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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time
Non classifié
15 434
Piano & claviers
Piano seul
36 795
Piano, Voix
6 694
Piano Facile
4 110
Piano, Voix et Guitare
3 769
Accordéon
2 332
Instruments en Do
1 073
Orgue
569
Accompagnement Piano
441
1 Piano, 4 mains
436
Piano Trio: piano, violon, violoncelle
187
Piano grosses notes
174
2 Pianos, 4 mains
97
Piano (partie séparée)
72
Piano Quatuor: piano, 2 violons, violoncelle
53
Piano Quatuor: piano, violon, alto, violoncelle
48
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Orgue, Piano (duo)
18
Orgue, Trompette (duo)
16
Clavecin
14
Ligne De Mélodie, Piano
13
1 Piano, 6 mains
11
2 Pianos, 8 mains
6
2 Accordéons
4
Accordéon, Voix
3
Ensemble de Pianos
2
Clavier
2
Ensemble d'Accordéons
2
Orgue, Voix
2
Accordéon et Orchestre
1
Instrument seul et Orgue
1
Tous Les Instruments
1
+ 26 instrumentations
Retracter
Guitares
Guitare
5 100
Basse electrique
3 534
Guitare notes et tablatures
2 672
Ligne De Mélodie, (Paroles) et Accords
1 092
Ukulele
588
Paroles et Accords
449
2 Guitares (duo)
148
Guitare (partie séparée)
145
Mandoline
87
Banjo
56
Dulcimer
46
Piano, Guitare (duo)
39
4 Guitares (Quatuor)
37
3 Guitares (trio)
17
Mandoline, Guitare (duo)
13
Ensemble de guitares
13
Basse électrique (partie séparée)
8
Ensemble de Ukulélés
5
Guitare, Violon, Violoncelle (trio)
4
Dobro
4
2 Dulcimers (duo)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Guitare, Flûte, Clarinette
3
Partitions De Groupes
2
Mandoline, Piano (duo)
2
2 Mandolines (duo)
1
Ukulele Baryton
1
Bouzouki
1
Guitare Tab, Voix, Basse, Batterie
1
Guitare, Orchestre
1
Cithare
1
+ 27 instrumentations
Retracter
Voix
Voix seule
5 806
Chorale SATB
5 071
Chorale 2 parties
2 186
Chorale 3 parties
1 854
Chorale Unison
1 070
Voix duo, Piano
882
Chorale TTBB
768
Chorale SSAA
469
Voix duo
302
Pack Instrumental pour Chorale
147
Voix Soprano, Piano
139
Voix Tenor, Piano
137
Voix Alto, Piano
118
Chorale
109
Voix Baryton, Piano
99
Voix haute
63
Voix moyenne, Piano
24
Voix basse, Piano
17
Chorale SSAATTBB
16
Voix Tenor
14
Voix, Guitare
10
Chorale SSATB
10
Soli, choeur mixte et accompagnement
6
Voix Mezzo-Soprano, Piano
5
Voix basse
5
Voix Soprano, Orchestre
4
Chorale SSAB, Piano
4
Chorale SSAB a cappella
3
Chorale SAATB A Cappella
3
Voix Soprano
3
Male Voice
2
Voix haute, Piano
2
Voix Moyenne
2
Chorale SATTBB A Cappella
2
Chorale SSATBB
1
Chorale SSAATB
1
Chorale SATBB
1
+ 32 instrumentations
Retracter
Vents
Saxophone
16 655
Flûte traversière
8 230
Clarinette
7 680
Saxophone Alto
1 827
Saxophone Tenor
1 671
Quatuor de Saxophones: 4 saxophones
1 478
2 Saxophones (duo)
1 343
Flûte à Bec
1 228
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 202
Flûte traversière et Piano
1 182
Flûte, Hautbois, Clarinette, Basson
1 155
Clarinette et Piano
1 007
Hautbois
881
Quatuor de Clarinettes: 4 clarinettes
792
Saxophone Alto et Piano
781
Hautbois, Piano (duo)
778
Saxophone (partie séparée)
747
Quintette de Saxophone: 5 saxophones
739
2 Flûtes traversières (duo)
726
2 Clarinettes (duo)
656
Saxophone Soprano
647
Saxophone Tenor et Piano
610
Saxophone Soprano et Piano
545
Saxophone, Clarinette (duo)
422
Ensemble de saxophones
367
Flûte, Clarinette (duo)
354
Clarinette, Violon (duo)
316
Ensemble de Clarinettes
308
Hautbois (partie séparée)
293
2 Hautbois (duo)
293
Quatuor de Flûtes : 4 flûtes
286
Saxophone Baryton, Piano
256
3 Saxophones (trio)
252
Clarinette, Trompette (duo)
251
Hautbois, Clarinette (duo)
231
Hautbois, Basson (duo)
228
2 Flûte à bec (duo)
217
3 Clarinettes (trio)
199
Flûte, Violon
185
Trio de Flûtes: 3 flûtes
170
Clarinette (partie séparée)
162
Clarinette et Alto
160
Quintette de Clarinettes: 5 clarinettes
