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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
early
Non classifié
4 288
Piano & claviers
Piano seul
5 440
Piano Facile
2 763
Piano, Voix
1 497
Piano, Voix et Guitare
782
1 Piano, 4 mains
254
Instruments en Do
244
Orgue
220
Piano Trio: piano, violon, violoncelle
126
Accompagnement Piano
76
2 Pianos, 4 mains
59
Accordéon
18
1 Piano, 6 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quatuor: piano, 2 violons, violoncelle
12
Ensemble d'Accordéons
11
Piano Quintette: piano, 2 violons, alto, violoncelle
11
2 Accordéons
10
Orgue, Piano (duo)
10
Piano grosses notes
9
2 Pianos, 8 mains
7
Clavecin
7
Orgue, Voix
6
2 Orgues (duo)
4
Piano (partie séparée)
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
3
3 Pianos
2
Orgue, Trompette (duo)
2
Accordéon, Corde(s)
1
Tous Les Instruments
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
900
Guitare
450
Ukulele
169
Ligne De Mélodie, (Paroles) et Accords
143
2 Guitares (duo)
88
Basse electrique
45
Dulcimer
42
4 Guitares (Quatuor)
30
3 Guitares (trio)
26
Paroles et Accords
25
Mandoline
19
Banjo
16
Piano, Guitare (duo)
13
Ensemble de guitares
11
Guitare (partie séparée)
8
2 Dulcimers (duo)
7
Ukulele Baryton
4
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Piano (duo)
2
2 Ukuleles
2
Bouzouki
2
Guitare, Flûte, Clarinette
1
Ensemble de Ukulélés
1
Guitare Pedal Steel
1
Dobro
1
Guitare Tab, Voix, Basse, Batterie
1
Orchestre à Plectres
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
931
Chorale 3 parties
357
Chorale TTBB
196
Chorale
192
Voix seule
176
Chorale 2 parties
133
Chorale SSAA
107
Chorale Unison
98
Voix haute
95
Voix Soprano, Piano
45
Voix Alto, Piano
34
Voix duo
33
Voix duo, Piano
26
Voix Baryton, Piano
23
Voix Tenor, Piano
23
Voix, Guitare
16
Voix moyenne, Piano
15
Chorale, Orgue
14
Voix basse, Piano
6
Chorale SSATB
4
Voix Tenor
3
Voix Soprano
2
Voix Moyenne
1
Chorale SSAB a cappella
1
Voix et basse continue
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
698
2 Flûtes traversières (duo)
496
Clarinette et Piano
442
2 Saxophones (duo)
405
Flûte traversière
305
Quatuor de Saxophones: 4 saxophones
289
Hautbois, Piano (duo)
248
2 Clarinettes (duo)
247
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
243
Saxophone Alto et Piano
237
Flûte, Hautbois, Clarinette, Basson
233
Quatuor de Clarinettes: 4 clarinettes
205
3 Clarinettes (trio)
190
Clarinette
152
Flûte, Clarinette (duo)
130
Quatuor de Flûtes : 4 flûtes
122
Saxophone Tenor et Piano
120
Saxophone Soprano et Piano
115
Saxophone, Clarinette (duo)
113
Saxophone (partie séparée)
108
Clarinette, Violon (duo)
107
Clarinette, Trompette (duo)
96
Saxophone Alto
96
Trio de Flûtes: 3 flûtes
89
2 Hautbois (duo)
83
Hautbois, Basson (duo)
73
Hautbois (partie séparée)
73
2 Flûte à bec (duo)
73
Ocarina
72
Flûte et Guitare
70
3 Saxophones (trio)
68
Ensemble de Flûtes
68
Saxophone Tenor
63
Hautbois, Clarinette (duo)
61
Flûte, Violon
58
Cor anglais, Piano
57
Flûte, Saxophone (duo)
48
Clarinette et Alto
46
Ensemble De Flûte à bec
46
Quintette de Saxophone: 5 saxophones
45
Flûte, Alto (duo)
44
Ensemble de Clarinettes
43
Saxophone Baryton, Piano
39
Quintette de Clarinettes: 5 clarinettes
38
Quatuor de Flûtes à bec
37
Clarinette (partie séparée)
35
Flûte, Hautbois, Clarinette (trio)
34
Flûte, Trompette (duo)
34
Flûte, Violon, Piano
33
Hautbois, Flûte
33
Flûte, Violoncelle
33
3 Flûtes à bec (trio)
32
2 Flûtes traversières, Piano
32
Hautbois
30
Saxophone et Piano
28
Flûte à Bec, Piano
27
Clarinette, Basson (duo)
26
Ensemble de saxophones
26
Clarinette Basse, Piano
25
Hautbois, Violoncelle
23
5 Flûtes à bec
22
Saxophone Soprano
21
Clarinette, Guitare (duo)
21
Flûte, Clarinette et Basson
19
Clarinette, Violoncelle (duo)
18
Flûte, Hautbois (duo)
18
Saxophone
18
Flûte à bec Soprano
18
Flûte à Bec
17
Flûte, Clarinette, Piano (trio)
16
Hautbois, violon (duo)
15
Flûte, Violoncelle, Piano (trio)
15
Clarinette, Trombone (duo)
13
Flute (partie séparée)
12
Piccolo
12
Flûte à bec Alto
10
Clarinette, Harpe (duo)
10
Quintette de Flûte : 5 flûtes
10
