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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scott A
Non classifié
1 214
Piano & claviers
Piano seul
681
Piano, Voix
286
Piano Facile
241
Accordéon
238
Piano, Voix et Guitare
170
Instruments en Do
62
Accompagnement Piano
37
Orgue
27
1 Piano, 4 mains
23
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
8
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano (partie séparée)
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano grosses notes
4
2 Accordéons
1
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
120
Basse electrique
63
Guitare
56
Ligne De Mélodie, (Paroles) et Accords
28
Ukulele
28
Guitare (partie séparée)
21
Mandoline
18
2 Guitares (duo)
16
Paroles et Accords
9
Piano, Guitare (duo)
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
4
Dulcimer
4
Banjo
2
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
606
Chorale TTBB
225
Chorale 3 parties
165
Chorale SSAA
125
Chorale 2 parties
76
Voix Alto, Piano
28
Voix Soprano, Piano
27
Chorale Unison
20
Voix Tenor, Piano
19
Voix duo, Piano
19
Voix duo
16
Pack Instrumental pour Chorale
11
Voix seule
11
Voix haute
5
Chorale
4
Voix Soprano
3
Voix Tenor
3
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Chorale SSATTB
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
127
Quatuor de Saxophones: 4 saxophones
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Saxophone (partie séparée)
83
Flûte, Hautbois, Clarinette, Basson
75
Hautbois, Piano (duo)
72
Clarinette et Piano
70
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
55
Saxophone Tenor et Piano
54
2 Saxophones (duo)
54
Flûte traversière
53
2 Flûtes traversières (duo)
53
2 Clarinettes (duo)
44
Saxophone Soprano et Piano
43
Quatuor de Flûtes : 4 flûtes
40
3 Clarinettes (trio)
39
2 Flûtes traversières, Piano
31
Clarinette
29
3 Saxophones (trio)
29
Quintette de Saxophone: 5 saxophones
23
Saxophone Alto
22
Ensemble de Clarinettes
21
Saxophone, Clarinette (duo)
21
Clarinette (partie séparée)
20
Clarinette, Violon (duo)
20
Flûte, Clarinette (duo)
20
Hautbois (partie séparée)
19
Trio de Flûtes: 3 flûtes
19
3 Flûtes à bec (trio)
18
Saxophone Tenor
16
Flûte et Guitare
15
Clarinette, Trompette (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Hautbois, Basson (duo)
13
Saxophone Baryton, Piano
12
2 Hautbois (duo)
12
Flûte, Violon
11
Hautbois, Clarinette (duo)
10
Flute (partie séparée)
9
Clarinette Basse, Piano
9
Ensemble de Flûtes
9
Flûte, Alto (duo)
8
Flûte, Clarinette et Basson
8
Flûte, Clarinette, Piano (trio)
8
Flûte à bec Soprano
8
Ensemble de saxophones
8
Flûte, Violon et Violoncelle
8
Flûte, Trompette (duo)
7
Flûte, Saxophone (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Cor anglais, Piano
7
Hautbois, Flûte
7
Flûte, Hautbois, Basson
7
Clarinette et Alto
7
Flûte, trombone et piano
7
Flûte à Bec
6
Clarinette, Violoncelle, Piano (trio)
6
2 Clarinettes, Piano
6
Flûte, Violon, Piano
6
Flûte, Violoncelle, Piano (trio)
6
Clarinette, Guitare (duo)
5
Saxophone
5
Cornemuse
5
Clarinette, trompette et piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Alto et Piano
4
Clarinette, Harpe (duo)
4
Quatuor de Flûtes à bec
3
Flûte irlandaise
3
Flûte, Hautbois (duo)
3
Hautbois, Guitare (duo)
3
Saxophone et Harpe
3
Flûte à bec Soprano, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle
2
Hautbois, Violoncelle et Piano
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
Flûte et Trio à cordes
2
Melodica
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Tenor
2
Flûte, Basson et Piano
2
Clarinette, Violoncelle (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec, Guitare (duo)
2
Ocarina
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Violon (trio)
1
5 Flûtes à bec
1
Flûte à Bec, Piano
1
Harmonica
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
Hautbois
1
Saxophone Soprano
1
Saxophone et Piano
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Guitare
1
2 Flûte à bec (duo)
1
Hautbois, Harpe
1
+ 99 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
66
Trombone (partie séparée)
65
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Trompette, Piano
48
Trompette (partie séparée)
44
Trompette
34
Cor et Piano
25
Quatuor de Cuivres
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
2 Trompettes (duo)
18
Trompette, Saxophone (duo)
16
Trombone
16
Cor, Trompette, Trombone (trio)
16
Cor
12
Cor (partie séparée)
11
Tuba (partie séparée)
11
Tuba et Piano
11
Quatuor de cuivres: 4 trombones
10
2 Trombones (duo)
10
Trompette, Trombone (duo)
10
Euphonium, Piano (duo)
9
Tuba
7
Cor anglais, Piano
7
3 Trompettes (trio)
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
5
Trio de Cuivres
5
2 Trompettes, Clavier (piano ou orgue)
5
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
Ensemble de Trombones
4
2 Cors (duo)
4
Cor et Harpe
4
Trompette, Violoncelle et Piano
3
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Euphonium
2
Trompette, Tuba (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
4 Tubas
1
Trompette, Trombone, Piano
1
Trompette, Harpe
1
Trompette, Violoncelle (duo)
1
Cor, Violoncelle et Piano
1
Instruments en Fa
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
224
Violon et Piano
141
Harpe
113
Alto, Piano
75
Violon
72
Trio à Cordes: violon, alto, violoncelle
71
Violoncelle, Piano
68
2 Violons (duo)
61
Violon, Violoncelle (duo)
47
Trio à Cordes: 2 violons, violoncelle
47
2 Altos (duo)
33
Violoncelle
32
Trio à cordes: 3 violins
31
Violon, Alto (duo)
31
2 Violoncelles (duo)
26
Alto seul
21
Trio à Cordes: 2 violons, alto
19
Contrebasse (partie séparée)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon (partie séparée)
14
4 Violoncelles
14
Contrebasse, Piano (duo)
14
2 Harpes (duo)
11
Piano Trio: Violon, Alto, Piano
11
Contre Basse
10
Alto (partie séparée)
10
Harpe, Violon (duo)
6
Violoncelle (partie séparée)
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes: 4 violons
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
4
Harpe, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
3
Alto et Harpe
3
Alto, Guitare (duo)
3
Alto, Violoncelle (duo)
2
Violon, Trompette et Piano
2
2 Contrebasses (duo)
2
Violoncelle, Orgue
2
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
705
Fanfare
117
Orchestre à Cordes
100
Ensemble Jazz
94
Orchestre
66
Ensemble de cuivres
63
Cloches
41
Orchestre de chambre
27
Batterie
21
Ensemble de Percussions
18
Jazz combo
17
Batterie (partie séparée)
11
Percussion (partie séparée)
10
Timbales (partie séparée)
4
Marimba
3
Percussion
2
Caisse Claire
1
Xylophone
1
2 Caisses Claires (duo)
1
Vibraphone
1