156
Cor anglais, Piano
154
Flûte, Saxophone (duo)
152
Ensemble de Flûtes
151
Hautbois, Flûte
149
Flûte, Alto (duo)
135
Clarinette Basse, Piano
116
Flûte, Trompette (duo)
115
Flute (partie séparée)
110
Flûte, Clarinette et Basson
98
Flûte et Guitare
98
Flûte à bec Soprano
90
Flûte irlandaise
82
Quintette de Flûte : 5 flûtes
79
Clarinette, Basson (duo)
76
Flûte, Hautbois, Clarinette (trio)
69
Saxophone Baryton
65
Flûte, Violon, Piano
64
Hautbois, Clarinette, Basson (trio d'anches)
63
Flûte, Violoncelle
61
Quatuor de Flûtes à bec
59
Flûte, Hautbois (duo)
59
Hautbois, Violoncelle
58
Cor Anglais
53
Clarinette, Violoncelle (duo)
53
Clarinette, Guitare (duo)
43
Flûte, Hautbois, Basson
43
Flûte à bec Alto
38
Flûte, Violoncelle, Piano (trio)
35
2 Clarinettes, Piano
33
Ensemble De Flûte à bec
32
Harmonica
28
Flûte, Hautbois, Piano (trio)
28
2 Flûtes traversières, Piano
27
Piccolo, Piano
27
3 Flûtes à bec (trio)
25
5 Flûtes à bec
24
Flûte à bec Soprano, Piano
24
Flûte, Violon et Violoncelle
24
Hautbois, violon (duo)
23
Flûte, Clarinette, Piano (trio)
23
Clarinette, Violoncelle, Piano (trio)
22
Instruments en Mib
21
Ocarina
19
Flûte à bec Tenor
19
Flûte à bec Alto, Piano
19
Hautbois et alto (duo)
18
Clarinette, Trombone (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
16
2 Saxophones, Piano
13
Saxophone et Orgue
13
Clarinette Basse
12
Flûte, Basson et Piano
12
Flûte, Trombone (duo)
12
Cor anglais, Guitare (duo)
11
Flûte, Alto et Piano
11
Flûte à Bec, Piano
11
2 Cors Anglais Et Pianoforte
9
Clarinette, Harpe (duo)
9
Saxophone et Guitare
9
Hautbois, Guitare (duo)
8
Piccolo
8
Hautbois, Violoncelle et Piano
7
Clarinette, Basson, Piano (trio)
6
Hautbois, Clarinette et Piano (Trio)
6
Flûte traversière, Orgue (duo)
6
Clarinette, Alto et Piano (trio)
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, trombone et piano
5
Clarinette, Tuba
5
3 Hautbois
5
Clarinette, Contrebasse (duo)
4
2 Clarinettes, Basson
4
Hautbois, trombone (duo)
4
Flûte à bec Alto, Basse continue
4
Hautbois, Basson et Piano
4
Ensemble à vent
4
Clarinette, trompette et piano
4
Flûte, Tuba (duo)
3
Flûte à bec, Guitare (duo)
3
Flute, harpe et violon
3
Flûte traversière, Basse continue
3
Hautbois, Violon, Piano
3
Clarinette, Orchestre
3
Flûte et Trio à cordes
3
Flûte, Violon, Guitare
3
2 Hautbois, Piano
3
Saxophone et Piano
3
Flûte, Hautbois, Violon
3
Ensemble de Hautbois
2
Cornemuse
2
Cor anglais et Harpe (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Violon (trio)
2
Flute, Cor (duo)
2
Flûte, Harpe et Violoncelle
2
Flûte, alto et harpe
2
Hautbois, Harpe
2
4 Hautbois
2
Clarinette, Orgue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte de Pan
1
Hautbois, Trompette (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orchestre
1
Flûte à bec, Harpe
1
+ 143 instrumentations
Retracter
Cuivres
Trompette
6 797
Trombone
6 214
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 708
Cor
870
Trompette, Piano
787
Trombone et Piano
765
Quatuor de Cuivres : 2 trompettes, trombone, tuba
671
Tuba
569
Cor et Piano
537
Trombone (partie séparée)
494
Trompette (partie séparée)
467
Euphonium
415
2 Trompettes (duo)
376
2 Trombones (duo)
347
Tuba et Piano
339
Trompette, Saxophone (duo)
306
Trompette, Trombone (duo)
275
Quatuor de Cuivres: 2 trompettes, Cor, trombone
272
Quatuor de Cuivres
250
Euphonium, Piano (duo)
160
Cor anglais, Piano
154
2 Cors (duo)
151
Ensemble de Trompettes
105
Cor (partie séparée)
101
Tuba (partie séparée)
90
Quatuor de cuivres: 4 trombones
87
Trompette, Cor (duo)
83
2 Tubas (duo)
73
Ensemble de Trombones
65
Quatuor de cuivres: 4 cors
59
Cor Anglais
53
Trio de Cuivres
39
2 Euphoniums et 2 Tubas
37
Quatuor de cuivres: 4 trompettes
32
3 Trombones (trio)
30
Ensemble de Cors
27
