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PIANO & CLAVIERS
Piano seul
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Piano Facile
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Piano, Voix et Guitare
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1 Piano, 4 mains
32
Accompagnement Piano
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Piano (partie séparée)
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11
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Mandoline
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2 Guitares (duo)
11
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344
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24
Chorale Unison
11
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9
Voix Alto, Piano
8
Voix duo, Piano
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Chorale
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Voix haute
2
Voix seule
1
Voix haute, Piano
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VENTS
Saxophone (partie séparée)
319
Clarinette (partie séparée)
175
Hautbois (partie séparée)
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Quatuor de Saxophones: 4 saxophones
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Flûte traversière et Piano
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Flute (partie séparée)
58
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte, Hautbois, Clarinette, Basson
49
Quatuor de Clarinettes: 4 clarinettes
43
Hautbois, Piano (duo)
43
Saxophone Alto et Piano
33
Clarinette et Piano
32
2 Saxophones (duo)
27
Saxophone Tenor et Piano
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Saxophone Soprano et Piano
22
2 Clarinettes (duo)
21
Quatuor de Flûtes : 4 flûtes
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Quintette de Saxophone: 5 saxophones
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Flûte traversière
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2 Flûtes traversières (duo)
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Clarinette
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Saxophone Alto
14
Clarinette, Violon (duo)
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3 Clarinettes (trio)
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9
3 Saxophones (trio)
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7
Saxophone Baryton, Piano
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2 Clarinettes, Piano
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Cornemuse
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5
Hautbois, Basson (duo)
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2 Flûtes traversières, Piano
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Flûte à Bec
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Flûte, Alto et Piano
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Trio de Flûtes: 3 flûtes
4
Clarinette et Alto
4
Flûte, Saxophone (duo)
4
Flûte à bec Soprano
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Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Basson
3
Saxophone Tenor
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Quatuor de Flûtes à bec
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Cor anglais, Piano
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Saxophone et Piano
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Flûte, Hautbois, Piano (trio)
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2
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Flûte irlandaise
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Flûte et Trio à cordes
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Hautbois, Guitare (duo)
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2 Clarinettes, Basson
1
Hautbois, Harpe
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Harmonica
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Flûte, Violon et Violoncelle
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Saxophone
1
Saxophone Soprano
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Hautbois
1
Flûte, Basson et Piano
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon, Guitare
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Saxophone et Guitare
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Clarinette, Harpe (duo)
1
Piccolo
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Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
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Trombone (partie séparée)
205
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140
Cor (partie séparée)
85
Tuba (partie séparée)
72
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trombone et Piano
37
Trompette, Piano
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trompette
22
Quatuor de Cuivres
13
Cor et Piano
12
Quatuor de cuivres: 4 trombones
10
Trombone
10
Trompette, Saxophone (duo)
10
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Trombone (duo)
7
2 Trombones (duo)
6
Tuba
5
Euphonium, Piano (duo)
5
Cor
5
Tuba et Piano
4
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
Cor anglais, Piano
3
Ensemble de Cors
3
Instruments en Sib
2
Cor, Trompette, Trombone (trio)
2
Bass Clef Instruments
2
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
Trompette, Trombone, Piano
1
Ensemble de Trombones
1
Euphonium
1
Cor et Harpe
1
2 Tubas (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violoncelle (partie séparée)
81
Violon et Piano
73
Violon (partie séparée)
56
Contrebasse (partie séparée)
48
Alto, Piano
48
Violon
41
Harpe
40
Violoncelle, Piano
39
Violon, Violoncelle (duo)
31
Trio à Cordes: violon, alto, violoncelle
30
2 Violons (duo)
26
Alto (partie séparée)
18
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto seul
12
2 Altos (duo)
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
8
Contre Basse
7
2 Harpes (duo)
6
4 Violoncelles
6
Trio à cordes: 3 violins
6
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
4
Violoncelle
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
Harpe (partie séparée)
2
Alto, Violoncelle (duo)
2
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
270
Percussion (partie séparée)
105
Orchestre à Cordes
58
Batterie (partie séparée)
42
Orchestre
41
Ensemble de cuivres
31
Timbales (partie séparée)
25
Ensemble Jazz
25
Batterie
17
Orchestre de chambre
16
Fanfare
15
Cloches
14
Jazz combo
7
Ensemble de Percussions
6
Marimba
2
Xylophone
1
Percussion
1
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AUTRES
Vous avez sélectionné:
Scott S
Saxophone Baryton, Piano
Partitions à imprimer
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Scott Joplin's, THE ENTERTAINER (Baritone Sax and Piano with Baritone Sax Part)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617020 Composed by Sc…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617020 Composed by Scott Joplin. Arranged by Gary Lanier. Folk,Jazz,Ragtime. Score and part. 8 pages. The Lanier Company #4285907. Published by The Lanier Company (A0.617020). Scott Joplin's, THE ENTERTAINER is an arrangement for Baritone Sax and Piano. In this arrangement, Mr. Lanier was careful to keep the basic energy associated with the music in tact while making it more playable by the average pianist. It works great in music festivals, concerts, or anytime when people want to relax as they enjoy performing songs from the golden age of Ragtime music. (8 Pages)
$6.99
6.54 €
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Saxophone Baryton, Piano
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Scott Joplin
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Gary Lanier
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Scott Joplin's, THE ENTERTAINER
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The Lanier Company
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SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
28.02 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Morning Has Broken
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.86 €
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Saxophone Baryton, Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Feel It Still
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1091941 By Portugal. …
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1091941 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Lawrence H Underwood. Pop,Rock. Score and part. 9 pages. Lawrence H Underwood #696073. Published by Lawrence H Underwood (A0.1091941). This Portugal. The Man. hit is a blast to play. . .from the first note of the driving bass line to the last note of its catch melody. Now available as an instrumental solo with piano accompaniment, it’s sure to be a favorite with performer and audience alike! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.6 €
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Saxophone Baryton, Piano
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Portugal
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Lawrence H Underwood
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Feel It Still
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Lawrence H Underwood
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
23.34 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.83 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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