
3 Flûtes à bec (trio)
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Basson (duo)
6
Flûte, Violon
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois, Clarinette (duo)
4
Cor Anglais
4
5 Flûtes à bec
4
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
3
Flûte à bec Alto
3
3 Hautbois
2
Saxophone et Guitare
2
Hautbois, Guitare (duo)
2
Ensemble de Hautbois
2
Saxophone et Harpe
2
2 Saxophones, Piano
2
4 Hautbois
2
Hautbois, Flûte
2
Clarinette, Violon (duo)
1
2 Flûtes traversières, Piano
1
Ensemble De Flûte à bec
1
Saxophone
1
Hautbois, Harpe
1
Ensemble à vent
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec, Piano
1
Piccolo, Piano
1
Flûte, Trombone (duo)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Saxophone (duo)
1
Saxophone, Violon (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
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CUIVRES
Trombone (partie séparée)
245
Trompette (partie séparée)
217
Cor
206
Cor (partie séparée)
129
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Trompette
107
Tuba (partie séparée)
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Trombone et Piano
57
Trompette, Piano
53
Trombone
50
Cor et Piano
38
Quatuor de cuivres: 4 trombones
31
2 Trompettes (duo)
29
Ensemble de Trombones
27
Trompette, Trombone (duo)
21
2 Trombones (duo)
19
Tuba
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
2 Cors (duo)
17
Quatuor de Cuivres
16
Quatuor de cuivres: 4 cors
15
Trompette, Cor (duo)
13
Cor anglais, Piano
13
Euphonium, Piano (duo)
11
Ensemble de Cors
10
4 Tubas
10
Tuba et Piano
10
Cornet A Pistons
9
Tuba et Orgue
9
3 Trombones (trio)
9
Ensemble de Trompettes
7
3 Trompettes (trio)
7
3 Cors (trio)
7
2 Euphoniums et 2 Tubas
6
3 Tubas (trio)
5
2 Tubas (duo)
5
Trombone basse et Piano
4
Cor Anglais
4
Euphonium, Tuba (duo)
4
Quatuor de cuivres: 4 trompettes
4
Trombone, Cor (duo)
4
Tuba ou Euphonium ou Saxhorn
3
Trombone basse
3
Trombone et orchestre
3
2 Euphoniums (duo)
3
Trio de Cuivres
3
Trombone, Orgue
2
Ensemble de Tubas
2
Cor, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Trompette, violon (duo)
1
Trompette, Saxophone (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Harpe
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
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CORDES
Violon (partie séparée)
301
Quatuor à cordes: 2 violons, alto, violoncelle
263
Violon et Piano
136
Violoncelle (partie séparée)
121
Contrebasse (partie séparée)
110
Violon
107
Alto seul
99
Violoncelle, Piano
78
Alto (partie séparée)
56
Alto, Piano
51
Violon, Violoncelle (duo)
50
Trio à Cordes: violon, alto, violoncelle
39
2 Violons (duo)
39
Violoncelle
33
Contre Basse
27
4 Violoncelles
27
2 Violoncelles (duo)
26
Harpe
26
Violon, Alto (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Altos (duo)
16
Trio à Cordes: 2 violons, violoncelle
15
Contrebasse, Piano (duo)
14
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
10
Quatuor à cordes : 4 altos
9
2 Harpes (duo)
7
Alto, Violoncelle (duo)
7
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
5
Violon, Guitare (duo)
5
Alto, Guitare (duo)
5
2 Contrebasses (duo)
5
Flûte, Contrebasse (duo)
4
Harpe (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Ensemble de Violoncelles
3
Trio à cordes
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, alto
3
Ensemble de Violons
2
Harpe, Violon (duo)
2
Violon, Orgue
1
2 Violoncelles, Piano
1
Alto et orchestre
1
4 Contrebasses
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe, Quatuor à cordes
1
Violoncelle, Orgue
1
2 Violons, Piano
1
3 Contrebasses
1
Harpe, Orchestre
1
Violoncelle, Orchestre
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
1317
Orchestre d'harmonie
667
Orchestre à Cordes
399
Orchestre de chambre
137
Percussion (partie séparée)
95
Ensemble de cuivres
74
Timbales (partie séparée)
56
Cloches
24
Ensemble de Percussions
21
Percussion
19
Ensemble Jazz
16
Fanfare
10
Batterie (partie séparée)
9
Timbales
8
Instrumentation Flexible
3
Vibraphone
3
Xylophone
2
2 Xylophones
2
Orchestre Symphonique
2
Orchestre, Violon
2
Batterie
1
Caisse Claire
1
Piano et Orchestre
1
Marimba
1
Voix et Orchestre
1
Vibraphone (partie séparée)
1
Quintette à Vent
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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SYMPHONY
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Partitions à imprimer
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1
Symphony No. 7 by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158467 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758753. Published by Woods Only, Arrangements (A0.1158467). This arrangement adapted for baritone saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.83 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 5 by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1154912 Composed by L…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755188. Published by Woods Only, Arrangements (A0.1154912). This adaptation was intended for a small group of baritone saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
1.83 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549425 Composed by An…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.22 €
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Saxophone Baryton, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Largo (2nd movement of the Symphony no. 9 'From The New World')
