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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata No.2
Sheetmusicplus
Non classifié
397
Piano & claviers
Piano seul
345
Piano Facile
73
Orgue
14
1 Piano, 4 mains
9
Piano, Voix
7
2 Pianos, 4 mains
3
Clavecin
3
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
Piano, Voix et Guitare
2
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
35
2 Guitares (duo)
26
Guitare
20
Piano, Guitare (duo)
4
Banjo
2
Ensemble de guitares
1
Basse electrique
1
3 Guitares (trio)
1
Ukulele
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
1
Vents
2 Flûtes traversières (duo)
105
2 Saxophones (duo)
74
2 Clarinettes (duo)
51
3 Flûtes à bec (trio)
44
3 Clarinettes (trio)
33
2 Clarinettes, Basson
26
2 Hautbois (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte, Hautbois, Basson
22
Flûte traversière et Piano
21
Flûte, Clarinette et Basson
19
Flûte, Hautbois, Clarinette (trio)
19
Clarinette et Piano
19
Flûte et Guitare
19
3 Saxophones (trio)
18
2 Flûte à bec (duo)
16
Quintette de Saxophone: 5 saxophones
12
Trio de Flûtes: 3 flûtes
10
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Tenor et Piano
8
Clarinette
8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Flûte traversière
8
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
2 Cors Anglais Et Pianoforte
6
Clarinette Basse, Piano
5
Ensemble de saxophones
5
Flûte, Violon et Violoncelle
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Clarinettes
4
Flûte à bec Alto, Basse continue
4
Saxophone Baryton, Piano
4
Saxophone Soprano et Piano
4
Cor anglais, Piano
3
Ensemble de Flûtes
3
Saxophone Alto
3
2 Hautbois et Basson
3
Flûte, Clarinette (duo)
3
Ensemble De Flûte à bec
2
Flûte traversière, Basse continue
2
Quatuor de Flûtes à bec
2
Flûte, Violon
1
Clarinette, Guitare (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Flute, harpe et violon
1
Hautbois, Harpe
1
2 Flûtes traversières, Piano
1
Clarinette, Basson (duo)
1
Flûte irlandaise
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Harmonica
1
Flûte, Violon, Piano
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Flûte à Bec
1
5 Flûtes à bec
1
Saxophone et Guitare
1
+ 61 instrumentations
Retracter
Cuivres
2 Cors (duo)
29
2 Trompettes (duo)
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
2 Trombones (duo)
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
2 Euphoniums (duo)
16
Trombone et Piano
12
Trompette, Piano
11
2 Tubas (duo)
10
Cor et Piano
9
Euphonium, Piano (duo)
8
2 Cors Anglais Et Pianoforte
6
Cor
5
Trombone
4
Tuba et Piano
4
Cor anglais, Piano
3
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette
2
Euphonium, Tuba (duo)
2
Quatuor de Cuivres
2
Trio de Cuivres
2
Ensemble de Cors
1
Trompette (partie séparée)
1
Tuba
1
3 Tubas (trio)
1
Ensemble de Trombones
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Trombone, Cor (duo)
1
4 Tubas
1
3 Cors (trio)
1
Ensemble de Trompettes
1
3 Trompettes (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
97
2 Violons (duo)
64
Violon et Piano
52
Violon
47
2 Violoncelles (duo)
45
2 Altos (duo)
38
Violoncelle, Piano
29
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle
15
Trio à cordes: 3 violins
12
Alto seul
11
Violon, Alto (duo)
11
Violon, Violoncelle (duo)
10
2 Violons, Piano
9
2 Contrebasses (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
6
Harpe
6
Trio à Cordes: 3 violoncelles
5
Violon (partie séparée)
5
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
3
Violoncelle, Basse continue
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
2
4 Violoncelles
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, alto
2
Contre Basse
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Alto et Harpe
1
Alto (partie séparée)
1
Alto, Guitare (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
68
Orchestre
12
Ensemble de cuivres
5
Orchestre de chambre
4
Orchestre d'harmonie
4
Ensemble Jazz
3
2 Xylophones
2
Xylophone
1
+ 3 instrumentations
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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OPERA
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Vous avez sélectionné:
Sonata No.2
SheetMusicPlus
Partitions à imprimer
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Vivaldi: Sonata No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bari
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550432 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550432 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4633093. Published by jmsgu3 (A0.550432). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Moonlight Sonata by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romant...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757290. Published by Woods Only, Arrangements (A0.1156946). This arrangement adapted for baritone saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
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