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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
She Said She Said
Non classifié
425
Piano & claviers
Piano seul
347
Piano, Voix et Guitare
282
Piano, Voix
186
Piano Facile
79
Instruments en Do
26
Piano grosses notes
13
Orgue
12
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
4
Clavecin
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
Orgue, Trompette (duo)
2
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Piano
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
67
Guitare notes et tablatures
62
Paroles et Accords
45
Guitare
32
Basse electrique
24
Ukulele
19
2 Guitares (duo)
8
Banjo
4
3 Guitares (trio)
2
Ukulele Baryton
1
Mandoline
1
+ 6 instrumentations
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Voix
Chorale SATB
188
Chorale 3 parties
32
Chorale TTBB
29
Chorale 2 parties
28
Chorale Unison
20
Chorale SSAA
12
Pack Instrumental pour Chorale
10
Voix duo, Piano
9
Voix Alto, Piano
4
Voix seule
3
Voix Baryton, Piano
3
Voix haute
3
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix duo
2
Chorale SSAATTBB
1
Chorale
1
Voix Soprano
1
Voix, Guitare
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Chorale SSATB
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière
46
Quatuor de Saxophones: 4 saxophones
46
Clarinette
36
Flûte traversière et Piano
29
Quatuor de Clarinettes: 4 clarinettes
27
Flûte, Hautbois, Clarinette, Basson
27
Saxophone
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Alto
20
Saxophone Alto et Piano
20
Clarinette et Piano
19
Saxophone Tenor
15
2 Flûtes traversières (duo)
15
Quatuor de Flûtes : 4 flûtes
14
Hautbois (partie séparée)
14
Ensemble de Flûtes
14
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
13
Ensemble de Clarinettes
12
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
10
Saxophone (partie séparée)
8
Saxophone Baryton, Piano
6
2 Saxophones (duo)
6
Cor anglais, Piano
6
Ensemble de saxophones
6
3 Clarinettes (trio)
5
5 Flûtes à bec
4
Quatuor de Flûtes à bec
4
Trio de Flûtes: 3 flûtes
3
2 Clarinettes (duo)
3
Flûte et Guitare
3
Flute (partie séparée)
3
Clarinette Basse, Piano
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
2
3 Saxophones (trio)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Basson et Piano
1
Clarinette (partie séparée)
1
Hautbois, Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Cor anglais, Guitare (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
Flûte traversière, Orgue (duo)
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone
24
Trombone et Piano
15
Cor
12
Trompette, Piano
11
Cor et Piano
7
Cor anglais, Piano
6
Euphonium, Piano (duo)
6
Tuba et Piano
4
Ensemble de Trombones
3
Ensemble de Trompettes
3
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
2
Tuba
2
Trompette, Trombone (duo)
2
Trompette, Euphonium (duo)
1
Quatuor de Cuivres
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Trombone et orchestre
1
Instruments en Sib
1
Cor Anglais
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violon et Piano
35
Violon
35
Violoncelle
23
Alto seul
23
Violoncelle, Piano
19
Alto, Piano
16
Trio à Cordes: violon, alto, violoncelle
14
Violon, Violoncelle (duo)
13
2 Violons (duo)
11
Trio à Cordes: 2 violons, violoncelle
9
Harpe
9
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
3
Contre Basse
3
2 Violoncelles (duo)
3
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, alto
2
Violon (partie séparée)
2
Ensemble de Violons
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
74
Orchestre
47
Ensemble de cuivres
28
Ensemble Jazz
23
Orchestre à Cordes
23
Cloches
16
Jazz combo
12
Batterie
10
Orchestre de chambre
9
Ensemble de Percussions
3
Vibraphone
3
Marimba
2
Marimba et Orgue
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Fanfare
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
She Said She Said
Saxophone Baryton, Piano
Partitions à imprimer
6 partitions trouvées
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1
Wade in the Water, Gospel Song for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
#
Musique Sacrée
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Gospel Spirituel
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Traditional
#
David McKeown
#
Wade in the Water, Gospel Song
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593401 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritu...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593401 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418761. Published by David McKeown (A0.593401). Wade in the Water is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
$2.49
Carol of the Bells - Baritone Sax and Piano - G Minor
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Saxophone Baryton, Piano
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FACILE
#
Noël
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Leontovich, Mykola Dmytrovich
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Carol of the Bells - Baritone
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Music-Scores.com
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.720950 Composed by Leontovich, Mykola Dmytrovich. Arranged by Anne L Christopherson GRSM ARCM. 20th Century...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.720950 Composed by Leontovich, Mykola Dmytrovich. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Holiday. Score and part. 4 pages. Music-Scores.com #3858903. Published by Music-Scores.com (A0.720950). Carol of the Bells, or the Ukrainian Bell Carol, is an old New Year Carol and was performed using hand bells. It is said to be based on the traditional Ukrainian folk chant, Shchedryk. Ideal for early intermediates.This arrangement is for Baritone Saxophone and Piano and is in G minor.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
I Write The Songs
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549336 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score a...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549336 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486311. Published by jmsgu3 (A0.549336). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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