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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Symphony No.3
Non classifié
347
Piano & claviers
Piano seul
207
Piano Facile
69
Orgue
28
Piano Quintette: piano, 2 violons, alto, violoncelle
8
1 Piano, 4 mains
5
Piano, Voix et Guitare
4
Accompagnement Piano
4
Piano grosses notes
3
Orgue, Trompette (duo)
2
Piano, Voix
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instruments en Do
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
7
Ukulele
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
Retracter
Voix
Chorale 3 parties
15
Chorale SATB
9
Chorale TTBB
2
Chorale 2 parties
1
Voix Alto, Piano
1
Vents
Clarinette
31
Quatuor de Saxophones: 4 saxophones
30
Flûte traversière et Piano
29
2 Flûtes traversières (duo)
28
Clarinette et Piano
21
Saxophone Alto et Piano
20
Ensemble de saxophones
20
2 Saxophones (duo)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois (partie séparée)
17
Clarinette (partie séparée)
16
Quatuor de Clarinettes: 4 clarinettes
16
Hautbois, Piano (duo)
16
Flûte traversière
15
Quatuor de Flûtes : 4 flûtes
15
2 Clarinettes (duo)
14
Ensemble de Clarinettes
14
Quintette de Saxophone: 5 saxophones
14
Saxophone (partie séparée)
13
3 Saxophones (trio)
13
Flûte, Hautbois, Clarinette, Basson
13
3 Clarinettes (trio)
12
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
7
Flûte et Guitare
7
Quintette de Flûte : 5 flûtes
6
2 Hautbois (duo)
6
Flute (partie séparée)
5
Saxophone Alto
4
Cor anglais, Piano
4
Quatuor de Flûtes à bec
4
Ensemble de Flûtes
4
3 Flûtes à bec (trio)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette (duo)
4
Flûte, Trompette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone
3
Clarinette Basse, Piano
2
Clarinette, Violon (duo)
2
Hautbois, Flûte
2
Hautbois, Basson (duo)
2
Flûte, Trombone (duo)
2
Flûte, Violoncelle
2
Hautbois
2
Saxophone Tenor
2
Hautbois, violon (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violon
2
Saxophone, Violon (duo)
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
5 Flûtes à bec
1
2 Flûte à bec (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo
1
4 Hautbois
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Flûte, Violon et Violoncelle
1
+ 61 instrumentations
Retracter
Cuivres
Cor
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette
24
Trompette (partie séparée)
18
Quatuor de cuivres: 4 trombones
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trombone et Piano
14
Trompette, Piano
12
Trombone
11
Cor et Piano
10
2 Trompettes (duo)
10
Cor (partie séparée)
9
Trombone (partie séparée)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Cors (duo)
6
Tuba et Orgue
6
Ensemble de Trombones
6
Ensemble de Trompettes
5
Cor anglais, Piano
4
Cornet A Pistons
4
2 Trombones (duo)
4
4 Tubas
4
Quatuor de cuivres: 4 trompettes
3
3 Cors (trio)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
3
3 Trompettes (trio)
3
2 Euphoniums (duo)
2
Trompette, Cor (duo)
2
Trio de Cuivres
2
Tuba
2
3 Tubas (trio)
2
Tuba et Piano
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Saxophone (duo)
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Tuba (partie séparée)
1
+ 36 instrumentations
Retracter
Cordes
Violon (partie séparée)
56
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violoncelle, Piano
23
Violon et Piano
22
Alto, Piano
18
2 Violons (duo)
16
Violon
14
Alto seul
14
Violon, Violoncelle (duo)
13
Contrebasse (partie séparée)
12
Violoncelle
12
Violoncelle (partie séparée)
10
Contre Basse
8
Violon, Alto (duo)
7
4 Violoncelles
7
Contrebasse, Piano (duo)
7
Alto (partie séparée)
7
2 Violoncelles (duo)
6
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
6
2 Altos (duo)
3
Quatuor à cordes: 4 violons
3
Harpe
3
Trio à cordes: 3 altos
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
2
Ensemble de Violons
2
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Flûte (duo)
1
Violon, Basson (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre
200
Orchestre d'harmonie
139
Orchestre à Cordes
101
Orchestre de chambre
38
Ensemble de cuivres
14
Cloches
7
Timbales (partie séparée)
4
Timbales
3
Percussion (partie séparée)
2
2 Xylophones
2
Percussion
1
Ensemble Jazz
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Symphony No.3
Saxophone Baryton, Piano
Partitions à imprimer
7 partitions trouvées
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1
Symphony No. 5 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755188. Published by Woods Only, Arrangements (A0.1154912). This adaptation was intended for a small group of baritone saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
Largo (2nd movement of the Symphony no. 9 'From The New World')
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Antonin Dvorak
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Rodrigo Faleiros
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Largo
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1275476 Composed by Antonin Dvorak. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Christmas,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1275476 Composed by Antonin Dvorak. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Christmas,Romantic Period,Wedding. Score and part. 3 pages. Rodrigo Faleiros #867278. Published by Rodrigo Faleiros (A0.1275476). Step into a world of musical enchantment with this adaptation of the Largo, 2nd movement from Antonin Dvorak's Symphony no. 9, From the New World. Designed for an easy solo baritone sax with a piano accompaniment notated with chords, this rendition has been carefully tailored to embrace aspiring musicians and create an intimate ambiance, making it a perfect choice for students, weddings, graduations and other special gatherings. The arrangement is transposed to the key of F major, ensuring ease for beginners, allowing them to delve into the soulful melodies effortlessly.
$3.99
Largo (2nd movement of the Symphony no. 9 'From The New World')
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Saxophone Baryton, Piano
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DÉBUTANT
#
Classique
#
Antonin Dvorak
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Rodrigo Faleiros
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Largo
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1275492 Composed by Antonin Dvorak. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Christmas,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1275492 Composed by Antonin Dvorak. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Christmas,Romantic Period,Wedding. Score and part. 3 pages. Rodrigo Faleiros #867300. Published by Rodrigo Faleiros (A0.1275492). Step into a world of musical enchantment with this adaptation of the Largo, 2nd movement from Antonin Dvorak's Symphony no. 9, From the New World. Designed for an easy solo baritone sax with a piano accompaniment, this rendition has been carefully tailored to embrace aspiring musicians and create an intimate ambiance, making it a perfect choice for students, weddings, graduations and other special gatherings. The arrangement is transposed to the key of F major, ensuring ease for beginners, allowing them to delve into the soulful melodies effortlessly.
$3.99
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Largo, From Symphony No. 9 "The New World"
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Jireh J
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Largo, From Symphony No. 9 &qu
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Jireh J.
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1258833 Composed by Antonin Dvorak. Arranged by Jireh J. Classical. Score and part. 16 pages. Jireh J. #852...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1258833 Composed by Antonin Dvorak. Arranged by Jireh J. Classical. Score and part. 16 pages. Jireh J. #852094. Published by Jireh J. (A0.1258833). This arrangement was made for Baritone Saxophone and Piano.
$5.99
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
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Symphony No.3
