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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Stand - Oboe
Non classifié
9 986
Piano & claviers
Piano seul
10 214
Piano, Voix et Guitare
4 175
Piano, Voix
3 663
Piano Facile
3 283
Instruments en Do
1 999
Piano grosses notes
1 291
Orgue
880
Accompagnement Piano
362
1 Piano, 4 mains
338
Accordéon
174
Piano Trio: piano, violon, violoncelle
93
Piano (partie séparée)
76
2 Pianos, 4 mains
69
Piano Quatuor: piano, 2 violons, violoncelle
56
Ligne De Mélodie, Piano
54
Piano Quatuor: piano, violon, alto, violoncelle
50
Accordéon, Voix
16
Clavecin
15
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Orgue, Piano (duo)
14
1 Piano, 6 mains
13
Orgue, Trompette (duo)
12
Clavier
11
2 Pianos, 8 mains
5
Instrument seul et Orgue
2
2 Accordéons
1
Accordéon, Piano
1
+ 22 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
6 143
Guitare notes et tablatures
3 745
Guitare
1 470
Ukulele
1 112
Basse electrique
711
Paroles et Accords
322
Dulcimer
199
2 Guitares (duo)
152
Guitare (partie séparée)
127
Banjo
114
Mandoline
61
Ensemble de guitares
37
Piano, Guitare (duo)
34
Ensemble de Ukulélés
28
4 Guitares (Quatuor)
23
Ukulele Baryton
22
2 Dulcimers (duo)
21
3 Guitares (trio)
19
Mandoline, Piano (duo)
10
Dobro
8
2 Ukuleles
4
Basse électrique (partie séparée)
4
Guitare, Violon, Violoncelle (trio)
3
Guitare Pedal Steel
3
Luth
1
2 Mandolines (duo)
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
1 884
Chorale 2 parties
1 129
Chorale 3 parties
961
Voix duo, Piano
555
Chorale TTBB
464
Pack Instrumental pour Chorale
459
Chorale Unison
434
Voix haute
304
Chorale SSAA
244
Voix seule
162
Voix duo
112
Chorale
94
Voix Soprano, Piano
69
Voix Alto, Piano
56
Voix moyenne, Piano
37
Voix Tenor, Piano
34
Voix Baryton, Piano
23
Voix basse, Piano
12
Voix Tenor
12
Voix basse
11
Voix Soprano
4
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Voix, Guitare
2
Chorale SSATBB
2
Chorale SSAATTBB
1
Voix Baryton
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 109
2 Saxophones (duo)
1 038
Quatuor de Saxophones: 4 saxophones
986
Clarinette et Piano
816
Saxophone (partie séparée)
728
Saxophone Alto et Piano
659
2 Clarinettes (duo)
585
2 Flûtes traversières (duo)
564
Flûte traversière
555
Clarinette
550
Saxophone Tenor et Piano
511
Quatuor de Clarinettes: 4 clarinettes
488
Saxophone Soprano et Piano
470
Saxophone Alto
460
Saxophone Tenor
401
Flûte, Clarinette (duo)
311
Quintette de Saxophone: 5 saxophones
292
Quatuor de Flûtes : 4 flûtes
289
Instruments en Mib
288
Saxophone, Clarinette (duo)
256
Clarinette, Violon (duo)
196
Saxophone Baryton, Piano
195
3 Clarinettes (trio)
174
Clarinette, Trompette (duo)
165
Ensemble de saxophones
159
Ensemble de Clarinettes
157
Trio de Flûtes: 3 flûtes
126
Flûte et Guitare
126
Flûte, Violon
121
3 Saxophones (trio)
116
2 Flûte à bec (duo)
116
Cor anglais, Piano
107
Clarinette et Alto
104
Ensemble de Flûtes
103
Flûte, Saxophone (duo)
98
Clarinette (partie séparée)
92
Flûte, Alto (duo)
85
Flûte irlandaise
82
Flute (partie séparée)
80
Flûte, Trompette (duo)
79
Clarinette Basse, Piano
73
Quintette de Clarinettes: 5 clarinettes
69
Flûte à Bec
56
Ocarina
52
Flûte à bec Soprano
47
Flûte, Violoncelle
46
Quintette de Flûte : 5 flûtes
41
Saxophone
40
Saxophone Soprano
39
Clarinette, Basson (duo)
38
Flûte, Clarinette et Basson
38
Clarinette, Guitare (duo)
36
Clarinette, Violoncelle (duo)
33
Harmonica
32
Flûte, Violon, Piano
30
Ensemble De Flûte à bec
28
Saxophone Baryton
28
Flûte, Trombone (duo)
26
Quatuor de Flûtes à bec
23
Flûte à bec Alto
21
Cor Anglais
19
Clarinette, Trombone (duo)
19
Flûte à bec Soprano, Piano
18
2 Clarinettes, Piano
18
Flûte, Violoncelle, Piano (trio)
12
Flûte à bec Alto, Piano
12
Flûte, Clarinette, Piano (trio)
12
Clarinette Basse
11
Clarinette, Harpe (duo)
11
2 Saxophones, Piano
10
Flûte, Violon, Violoncelle et Piano
10
Flûte à bec Tenor
10
Clarinette, Violoncelle, Piano (trio)
10
Piccolo, Piano
9
Saxophone et Harpe
9
2 Clarinettes, Basson
8
2 Flûtes traversières, Piano
8
Flûte, Basson et Piano
7
3 Flûtes à bec (trio)
6
Flûte, Violon et Violoncelle
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
6
Saxophone et Orgue
6
2 Cors Anglais Et Pianoforte
6
Flute, Cor (duo)
5
Saxophone, Violon (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
5 Flûtes à bec
4
Flute, harpe et violon
4
Clarinette, Alto et Piano (trio)
4
Flûte, Clarinette, Violon (trio)
4
Saxophone et Guitare
4
Flûte à bec, Guitare (duo)
4
Flûte, Alto et Piano
4
Flûte, Tuba (duo)
3
Cor anglais et Harpe (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flûte traversière, Orgue (duo)
3
Saxophone et Piano
2
Saxophone et violoncelle
2
