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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Standard Time
Non classifié
2 286
Piano & claviers
Piano seul
1 490
Piano, Voix et Guitare
451
Piano Facile
446
Piano, Voix
366
Instruments en Do
241
Accompagnement Piano
83
1 Piano, 4 mains
78
Orgue
47
Piano grosses notes
44
Piano Trio: piano, violon, violoncelle
19
2 Pianos, 4 mains
12
Accordéon
12
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano (partie séparée)
10
Piano Quatuor: piano, 2 violons, violoncelle
3
Ligne De Mélodie, Piano
3
Orgue, Piano (duo)
2
Clavecin
2
Orgue, Trompette (duo)
2
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
307
Guitare notes et tablatures
241
Guitare
207
Ukulele
81
2 Guitares (duo)
33
Basse electrique
31
Paroles et Accords
24
Dulcimer
15
Banjo
15
Guitare (partie séparée)
15
Mandoline
10
Piano, Guitare (duo)
8
3 Guitares (trio)
5
Ensemble de guitares
5
4 Guitares (Quatuor)
3
Dobro
3
2 Dulcimers (duo)
2
2 Ukuleles
1
Ukulele Baryton
1
Ensemble de Ukulélés
1
Mandoline, Guitare (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale 2 parties
222
Chorale SATB
197
Voix duo, Piano
123
Chorale 3 parties
123
Chorale Unison
64
Chorale SSAA
37
Chorale TTBB
36
Voix seule
29
Voix haute
17
Pack Instrumental pour Chorale
16
Voix duo
15
Voix Alto, Piano
10
Voix Soprano, Piano
9
Chorale
6
Voix Baryton, Piano
6
Voix moyenne, Piano
4
Voix basse, Piano
3
Voix Tenor, Piano
2
Voix Moyenne
1
Voix Tenor
1
Voix Soprano
1
Chorale SSAB, Piano
1
+ 17 instrumentations
Retracter
Vents
2 Saxophones (duo)
457
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
225
2 Clarinettes (duo)
218
Flûte traversière et Piano
209
Saxophone, Clarinette (duo)
207
2 Flûtes traversières (duo)
197
Clarinette et Piano
188
Quatuor de Saxophones: 4 saxophones
185
Saxophone Alto et Piano
167
Clarinette, Violon (duo)
142
Saxophone Soprano et Piano
136
Quintette de Saxophone: 5 saxophones
132
Hautbois, Piano (duo)
132
Saxophone Tenor et Piano
130
Clarinette, Trompette (duo)
129
Flûte, Hautbois, Clarinette, Basson
116
Flûte, Clarinette (duo)
111
Quatuor de Clarinettes: 4 clarinettes
107
2 Hautbois (duo)
81
Flûte irlandaise
79
Saxophone (partie séparée)
78
Flûte, Saxophone (duo)
75
Flûte, Violon
74
Flûte traversière
73
Clarinette
73
Hautbois, Clarinette (duo)
72
Hautbois, Basson (duo)
71
Clarinette et Alto
69
Hautbois, Flûte
68
Saxophone Baryton, Piano
63
Flûte, Alto (duo)
61
Saxophone Alto
58
Flûte, Trompette (duo)
54
2 Flûte à bec (duo)
53
Quatuor de Flûtes : 4 flûtes
52
Saxophone Tenor
44
Ensemble de Clarinettes
43
Cor anglais, Piano
41
Ensemble de saxophones
41
3 Clarinettes (trio)
34
Clarinette Basse, Piano
33
Hautbois (partie séparée)
31
3 Saxophones (trio)
24
Ensemble de Flûtes
24
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
20
Flûte, Hautbois, Clarinette (trio)
19
Quintette de Flûte : 5 flûtes
16
Quintette de Clarinettes: 5 clarinettes
16
Cor Anglais
14
Clarinette, Trombone (duo)
11
Clarinette (partie séparée)
10
Flûte, Clarinette et Basson
9
Flûte et Guitare
7
Instruments en Mib
7
Flûte, Hautbois (duo)
6
Saxophone
6
Flûte, Hautbois, Basson
5
Flute (partie séparée)
5
2 Clarinettes, Piano
5
Hautbois, violon (duo)
5
Flûte, Violoncelle
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois
5
Flûte, Violon, Piano
4
Piccolo, Piano
4
Flûte à Bec
4
Flûte à bec Soprano, Piano
4
Flûte, Basson et Piano
4
Flûte, Violoncelle, Piano (trio)
3
Quatuor de Flûtes à bec
3
2 Saxophones, Piano
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Basson (duo)
3
Flûte, Clarinette, Piano (trio)
3
Ocarina
2
Harmonica
2
Saxophone Baryton
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Clarinette, Alto et Piano (trio)
2
2 Flûtes traversières, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
2
Flûte, Hautbois, Piano (trio)
2
Saxophone Soprano
2
Flûte à bec Tenor
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Alto et Piano
2
Saxophone et Piano
2
Clarinette, Guitare (duo)
2
Saxophone et Guitare
2
Hautbois, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Basson
1
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
4 Hautbois
1
Clarinette Basse
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
+ 100 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
160
Trompette, Saxophone (duo)
150
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Trombone et Piano
109
Trompette, Piano
103
2 Trombones (duo)
103
2 Trompettes (duo)
100
Trompette, Trombone (duo)
85
Trompette
78
Cor et Piano
73
Euphonium, Piano (duo)
55
Trombone
55
Trompette (partie séparée)
50
Trombone (partie séparée)
48
Ensemble de Trompettes
43
Cor anglais, Piano
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor
29
Ensemble de Trombones
24
Quatuor de Cuivres
23
Tuba et Piano
20
Bass Clef Instruments
16
Cor Anglais
14
2 Euphoniums (duo)
12
2 Cors (duo)
12
Tuba
9