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1275476 Composed by A…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1275476 Composed by Antonin Dvorak. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Christmas,Romantic Period,Wedding. Score and part. 3 pages. Rodrigo Faleiros #867278. Published by Rodrigo Faleiros (A0.1275476). Step into a world of musical enchantment with this adaptation of the Largo, 2nd movement from Antonin Dvorak's Symphony no. 9, From the New World. Designed for an easy solo baritone sax with a piano accompaniment notated with chords, this rendition has been carefully tailored to embrace aspiring musicians and create an intimate ambiance, making it a perfect choice for students, weddings, graduations and other special gatherings. The arrangement is transposed to the key of F major, ensuring ease for beginners, allowing them to delve into the soulful melodies effortlessly.
$3.99
3.66 €
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Saxophone Baryton, Piano
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Antonin Dvorak
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Rodrigo Faleiros
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Largo
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Rodrigo Faleiros
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SheetMusicPlus
Ode the Joy ( Sax Baritono - Piano - Beethoven Symphony No. 9 ) BEGINNER
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1122839 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1122839 Composed by Ludwig van Beethoven. Arranged by Duda Oriontte. Children,Christmas,Classical,Instructional,Opera. Score and part. 1 pages. Duda Oriontte #723802. Published by Duda Oriontte (A0.1122839). Ode the Joy ( Sax Baritono - Piano - Beethoven Symphony No. 9 ) BEGINNER I made this arrangement for two instruments. It is a good choice for classes. Ode the Joy is one of the most well know music ever made You can play with your friends, teacher, student, etc I hope you like it!
$5.00
4.59 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Duda Oriontte
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Ode the Joy
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Duda Oriontte
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SheetMusicPlus
Largo (2nd movement of the Symphony no. 9 'From The New World')
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1275492 Composed by A…
(+)
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1275492 Composed by Antonin Dvorak. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Christmas,Romantic Period,Wedding. Score and part. 3 pages. Rodrigo Faleiros #867300. Published by Rodrigo Faleiros (A0.1275492). Step into a world of musical enchantment with this adaptation of the Largo, 2nd movement from Antonin Dvorak's Symphony no. 9, From the New World. Designed for an easy solo baritone sax with a piano accompaniment, this rendition has been carefully tailored to embrace aspiring musicians and create an intimate ambiance, making it a perfect choice for students, weddings, graduations and other special gatherings. The arrangement is transposed to the key of F major, ensuring ease for beginners, allowing them to delve into the soulful melodies effortlessly.
$3.99
3.66 €
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Saxophone Baryton, Piano
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Antonin Dvorak
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Rodrigo Faleiros
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Largo
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Rodrigo Faleiros
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SheetMusicPlus
Largo, From Symphony No. 9 "The New World"
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1258833 Composed by A…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1258833 Composed by Antonin Dvorak. Arranged by Jireh J. Classical. Score and part. 16 pages. Jireh J. #852094. Published by Jireh J. (A0.1258833). This arrangement was made for Baritone Saxophone and Piano.
$5.99
5.49 €
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Saxophone Baryton, Piano
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Antonin Dvorak
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Jireh J
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Largo, From Symphony No. 9 "The New World"
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Jireh J.
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.83 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.89 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.47 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.22 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.22 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
#
Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Arioso by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651666. Published by Woods Only, Arrangements (A0.1047137). This easy arrangement for baritone sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
1.83 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.72 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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