Clarinette, Orgue
2
Flûte et Trio à cordes
2
Saxophone, Basson (duo)
2
Cornemuse
2
Clarinette, trompette et piano
1
Flûte, alto et harpe
1
Flûte à bec Alto, Basse continue
1
Cor anglais, Guitare (duo)
1
Flûte, trombone et piano
1
+ 104 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
680
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
636
Trompette
586
Trompette, Piano
554
Trombone et Piano
504
Trompette (partie séparée)
476
Trombone (partie séparée)
466
Cor et Piano
394
Bass Clef Instruments
388
Trombone
375
2 Trompettes (duo)
306
2 Trombones (duo)
289
Cor
281
Instruments en Sib
278
Quatuor de Cuivres: 2 trompettes, Cor, trombone
276
Quatuor de Cuivres
227
Trompette, Saxophone (duo)
187
Trompette, Trombone (duo)
167
Euphonium, Piano (duo)
139
Tuba et Piano
137
Tuba
113
Cor anglais, Piano
107
2 Cors (duo)
101
Trompette, Cor (duo)
94
Ensemble de Trompettes
92
Cor (partie séparée)
75
Quatuor de cuivres: 4 trombones
60
Tuba (partie séparée)
50
Ensemble de Trombones
45
Quatuor de cuivres: 4 cors
40
Trio de Cuivres
39
Quatuor de cuivres: 2 trompettes, 2 trombones
29
2 Tubas (duo)
28
3 Trombones (trio)
25
Tuba et Orgue
23
Euphonium
20
2 Euphoniums (duo)
19
Cor Anglais
19
3 Trompettes (trio)
17
Cor, Tuba (duo)
12
2 Euphoniums et 2 Tubas
12
Cor et Harpe
10
Trompette, violon (duo)
9
Quatuor de cuivres: 4 trompettes
9
Trombone, Tuba (duo)
9
Trompette et Guitare
9
4 Tubas
9
Euphonium, Tuba (duo)
9
Cor, Violoncelle (duo)
7
Trompette, Tuba (duo)
6
Trompette, Harpe
6
2 Cors Anglais Et Pianoforte
6
Tuba ou Euphonium ou Saxhorn
5
Clarinette, Cor (duo)
5
Ensemble de Cors
5
Trompette, Violoncelle et Piano
5
2 Trompettes, Clavier (piano ou orgue)
5
Trompette, Trombone, Piano
4
Trombone basse et Piano
4
Trompette, Violoncelle (duo)
4
Cor et Orgue
3
Cor anglais et Harpe (duo)
3
Trombone, Violon (duo)
2
2 Cors, Piano
2
Trombone, Orgue
2
Trompette, Euphonium (duo)
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Trombone, Alto (duo)
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trombone, violoncelle (duo)
1
Cornet et Piano
1
2 Trombones, Piano
1
Trombone basse
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 945
Violon et Piano
1 254
Violon
781
Violoncelle, Piano
751
Alto, Piano
683
Violoncelle
567
2 Violons (duo)
483
Violon, Violoncelle (duo)
461
Harpe
376
2 Violoncelles (duo)
369
Trio à Cordes: violon, alto, violoncelle
348
Violon, Alto (duo)
325
Alto seul
324
2 Altos (duo)
235
Contrebasse, Piano (duo)
142
Contrebasse (partie séparée)
124
2 Harpes (duo)
123
Contre Basse
109
Piano Trio: Violon, Alto, Piano
95
Alto, Violoncelle (duo)
94
Violon (partie séparée)
91
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
Trio à Cordes: 2 violons, violoncelle
83
Alto (partie séparée)
81
Violon, Guitare (duo)
58
4 Violoncelles
50
Violoncelle, Contrebasse (duo)
47
Violoncelle , Guitare (duo)
40
Trio à cordes: 3 violins
37
2 Contrebasses (duo)
30
Trio à Cordes: 2 violons, alto
29
Alto, Guitare (duo)
28
Harpe, Flûte (duo)
28
Ensemble de Violons
25
Violoncelle (partie séparée)
24
Quatuor à cordes: 4 violons
24
Ensemble d'Altos
23
Trio à Cordes: 3 violoncelles
21
Harpe, Violon (duo)
16
Harpe, Violoncelle (duo)
16
Trio à cordes: 3 altos
16
Harpe et mandoline
9
Violon, Basson (duo)
9
Quatuor à cordes : 4 altos
8
4 Contrebasses
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Harpe, Voix
6
Alto et Basson
5
Violon, Clarinette, Piano (trio)
5
2 Violons, Piano
5
Alto et Harpe
4
Ensemble de Violoncelles
4
Harpe, Violon, Violoncelle
4
2 Violoncelles, Piano
4
Violoncelle, Orgue
4
Harpe, Trombone (duo)
3
Autoharp
3
Violon, Trompette et Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Orgue
2
Flûte, Contrebasse (duo)
2
2 Altos, Piano
2
Violon, Violoncelle, Clarinette
2
Alto, Orgue
2
Trio à cordes
1
Violon, Basse continue
1
Harpe et Piano
1
Violoncelle, Basse continue
1
3 Contrebasses
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 945
Ensemble Jazz
1 179
Orchestre à Cordes
894
Fanfare
836
Orchestre
582
Ensemble de cuivres
428
Cloches
263
Orchestre de chambre
254
Jazz combo
210
Ensemble de Percussions
123
Batterie
120
Batterie (partie séparée)
95
Percussion (partie séparée)
50
Marimba
42
Vibraphone
36
Percussion
26
Xylophone
16
Xylophone, Piano
12
Ensemble d'École
8
Vibraphone (partie séparée)
7
Big band
6
Timbales (partie séparée)
6
2 Xylophones
4
Timbales
4
Vibraphone et Marimba
3
Caisse Claire
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
3 Marimbas
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Orchestre, Violon
1
Instrumentation Flexible
1
Marimba, Piano (duo)
1
+ 28 instrumentations
Retracter
Autres
Théorie de la musique
5
Formation musicale - Solfège
1
