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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Royal Melodies
Non classifié
25
Piano & claviers
Piano seul
6
Piano Facile
3
Piano, Voix
2
Guitares
Guitare notes et tablatures
3
Ukulele
1
Voix
Chorale SATB
4
Chorale 3 parties
1
Chorale SSAA
1
Vents
2 Saxophones (duo)
9
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Flûtes à bec
5
Quintette de Saxophone: 5 saxophones
4
3 Saxophones (trio)
4
Flûte traversière et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
3
Hautbois, Piano (duo)
3
Cor anglais, Piano
3
Saxophone Alto et Piano
3
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Clarinette et Piano
3
Saxophone Baryton, Piano
3
2 Hautbois (duo)
2
Clarinette
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
1
Piccolo, Piano
1
3 Clarinettes (trio)
1
Saxophone Soprano et Piano
1
2 Flûte à bec (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Flûte : 5 flûtes
1
3 Flûtes à bec (trio)
1
Hautbois (partie séparée)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 26 instrumentations
Retracter
Cuivres
2 Trombones (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Cor et Piano
3
Trombone et Piano
3
Trompette, Piano
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Euphoniums (duo)
2
Trompette
2
2 Trompettes (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Trombone, Cor (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone
1
Quatuor de cuivres: 4 cors
1
Trompette (partie séparée)
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
+ 20 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
7
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon et Piano
4
Alto, Piano
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
Violoncelle, Piano
2
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
8
Orchestre
2
Fanfare
1
Orchestre d'harmonie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
The Royal Melodies
Saxophone Baryton, Piano
Partitions à imprimer
3 partitions trouvées
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Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
Minuet by Boccherini for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Barit
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160616 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Weddin...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1160616 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760911. Published by Woods Only, Arrangements (A0.1160616). This simple arrangement adapted for baritone saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
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The Royal Melodies