Instruments en Sib
8
Euphonium
8
Trompette, Cor (duo)
8
3 Trombones (trio)
6
Trio de Cuivres
6
Cor (partie séparée)
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Trompette et Guitare
4
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
3
2 Cors Anglais Et Pianoforte
3
Trombone basse et Piano
2
Cornet et Piano
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon et Piano
215
Alto, Piano
165
Violoncelle, Piano
133
Violon, Violoncelle (duo)
113
Violon
109
2 Violons (duo)
105
Violon, Alto (duo)
98
2 Violoncelles (duo)
97
2 Altos (duo)
85
Violoncelle
82
Trio à Cordes: violon, alto, violoncelle
75
Harpe
54
Alto seul
38
2 Harpes (duo)
24
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse, Piano (duo)
19
Alto (partie séparée)
17
Ensemble de Violons
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Ensemble d'Altos
14
Piano Trio: Violon, Alto, Piano
13
Contre Basse
12
Contrebasse (partie séparée)
11
Violon, Guitare (duo)
10
Trio à Cordes: 2 violons, alto
9
Harpe, Flûte (duo)
7
Violon (partie séparée)
6
4 Violoncelles
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 violins
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
Violoncelle , Guitare (duo)
3
Harpe, Voix
2
Violoncelle, Orgue
2
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
2 Contrebasses (duo)
1
Alto, Orgue
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
230
Ensemble Jazz
196
Orchestre à Cordes
154
Orchestre
75
Ensemble de cuivres
68
Orchestre de chambre
41
Jazz combo
35
Cloches
31
Ensemble de Percussions
20
Batterie
17
Fanfare
13
Batterie (partie séparée)
9
Ensemble d'École
4
Marimba
3
Percussion (partie séparée)
3
Xylophone, Piano
3
Vibraphone
2
2 Xylophones
2
Xylophone
2
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Standard Time
Saxophone Baryton, Piano
Partitions à imprimer
63 partitions trouvées
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It's Been A Long, Long Time
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366361. Published by David McKeown (A0.592551). It’s Been a Long Long Time is arranged as a solo for one Baritone Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
I Got It Bad And That Ain't Good
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Oscar Peterson Trio
#
Debra E
#
I Got It Bad And That Ain't Go
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1223686 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1223686 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #819836. Published by Standard Time (A0.1223686). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for baritone sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.Please note that the recording features the Alto Sax version of this arrangement.
$9.99
My One And Only Love
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Jazz
#
Oscar Peterson Trio
#
Debra E
#
My One And Only Love
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1318443 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Tu...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1318443 By Oscar Peterson Trio. By Guy Wood and Robert Mellin. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 6 pages. Standard Time #907109. Published by Standard Time (A0.1318443). This well-known standard is arranged as a bari sax solo with piano accompaniment, including a brief piano solo. Please note that the audio uses the soprano sax version of this arrangement, which is in a different key.
$7.99
Blue Bayou
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Linda Ronstadt
#
Debra E
#
Blue Bayou
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1316276 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1316276 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Latin,Pop,Rock,Standards. Score and part. 7 pages. Standard Time #905017. Published by Standard Time (A0.1316276). Blue Bayou is arranged here in the key of D-flat for baritone sax with piano accompaniment (a Fender Rhodes sound or electronic equivalent is ideal). Please note that the audio uses the alto sax version of this arrangement.
$9.99
Summertime
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Dorothy Heyward, Du Bose Heywa
#
Debra E
#
Summertime
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1169769 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Debra ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1169769 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Jazz,Musical/Show,Standards. Score and part. 6 pages. Standard Time #770133. Published by Standard Time (A0.1169769). This popular classic from Gershwin's Porgy & Bess is arranged as a jazz swing-style solo for baritone sax with piano accompaniment. Â Please note that the sound clip is a recording of the alto sax version of this arrangement.Visit the YouTube link below to practice and play along with the piano accompaniment!