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HARMONICA
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LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
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BANJO
BASSE
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Vous avez sélectionné:
The Stand - Oboe
Saxophone Baryton, Piano
Partitions à imprimer
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176
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549820 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romant...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549820 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3546585. Published by jmsgu3 (A0.549820). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549800 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romant...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549800 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539199. Published by jmsgu3 (A0.549800). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549683 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romant...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549683 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520273. Published by jmsgu3 (A0.549683). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
None but the Lonely Heart for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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P
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Diego Marani
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None but the Lonely Heart for
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Diego Marani
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1234478 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,St...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1234478 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. Diego Marani #830015. Published by Diego Marani (A0.1234478). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for baritone sax with piano accompaniment is suitable for classroom, repertoire and recital.
$7.99
Vivaldi: The Four Seasons Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.551434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Stan...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.551434 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5204975. Published by jmsgu3 (A0.551434). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Vivaldi: Spring from the Four Seasons for Baritone Sax & Piano
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: Spring from the Four
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.551352 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,We...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.551352 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5030353. Published by jmsgu3 (A0.551352). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
Stand Up, Stand Up for Jesus, Gospel Hymn for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593226 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593226 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417843. Published by David McKeown (A0.593226). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Baritone Saxophone and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Stand By Me (Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Stand By Me
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1435692 By Stephen DeCesare. By C.A. Tindley. Arranged by Stephen DeCesare. Christian,Sacred,Spiritual,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1435692 By Stephen DeCesare. By C.A. Tindley. Arranged by Stephen DeCesare. Christian,Sacred,Spiritual,Standards,Traditional. Score and part. 8 pages. Exultet Music #1015814. Published by Exultet Music (A0.1435692). The tender gospel hymn by Rev. Charles Albert Tindley has been freshly arranged for a Baritone Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
STAND UP, STAND UP FOR JESUS (Duet – Baritone Sax & Piano with Score/Part)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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George Webb
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Gary Lanier
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Worship,Sacred
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STAND UP, STAND UP FOR JESUS
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The Lanier Company
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SheetMusicPlus
Composed by George Webb. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages. The Lanier Company #2922959. Published by The ...