Bass Clef Instruments
27
Trombone basse et Piano
27
3 Trompettes (trio)
25
Tuba et Orgue
22
4 Tubas
21
Cor, Violoncelle (duo)
21
Instruments en Sib
18
Trombone, Cor (duo)
16
Trompette, Violoncelle (duo)
15
Trombone basse
14
2 Euphoniums (duo)
14
Trompette, Tuba (duo)
14
Cor anglais, Guitare (duo)
11
Trompette, Basson (duo)
11
Cor et Basson (duo)
9
2 Cors Anglais Et Pianoforte
9
Trombone, Orgue
9
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Cor, Tuba (duo)
7
3 Tubas (trio)
7
Trompette et Guitare
6
Trompette, Violoncelle et Piano
6
2 Trompettes, Clavier (piano ou orgue)
6
Trompette, Trombone, Piano
6
Euphonium, Tuba (duo)
6
Trombone, Tuba (duo)
5
3 Cors (trio)
4
Cor et Orgue
3
2 Trombones, Piano
3
Trompette, violon (duo)
3
Tuba ou Euphonium ou Saxhorn
3
Cor anglais et Harpe (duo)
2
Cor et Harpe
2
2 Cors, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trombone, Violon (duo)
2
Cornet et Piano
1
Cor, Violoncelle et Piano
1
Instruments en Fa
1
Ensemble de Tubas
1
Trompette, Harpe
1
Trompette, Orchestre
1
3 Euphoniums
1
Clarinette, Cor (duo)
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
+ 78 instrumentations
Retracter
Cordes
Violon
5 488
Violoncelle
3 528
Quatuor à cordes: 2 violons, alto, violoncelle
3 305
Alto seul
2 802
Violon et Piano
1 462
Violoncelle, Piano
1 024
Alto, Piano
979
Violon, Violoncelle (duo)
962
Trio à Cordes: violon, alto, violoncelle
682
2 Violons (duo)
523
Quintette à cordes: 2 violons, alto, violoncelle, basse
492
Harpe
478
Contre Basse
465
2 Violoncelles (duo)
397
Violon, Alto (duo)
377
2 Altos (duo)
320
Contrebasse, Piano (duo)
274
Trio à Cordes: 2 violons, violoncelle
235
Violon (partie séparée)
188
Contrebasse (partie séparée)
148
Alto (partie séparée)
139
Alto, Violoncelle (duo)
111
Piano Trio: Violon, Alto, Piano
98
2 Harpes (duo)
72
4 Violoncelles
71
Trio à cordes: 3 violins
67
2 Contrebasses (duo)
64
Violon, Guitare (duo)
60
Trio à Cordes: 3 violoncelles
57
Violon, Basson (duo)
53
Violoncelle (partie séparée)
40
Quatuor à cordes : 4 altos
38
Violoncelle , Guitare (duo)
38
Quintette à cordes: 2 violons, 2 altos, violoncelle
37
Harpe, Flûte (duo)
36
Trio à Cordes: 2 violons, alto
36
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Quatuor à cordes: 4 violons
30
2 Violons, Piano
27
Alto et Basson
23
Ensemble de Violons
22
Trio à cordes: 3 altos
20
Ensemble d'Altos
19
Violoncelle, Contrebasse (duo)
18
Alto, Guitare (duo)
16
Violoncelle, Orgue
14
Harpe, Violon (duo)
13
Trio à cordes
11
Harpe, Voix
11
Violon, Clarinette, Piano (trio)
9
Violoncelle, Orchestre
8
Ensemble de Violoncelles
7
Harpe, Violon, Violoncelle
7
Alto, Orgue
5
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Harpe, Violoncelle (duo)
4
Alto et Harpe
4
2 Altos, Piano
4
4 Contrebasses
4
Violon, Orgue
3
Violon, Violoncelle, Clarinette
3
Alto et orchestre
3
Violoncelle, Basse continue
3
Violon, Tuba (duo)
3
4 Harpes
3
Harpe, Trombone (duo)
2
Harpe et Orgue
1
Harpe et mandoline
1
Autoharp
1
3 Harpes
1
+ 66 instrumentations
Retracter
Orchestre & Percussions
Batterie
6 039
Orchestre d'harmonie
4 086
Orchestre
2 119
Orchestre à Cordes
1 254
Ensemble Jazz
1 074
Fanfare
763
Ensemble de cuivres
659
Cloches
501
Orchestre de chambre
280
Jazz combo
181
Percussion
168
Ensemble de Percussions
123
Percussion (partie séparée)
109
Batterie (partie séparée)
104
Marimba
54
Xylophone, Piano
33
Xylophone
30
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Vibraphone
18
Quintette à Vent
15
Timbales (partie séparée)
11
Orchestre, Violon
7
Quintette de Cuivres: autres combinaisons
7
Caisse Claire
7
Ensemble d'École
5
Vibraphone (partie séparée)
4
Piano et Orchestre
4
Instrumentation Flexible
3
2 Xylophones
3
2 Caisses Claires (duo)
2
Quatuor à Vent : 4 instruments à vents
2