Harmonica
9
2 Clarinettes, Piano
8
Flûte à bec, Guitare (duo)
7
Flûte à bec Alto, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Hautbois, Basson
6
Hautbois, Harpe
6
Saxophone Baryton
5
3 Hautbois
5
Flûte à bec Tenor
5
Flûte à bec Soprano, Piano
5
Cor Anglais
4
Instruments en Mib
4
2 Saxophones, Piano
4
Flûte, Hautbois, Violon
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Basson et Piano
3
Cornemuse
3
Saxophone et Harpe
3
2 Flûtes traversières, Guitare
3
Hautbois, Guitare (duo)
3
2 Clarinettes, Basson
3
Saxophone et Guitare
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Contrebasse (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte, Violon, Guitare
2
Clarinette, Tuba
2
Flûte et Quatuor à Cordes
2
Flûte, Trombone (duo)
2
Clarinette Basse
2
Piccolo, Piano
2
2 Hautbois, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte de Pan
1
Harmonica, Piano
1
Flûte, alto et harpe
1
Ensemble à vent
1
Flûte, Alto et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte, Harpe et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte et Trio à cordes
1
Flûte irlandaise
1
Cor anglais et Harpe (duo)
1
Hautbois et alto (duo)
1
Melodica
1
Flûte, Alto et Piano
1
Flûte, Violon et Violoncelle
1
Flute, harpe et violon
1
2 Flûtes, Basse continue
1
Hautbois, Basson et Piano
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Clarinette et Piano (Trio)
1
+ 129 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
330
Trompette, Piano
196
Trompette
194
Trombone et Piano
151
Cor et Piano
151
Quatuor de Cuivres : 2 trompettes, trombone, tuba
136
2 Trompettes (duo)
116
Trompette, Trombone (duo)
98
2 Trombones (duo)
97
Quatuor de Cuivres
89
Trombone
88
Cor
84
Trompette, Saxophone (duo)
84
Tuba et Piano
76
Tuba
61
Cor anglais, Piano
57
Trombone (partie séparée)
50
Euphonium, Piano (duo)
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Trompette (partie séparée)
40
2 Cors (duo)
32
Ensemble de Trompettes
29
Quatuor de cuivres: 4 trombones
29
Ensemble de Trombones
24
Euphonium
24
Trompette, Cor (duo)
22
3 Trompettes (trio)
19
Quatuor de cuivres: 4 cors
18
Cor (partie séparée)
17
Tuba (partie séparée)
15
Trio de Cuivres
14
2 Euphoniums (duo)
13
Cor, Violoncelle (duo)
10
2 Tubas (duo)
9
Trompette, Basson (duo)
8
Trompette, Harpe
8
Cor et Harpe
8
3 Trombones (trio)
7
Quatuor de cuivres: 4 trompettes
7
Ensemble de Cors
7
Cor et Basson (duo)
7
Bass Clef Instruments
7
Instruments en Sib
6
Trompette, Violoncelle (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette, Trombone, Piano
4
Cor Anglais
4
Euphonium, Tuba (duo)
4
Tuba et Orgue
4
4 Tubas
3
2 Cors, Piano
2
Trombone basse et Piano
2
Trombone basse
2
Trombone, violoncelle (duo)
2
3 Euphoniums
1
2 Trombones, Piano
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Clarinette, Cor (duo)
1
+ 58 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
926
Violon et Piano
693
Harpe
523
Violoncelle, Piano
391
Alto, Piano
320
Violon
290
Violon, Violoncelle (duo)
287
2 Violons (duo)
241
Violoncelle
214
Trio à Cordes: violon, alto, violoncelle
208
2 Harpes (duo)
205
Violon, Alto (duo)
162
2 Violoncelles (duo)
146
Alto seul
115
2 Altos (duo)
102
Trio à Cordes: 2 violons, violoncelle
89
Contre Basse
66
Contrebasse, Piano (duo)
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
55
Trio à cordes: 3 violins
52
Violon, Guitare (duo)
41
Alto, Violoncelle (duo)
36
4 Violoncelles
35
Alto (partie séparée)
35
Violon (partie séparée)
32
Harpe, Flûte (duo)
22
Piano Trio: Violon, Alto, Piano
21
Trio à Cordes: 3 violoncelles
21
Violoncelle, Contrebasse (duo)
18
Quatuor à cordes : 4 altos
18
Trio à Cordes: 2 violons, alto
17
Violoncelle , Guitare (duo)
16
Trio à cordes
15
Quatuor à cordes: 4 violons
14
Violon, Basson (duo)
13
2 Contrebasses (duo)
13
Alto et Basson
12
2 Violons, Piano
12
Contrebasse (partie séparée)
12
Harpe, Violon (duo)
11
Alto, Guitare (duo)
11
Violoncelle (partie séparée)
7
Trio à cordes: 3 altos
5
3 Harpes
5
Harpe, Violoncelle (duo)
5
Harpe, Voix
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto et Harpe
4
Violon, Clarinette, Piano (trio)