+ 15 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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Vous avez sélectionné:
Scott A
Saxophone Baryton, Piano
Partitions à imprimer
12 partitions trouvées
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1
A Scottish Cradle Song
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
James Gourlay
#
Jirka Kadlec
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A Scottish Cradle Song
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.35030 Composed by James Gourlay. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 6...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.35030 Composed by James Gourlay. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 6 pages. Duration 3'53. Editions Marc Reift - Digital #35030. Published by Editions Marc Reift - Digital (R0.35030).
$6.95
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
#
Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
You Are The Reason
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Saxophone Baryton, Piano
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FACILE
#
Calum Scott
#
Rodrigo Faleiros
#
You Are The Reason
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Rodrigo Faleiros
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1296572 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamb...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1296572 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. Rodrigo Faleiros #886716. Published by Rodrigo Faleiros (A0.1296572). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted solo baritone sax arrangement followed by a piano accompaniment, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.
$4.99
You Are The Reason
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Saxophone Baryton, Piano
#
FACILE
#
Calum Scott
#
Rodrigo Faleiros
#
You Are The Reason
#
Rodrigo Faleiros
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1296588 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamb...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1296588 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. Rodrigo Faleiros #886742. Published by Rodrigo Faleiros (A0.1296588). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted solo baritone sax arrangement followed by a piano accompaniment, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.
$4.99
The Entertainer for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
#
Scott Joplin
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David Burndrett
#
The Entertainer for Baritone S
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David Burndrett
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1505662 Composed by Scott Joplin. Arranged by David Burndrett. Ragtime. Score and part. 7 pages. David Burn...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1505662 Composed by Scott Joplin. Arranged by David Burndrett. Ragtime. Score and part. 7 pages. David Burndrett #1081051. Published by David Burndrett (A0.1505662). This is a short version of this classic piece by Scott Joplin for baritone saxophone and piano.This is about grade three standard and upwards.Download includes the score and both of the parts.
$5.99
Feel It Still
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Rock
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Portugal
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Lawrence H Underwood
#
Feel It Still
#
Lawrence H Underwood
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1091941 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobb...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1091941 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696073. Published by Lawrence H Underwood (A0.1091941). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Maple Leaf Rag - Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Maple Leaf Rag - Baritone Saxo
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Music-Scores.com
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.722355 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.722355 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,Wedding. Score and part. 7 pages. Music-Scores.com #6439027. Published by Music-Scores.com (A0.722355). Maple Leaf Rag was an early ragtime piece that was arranged and played by many dance bands over the years. It could have been named after a club called the Maple Leaf Club in the city of Sedalia, Missouri, where Joplin later lived.This is a version for Baritone Saxophone and Piano.Duration: just over 3 minutes, with repeats.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
The Sycamore
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Jirka Kadlec
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The Sycamore
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.30237 A Concert Rag. Composed by Scott Joplin. Arranged by Jirka Kadlec. Baritone Saxophone & Pian...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.30237 A Concert Rag. Composed by Scott Joplin. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 5 pages. Duration 2'44. Editions Marc Reift - Digital #30237. Published by Editions Marc Reift - Digital (R0.30237).
$5.95
The Star-Spangled Banner - for baritone sax and piano
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Saxophone Baryton, Piano
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Francis Scott Key, John Staffo
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Samuel Stokes
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The Star-Spangled Banner - for
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SamuelStokesMusic.com
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SheetMusicPlus
Baritone Saxophone,Piano - SKU: A0.560650 Composed by Francis Scott Key, John Stafford Smith. Arranged by Samuel Stokes. Folk,Holiday,Patriotic. S...
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Baritone Saxophone,Piano - SKU: A0.560650 Composed by Francis Scott Key, John Stafford Smith. Arranged by Samuel Stokes. Folk,Holiday,Patriotic. Score and part. 4 pages. SamuelStokesMusic.com #2331239. Published by SamuelStokesMusic.com (A0.560650). This is a baritone saxophone and piano arrangement of The Star-Spangled Banner - the national anthem of the United States of America. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$3.99
Morning Has Broken
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Saxophone Baryton, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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