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Composed by George Webb. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages. The Lanier Company #2922959. Published by The Lanier Company
$6.99
Shall We Gather at the River, Gospel Song for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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David McKeown
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Shall We Gather at the River,
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593202 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spirit...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593202 Composed by Robert Lowry. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6417767. Published by David McKeown (A0.593202). Shall We Gather at The River is a beautiful gospel song arranged here for Solo Baritone Saxophone and Piano.Shall We Gather at The River was composed in 1865 by a Baptist minister from New York, Robert Lowry. As well as becoming a gospel standard, the melodyof Shall We Gather by The River has found its way into compositions by Charles Ives and Aaron Copeland and has often been used in classic Western movies.
$2.49
The King Shall Come When Morning Dawns (with "O Come, O Come, Emmanuel") (Baritone Sax and Piano)
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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The King Shall Come When Morni
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1242188 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worshi...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1242188 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Advent,Christian,Praise & Worship,Sacred,Standards. Score and part. 10 pages. Exultet Music #837546. Published by Exultet Music (A0.1242188). Two of the most widely used hymns for the season of Advent have joined together as one anthem and scored for a Baritone Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
For the Beauty of the Blue Earth for piano trio or saxophones and piano
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Saxophone Baryton, Piano
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Ruth Draper
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Ruth Draper Music
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For the Beauty of the Blue Ear
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Ruth Draper Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano - SKU: A0.930587 Composed by Ruth Draper. Arranged by Ruth Draper Music. Blues,Christian,Concert,...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano - SKU: A0.930587 Composed by Ruth Draper. Arranged by Ruth Draper Music. Blues,Christian,Concert,Sacred. Score and parts. 17 pages. Ruth Draper Music #6362243. Published by Ruth Draper Music (A0.930587). This appealing, bluesy trio the hymn For the Beauty of the Earth (DIX) combines the familiar tune with 12-bar blues in an arrangement sure to please congregation and recital audiences alike. It opens with a riff on the first notes of the melody over a standard blues progression, then tosses the tune between instruments. Motives from the melody are playfully exchanged through modulations before returning to the home key for the light-hearted ending. Scored for violin, viola and piano or alto and baritone saxophones and piano; full score, string, piano, and saxophone parts included. Intermediate difficulty, 3 min in length.String ranges: C4-E7 (violin) and D3-C5 (viola); Saxophone ranges (concert pitch): D3-E5 (alto) and F#2-F4 (baritone). .
$5.99
STANDING ON THE PROMISES (Baritone Sax/Piano and Baritone Sax Part)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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R
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Gary Lanier
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STANDING ON THE PROMISES
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The Lanier Company
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.616994 Composed by R. Kelso Carter. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 12 pa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.616994 Composed by R. Kelso Carter. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #4269965. Published by The Lanier Company (A0.616994). STANDING ON THE PROMISES is an arrangement for Baritone Sax and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the the joy of playing in any situation where Gospel music is desired (12 pages). A mp3 piano accompaniment track is also available titled STANDING ON THE PROMISES (Piano accompaniment for Baritone Sax).
$7.99
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Standing in the Need of Prayer, Gospel Hymn for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Standing in the Need of Prayer
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593251 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritu...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593251 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418003. Published by David McKeown (A0.593251). Standing in the Need of Prayer is a beautiful gospel song arranged here for Solo Baritone Saxophone and Piano.Standing in the Need of Prayer was first published in 1925 in a collection of spirituals but its nineteenth century origins are obscure.
$2.49
Shall We Gather At The River (Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Shall We Gather At The River
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1304555 By Stephen DeCesare. By Robert Lowry. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacr...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1304555 By Stephen DeCesare. By Robert Lowry. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and part. 11 pages. Exultet Music #894015. Published by Exultet Music (A0.1304555). The popular traditional Christian hymn has been freshly arranged with lush jazz harmonies and scored for a Baritone Saxophone solo with Piano accompaniment. Â Accessible and appropriate for any church or concert setting. Â An accompaniment track is also available.
$4.99
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