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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
conductor
Sheetmusicplus
Non classifié
1 427
Piano & claviers
Piano seul
122
Piano, Voix
30
1 Piano, 6 mains
24
Instruments en Do
19
Piano Facile
16
Piano, Voix et Guitare
13
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
9
Orgue
9
1 Piano, 4 mains
8
Orgue, Piano (duo)
2
Accordéon
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare
9
4 Guitares (Quatuor)
5
2 Guitares (duo)
3
Guitare, Violon, Violoncelle (trio)
3
Dulcimer
2
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
Mandoline
1
Orchestre à Plectres
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
361
Chorale TTBB
183
Chorale 3 parties
51
Chorale SSAA
41
Chorale 2 parties
38
Chorale Unison
26
Pack Instrumental pour Chorale
23
Voix Baryton, Piano
4
Chorale
4
Chorale SSATB
2
Chorale SSAATTBB
2
Voix moyenne, Piano
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix seule
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Clarinette et Piano
36
Saxophone Alto et Piano
23
Hautbois, Piano (duo)
18
Saxophone Tenor et Piano
17
Quatuor de Flûtes : 4 flûtes
17
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Soprano et Piano
15
Flûte, Hautbois, Clarinette, Basson
14
Clarinette
13
3 Flûtes à bec (trio)
12
Quatuor de Flûtes à bec
12
Quatuor de Saxophones: 4 saxophones
12
Ensemble de Clarinettes
10
Saxophone (partie séparée)
10
2 Saxophones (duo)
10
Cor anglais, Piano
9
Quintette de Saxophone: 5 saxophones
8
Saxophone Alto
8
Flûte traversière
8
3 Clarinettes (trio)
8
Ensemble de Flûtes
8
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette (partie séparée)
6
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
6
3 Saxophones (trio)
6
Clarinette, Guitare (duo)
6
2 Flûte à bec (duo)
4
Flûte à bec Soprano
4
Flute (partie séparée)
4
5 Flûtes à bec
4
Cor Anglais
3
Flûte à Bec
2
Saxophone Tenor
2
Flûte, Clarinette (duo)
2
Ensemble de saxophones
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Saxophone, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Orchestre
1
Hautbois, Flûte
1
Hautbois
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Ensemble à vent
1
Flûte, Violon
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Ensemble De Flûte à bec
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette, Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette
16
Trombone et Piano
12
Trompette (partie séparée)
11
Trombone (partie séparée)
9
Cor anglais, Piano
9
Quatuor de cuivres: 4 trombones
7
Cor et Piano
7
Tuba et Piano
5
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
Trombone
4
Euphonium, Piano (duo)
4
Cor
4
Tuba
3
Cor Anglais
3
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Saxophone (duo)
2
3 Trompettes (trio)
2
Ensemble de Trombones
2
2 Trombones (duo)
2
Tuba et Orgue
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Trio de Cuivres
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
222
Violon et Piano
43
Violoncelle, Piano
35
Alto, Piano
27
Harpe
15
Violoncelle
10
Violon
9
2 Harpes (duo)
7
Quatuor à cordes : 4 altos
7
Violon, Guitare (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Violon (partie séparée)
6
Alto, Guitare (duo)
6
Violon, Violoncelle (duo)
6
4 Violoncelles
5
Contrebasse, Piano (duo)
5
Alto (partie séparée)
4
2 Violons (duo)
4
2 Violoncelles (duo)
3
Alto seul
3
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
2
Contre Basse
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
2 Violoncelles, Piano
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 517
Ensemble Jazz
1 419
Fanfare
614
Orchestre
583
Orchestre à Cordes
572
Orchestre de chambre
80
Cloches
49
Ensemble de cuivres
35
Jazz combo
21
Ensemble de Percussions
17
Instrumentation Flexible
7
Percussion (partie séparée)
6
Xylophone
2
Piano et Orchestre
2
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Marimba
1
+ 13 instrumentations
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Autres
Instruments
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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style (tous)
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CELTIQUE - IRISH - S…
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Partitions à imprimer
6 partitions trouvées
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1
Ode to Joy by Beethoven for Baritone Sax
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Classique
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Ba
#
Woods Only, Arrangements
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Elegy, Op. 24
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Saxophone Baryton, Piano
#
AVANCÉ
#
Classique
#
Gabriel Faure
#
Robert Stevens
#
Elegy, Op. 24
#
SAXpress.com
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1393227 Composed by Gabriel Faure. Arranged by Robert Stevens. 19th Century,Chamber,Classical,Contest,Festi...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1393227 Composed by Gabriel Faure. Arranged by Robert Stevens. 19th Century,Chamber,Classical,Contest,Festival. Score and part. 20 pages. SAXpress.com #976708. Published by SAXpress.com (A0.1393227). Élégie, Op. 24 by Gabriel Fauré, arranged for Baritone Saxophone and Piano. Composed in 1889, It is one of a number of significant works for cello composed by French composer Gabriel Fauré. Élégie, Op.24 was conceived as the slow movement of a cello sonata. The sonata was never completed. Élégie was first performed in 1883 and later published as a stand-alone piece. The work features a somber opening then an intense central section before returning to the elegiac opening theme in C minor.Elegie is dedicated to the cellist Jules Loeb, who gave the first performances accompanied by the composer in December 1883. It was later orchestrated and performed at the Societe Nationale in April 1901, with Pablo Casals as the soloist and the composer as conductor.Fauré later orchestrated this work for cello and orchestra. Many other arrangements exist as solo with piano. This version is for solo baritone saxophone with piano. Difficulty level: advanced. The bari sax part extends well into the altissimo range. Alternate notes are provided in the part for performers who do not wish to play altissimo.
$24.95
Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Paul Wehage
#
Paul Wehage: Ryoanji for contr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabri...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010455. Published by Musik Fabrik Music Publishing (A0.533522). Written for Jay C. Easton, this piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95
Forever Autumn
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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The Moody Blues
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Kevin P Holdgate
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Forever Autumn
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Kevin P Holdgate
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.791176 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 5 pages. Kevi...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.791176 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 5 pages. Kevin P Holdgate #5337339. Published by Kevin P Holdgate (A0.791176). KPHMS 'Solo' CollectionI did this arrangement originally for a 'Sci-Fi' inspired proms concert in Derbyshire. The organisers had hired two full-sized Daleks which stood on the sides of the stage through the performance and never moved, but pointed their 'exterminate' weapons in my direction throughout the performance. An experience that many conductors may feel they have experienced.The music is from the original 'War of the Worlds' film and was recorded by Justin Heyward and the band 'Moody Blues'.There are solo versions with piano accompaniment of this song available for a variety of instruments in suitable keys. The difficulty level ranges between grades 3 to 5 based on the ABRSM/Trinity scale requirements.A 10 piece version and various solo versions with piano accompaniment are available for this work together with a full brass band version. There are also vocal versions for a male and/or female voice with a standard 3 horn 'Cruise ship' format backing.
$4.99
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