Voix Mezzo-Soprano, Orchestre
2
Vibraphone et Marimba
2
Big band
1
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
Trio à Vent: 3 instruments à vents
1
Timbales
1
Bodhran
1
2 Marimbas
1
+ 35 instrumentations
Retracter
Autres
Formation musicale - Solfège
41
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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XYLOPHONE
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CHANSON FRANÇAISE
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Saxophone Baryton, Piano
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51
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251
It's Been A Long, Long Time
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366361. Published by David McKeown (A0.592551). It’s Been a Long Long Time is arranged as a solo for one Baritone Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Christmas Time Is Here
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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Lee Mendelson and Vince Guaral
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1316245 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1316245 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Score and part. 3 pages. Rodrigo Faleiros #904978. Published by Rodrigo Faleiros (A0.1316245). Embrace the enchantment of the holiday season with our special baritone sax solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for baritone sax players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant : Begin your holiday journey instantly with our convenient PDF download. Piano accompaniment: The sheet music includes a piano accompaniment, allowing for harmonic creativity and festive musicality. Immerse yourself in the warmth and nostalgia of this classic melody with your baritone sax. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Christmas Time Is Here
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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Lee Mendelson and Vince Guaral
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1316142 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1316142 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Score and part. 3 pages. Rodrigo Faleiros #904776. Published by Rodrigo Faleiros (A0.1316142). Embrace the enchantment of the holiday season with our special baritone sax solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for baritone sax players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant : Begin your holiday journey instantly with our convenient PDF download. Piano accompaniment with chord symbols: The sheet music includes a piano accompaniment with chord symbols, allowing for harmonic creativity and festive musicality. Immerse yourself in the warmth and nostalgia of this classic melody with your baritone sax. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Only Time
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Enya
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Kenneth D
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Only Time
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KFS Publishing
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.700518 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.700518 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Kenneth D. Friedrich. Celtic,New Age. Score and part. 6 pages. KFS Publishing #6266915. Published by KFS Publishing (A0.700518). To quote the artist herself, ‘Only Time’ talks about the fact that time will heal. It won’t get rid of the wound, but time will bring back a sense of normality that is important to your life.' My hope is this arrangement will have the same effect instrumentally.
