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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Summer Night
Non classifié
187
Piano & claviers
Piano seul
168
Piano, Voix
49
Piano Facile
43
Piano, Voix et Guitare
41
Piano Trio: piano, violon, violoncelle
8
Piano grosses notes
4
1 Piano, 4 mains
4
Orgue
3
Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Accordéon
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Guitare
16
Paroles et Accords
10
Ligne De Mélodie, (Paroles) et Accords
8
Basse electrique
2
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
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Voix
Chorale SATB
31
Chorale 3 parties
14
Chorale 2 parties
9
Chorale TTBB
4
Voix duo, Piano
3
Chorale SSAA
3
Voix seule
2
Voix duo
2
Soli, choeur mixte et accompagnement
1
Chorale Unison
1
Chorale SSAATB A Cappella
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
26
Flûte traversière et Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Hautbois, Piano (duo)
19
Saxophone Alto et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette
13
Saxophone (partie séparée)
12
Saxophone Soprano et Piano
12
Flûte traversière
11
Saxophone Tenor et Piano
10
2 Saxophones (duo)
9
2 Clarinettes (duo)
9
Clarinette (partie séparée)
9
2 Flûtes traversières (duo)
8
Quatuor de Flûtes à bec
7
Saxophone Alto
7
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor
6
Hautbois (partie séparée)
6
Quintette de Saxophone: 5 saxophones
5
Flûte, Clarinette (duo)
5
Flute (partie séparée)
5
Ensemble de Clarinettes
3
Ensemble de saxophones
3
Saxophone Baryton, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
2 Flûtes traversières, Piano
2
Saxophone
2
Ensemble de Flûtes
2
Saxophone, Clarinette (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
3 Clarinettes (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon
2
Cor anglais, Piano
2
Clarinette Basse, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Flûte, Basson et Piano
1
Flûte, Trompette (duo)
1
Flûte, Trombone (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon, Piano
1
Clarinette, Violon (duo)
1
Saxophone et violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Guitare
1
5 Flûtes à bec
1
Flûte, Hautbois (duo)
1
+ 50 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette, Piano
17
Trombone et Piano
17
Trompette
17
Cor et Piano
13
Trombone (partie séparée)
11
Trompette (partie séparée)
10
2 Trompettes (duo)
7
Euphonium, Piano (duo)
5
Cor
5
Trombone
5
Cor (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba (partie séparée)
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Piano
2
Ensemble de Cors
2
Cor anglais, Piano
2
Quatuor de Cuivres
2
2 Trombones (duo)
1
Trompette, violon (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle et Piano
1
Ensemble de Trombones
1
Cor, Tuba (duo)
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
20
Violon
16
Violoncelle, Piano
14
Violon (partie séparée)
12
Violoncelle
10
2 Violons (duo)
9
Alto seul
8
Alto, Piano
8
Violon, Violoncelle (duo)
8
Harpe
6
Violon, Alto (duo)
5
Contrebasse (partie séparée)
5
Violoncelle (partie séparée)
4
2 Altos (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
Flûte, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
57
Orchestre
28
Orchestre à Cordes
16
Ensemble de cuivres
12
Ensemble Jazz
9
Percussion (partie séparée)
5
Orchestre de chambre
3
Fanfare
3
Jazz combo
2
Batterie
2
Timbales (partie séparée)
2
Batterie (partie séparée)
1
Vibraphone
1
Marimba
1
+ 9 instrumentations
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Instruments
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AUTRES INST…
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CHARANGO
CITHARE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Summer Night
Saxophone Baryton, Piano
Partitions à imprimer
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Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
The Elephant
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Matthew Nunes
#
The Elephant
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Matthew Nunes Music
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1265064 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instruc...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1265064 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857904. Published by Matthew Nunes Music (A0.1265064). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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Summer Night