$7.99
Blue Bayou
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Linda Ronstadt
#
Debra E
#
Blue Bayou
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1316275 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1316275 By Linda Ronstadt. By Joe Melson and Roy Orbison. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Latin,Pop,Rock,Standards. Score and part. 7 pages. Standard Time #905016. Published by Standard Time (A0.1316275). Blue Bayou is arranged here in the key of C for baritone sax with piano accompaniment (a Fender Rhodes sound or electronic equivalent is ideal). Â Please note that the audio uses the D-flat alto sax version of this arrangement.
$9.99
Mona Lisa
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Nat King Cole
#
Debra E
#
Mona Lisa
#
Standard Time
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1174854 By Nat King Cole. By Jay Livingston and Ray Evans. Arranged by Debra E. Stempien, Gregory H. Turner...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1174854 By Nat King Cole. By Jay Livingston and Ray Evans. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 6 pages. Standard Time #774985. Published by Standard Time (A0.1174854). This classic tune made popular by Nat King Cole is arranged for bari sax solo with piano accompaniment using contemporary harmonies and voicing. Â Please note that the recording provided is the alto sax version in the same key. Â Play along with the accompaniment at the link provided!
$9.99
My Favorite Things
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Chicago
#
Debra E
#
My Favorite Things
#
Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1318209 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Debra E. Stempien, Gregory H. Tur...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1318209 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Christmas,Holiday,Jazz,Musical/Show,Standards. Score and part. 9 pages. Standard Time #906890. Published by Standard Time (A0.1318209). This classic song from The Sound of Music is presented here as a jazz waltz for bari sax and piano. Â Please note that the audio file uses the alto sax version of the same arrangement.
$9.99
Smoke Gets In Your Eyes
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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The Platters
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Debra E
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Smoke Gets In Your Eyes
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Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1178681 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Debra E. Stempien, Gregory H. Turner....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1178681 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Jazz,Musical/Show,Standards. Score and part. 5 pages. Standard Time #778644. Published by Standard Time (A0.1178681). This classic song is arranged for bari sax solo with piano accompaniment. Â The sax carries the melody through the A sections and provides harmonic lines while the piano takes over the melody during the bridge. Â Please note that the recording features the soprano sax version of this arrangement, which is in a different key. Â Play along with the accompaniment at the link provided.
$7.99
Crazy
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Patsy Cline
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Debra E
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Crazy
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Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1211964 By Patsy Cline. By Willie Nelson. Arranged by Debra E. Stempien, Gregory H. Turner. Country,Jazz,Po...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1211964 By Patsy Cline. By Willie Nelson. Arranged by Debra E. Stempien, Gregory H. Turner. Country,Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #809512. Published by Standard Time (A0.1211964). This bari sax solo with piano accompaniment is an arrangement of Willie Nelson's classic song, originally made famous by Patsy Cline. (Please note that the provided audio is an alto sax version.) Play along with the accompaniment at the link provided!
$9.99
Michelle
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Debra E
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Michelle
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Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1203855 By The Beatles. By John Lennon and Paul McCartney. Arranged by Debra E. Stempien, Gregory H. Turner...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1203855 By The Beatles. By John Lennon and Paul McCartney. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Latin,Pop,Rock,Standards. Score and part. 7 pages. Standard Time #802418. Published by Standard Time (A0.1203855). This classic Beatles song is arranged in bossa style for bari sax solo with piano accompaniment. The solo begins with a clean statement of the melody and then intensifies as the arrangement progresses, featuring interesting lines while keeping the melody present and discernable. Please note that the recording uses the alto sax version of this arrangement. Â Play along with the accompaniment at the link provided!
$8.99
Misty
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Jazz
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Johnny Mathis
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Debra E
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Misty
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Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1173866 By Johnny Mathis. By Erroll Garner and Johnny Burke. Arranged by Debra E. Stempien, Gregory H. Turn...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1173866 By Johnny Mathis. By Erroll Garner and Johnny Burke. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 4 pages. Standard Time #774019. Published by Standard Time (A0.1173866). This beloved melody by Erroll Garner and Johnny Burke is arranged as a gentle clarinet solo with piano accompaniment. Â Modern chord voicings present the original extended harmonies in a pop style. Â Please note that the provided recording features the alto sax version of this arrangement. Â Play along with the accompaniment at the link provided!
$7.99
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Vivaldi: Sonata No. 6 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Bari
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550532 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550532 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727143. Published by jmsgu3 (A0.550532). Sonata da Chiesa No. 6 in Bb Major for Baritone Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Vivaldi: Sonata No. 4 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bari
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550484 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550484 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641563. Published by jmsgu3 (A0.550484). Sonata da Chiesa No. 4 in Bb Major for Baritone Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Bari
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550458 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550458 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4638461. Published by jmsgu3 (A0.550458). Sonata da Chiesa No. 3 in A Minor for Baritone Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Vivaldi: Sonata No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bari
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550432 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550432 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4633093. Published by jmsgu3 (A0.550432). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Bari
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.550509 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.550509 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4717231. Published by jmsgu3 (A0.550509). Sonata da Chiesa No. 5 in E Minor for Baritone Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages. Â Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
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