$14.95
Old Time Religion, Gospel Song for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Old Time Religion, Gospel Song
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.593126 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritu...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.593126 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416405. Published by David McKeown (A0.593126). Old Time Religion is a beautiful gospel song arranged here for Solo Baritone Saxophone and Piano.Old Time Religion was first published in 1873 but probably dates from many years earlier, with possible roots in English folk song
$2.49
Valse Sentimentale
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Raven
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Carl Raven
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Valse Sentimentale
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PopWind.co.uk
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1359897 By Carl Raven. By Peter Ilyich Tchaikovsky. Arranged by Carl Raven. Classical,Romantic Period. Scor...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1359897 By Carl Raven. By Peter Ilyich Tchaikovsky. Arranged by Carl Raven. Classical,Romantic Period. Score and part. 5 pages. PopWind.co.uk #944382. Published by PopWind.co.uk (A0.1359897). An arrangement for Baritone saxophone and piano of this delightful slow valse by Tchaikovsky.
$4.99
Adagio Sentimentale
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Jirka Kadlec
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Adagio Sentimentale
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.40184 Inspired by Paganini. Composed by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts....
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.40184 Inspired by Paganini. Composed by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 6 pages. Duration 3'01. Editions Marc Reift - Digital #40184. Published by Editions Marc Reift - Digital (R0.40184).
$5.95
Rocket Man (I Think It's Gonna Be A Long Long Time)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548132 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.548132 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214119. Published by jmsgu3 (A0.548132). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
A Time For Us (love Theme)
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Saxophone Baryton, Piano
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FACILE
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Nino Rota
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Rodrigo Ramos
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A Time For Us
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Rodrigo Ramos
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1186283 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Rodrigo Ramos. 20th Century,...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1186283 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Rodrigo Ramos. 20th Century,Children,Easter,Film/TV,Multicultural,World. Score and part. 4 pages. Rodrigo Ramos #785939. Published by Rodrigo Ramos (A0.1186283). This legendary melody in a version facilitated by young musicians.
$4.99
I'm Getting Sentimental Over You
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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George Bassman and Ned Washing
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Jirka Kadlec
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I'm Getting Sentimental Over Y
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.43287 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Baritone Saxophone & Piano...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.43287 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43287. Published by Editions Marc Reift - Digital (R0.43287).
$11.95
Rag Sentimental
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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James Scott
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Jirka Kadlec
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Rag Sentimental
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 4 - SKU: R0.28570 Composed by James Scott. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 7 p...
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Baritone Saxophone & Piano - Grade 4 - SKU: R0.28570 Composed by James Scott. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 7 pages. Duration 3'03. Editions Marc Reift - Digital #28570. Published by Editions Marc Reift - Digital (R0.28570).
$5.95
I Got It Bad And That Ain't Good
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Oscar Peterson Trio
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Debra E
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I Got It Bad And That Ain't Go
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Standard Time
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.1223686 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.1223686 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #819836. Published by Standard Time (A0.1223686). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for baritone sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.Please note that the recording features the Alto Sax version of this arrangement.
$9.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Happy Times
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Martin Carron
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Jirka Kadlec
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Happy Times
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 3 - SKU: R0.37369 Allegresse / Frohliche Zeiten. Composed by Martin Carron. Arranged by Jirka Kadlec. Baritone...
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Baritone Saxophone & Piano - Grade 3 - SKU: R0.37369 Allegresse / Frohliche Zeiten. Composed by Martin Carron. Arranged by Jirka Kadlec. Baritone Saxophone & Piano. Score and parts. 8 pages. Duration 3'41. Editions Marc Reift - Digital #37369. Published by Editions Marc Reift - Digital (R0.37369).
$5.95
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
#
#
Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Jingle Bells for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Wichita Lineman
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1078299 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1078299 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682507. Published by jmsgu3 (A0.1078299). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
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