3
2 Altos, Piano
3
4 Contrebasses
2
5 Harpes
2
2 Violoncelles, Piano
2
Violoncelle, Orchestre
2
Flûte, Contrebasse (duo)
2
Violoncelle, Orgue
1
Harpe et Piano
1
Harpe et mandoline
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Ensemble de Violons
1
Ensemble de Violoncelles
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 047
Orchestre à Cordes
469
Orchestre
200
Ensemble de cuivres
133
Cloches
116
Ensemble Jazz
105
Batterie
82
Orchestre de chambre
68
Ensemble de Percussions
57
Piano et Orchestre
38
Fanfare
26
Jazz combo
25
Marimba
14
Percussion (partie séparée)
11
Quatuor à Vent : 4 instruments à vents
10
Vibraphone
8
Quintette à Vent
6
Instrumentation Flexible
5
Batterie (partie séparée)
5
Orchestre, Violon
4
Xylophone, Piano
3
Caisse Claire
3
Timbales (partie séparée)
3
2 Xylophones
3
Xylophone
3
2 Marimbas
2
3 Percussions
2
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
Big band
1
Xylophone ou Marimba ou Vibraphone
1
Percussion
1
+ 30 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
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COR ANGLAIS
CORNEMUSE
CORNET
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Saxophone Baryton, Piano
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26
I WILL SING THE WONDROUS STORY (Early Intermediate Edition – Baritone Sax & Piano with Parts)
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.614900 Composed by Pe…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.614900 Composed by Peter P. Bilhorn. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 8 pages. The Lanier Company #2341819. Published by The Lanier Company (A0.614900). I WILL SING THE WONDROUS STORY is a hymn arrangement for Baritone Sax & Piano of one of our most cherished Hymns. The score, including cover and Baritone Sax part is 8 pages long. This arrangement is perfect for any Church or gathering where Gospel hymns are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: I WILL SING THE WONDROUS STORY (Piano Accompaniment for Baritone Sax). Also available is the Intermediate Edition (more 16th notes and extended range).
$6.99
6.43 €
#
Saxophone Baryton, Piano
#
Peter P
#
Gary Lanier
#
I WILL SING THE WONDROUS STORY
#
The Lanier Company
#
SheetMusicPlus
"Street Dancing" - For Solo Baritone Sax and Piano - Early Intermediate/ Intermediate level
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.760385 Composed by Ra…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.760385 Composed by Raymond Fenech. Arranged by Raymond Fenech. Children,Christmas,Contemporary,Instructional,Standards. Score and part. 8 pages. Raymond Fenech #3626951. Published by Raymond Fenech (A0.760385). Street Dancing is a calm and relaxing composition. This piece is in a slow ¾ Waltz tempo. It could be used at schools to give the students a sense feelings and interpretation. The Duration is approx. 1.41 minutes and the level is Intermediate.
$3.50
3.22 €
#
Saxophone Baryton, Piano
#
Raymond Fenech
#
Raymond Fenech
#
"Street Dancing" - For Solo Baritone Sax and Piano - Early Intermediate/ Intermediate level
#
Raymond Fenech
#
SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Baritone Saxophone and Piano
Saxophone Baryton, Piano
Piano Accompaniment, Baritone Sax - Early Intermediate - Digital Download Composed by…
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Piano Accompaniment, Baritone Sax - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 50 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.1 for Solo Baritone Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows<br> <br> · Abide with Me, <br> <br> · Amazing Grace, <br> <br> · Blessed Assurance, <br> <br> · Deep River, <br> <br> · Down by the Riverside, <br> <br> · Go Down Moses, <br> <br> · Go Tell It on the Mountain, <br> <br> · He’s Got the Whole World in HIs Hands, <br> <br> · Higher Ground, <br> <br> · Jesus on the Mainline, <br> <br> · Joshua Fought the Battle of Jericho, <br> <br> · Just a Closer Walk with Thee, <br> <br> · Just as I Am, <br> <br> · Just Over in the Glory Land, <br> <br> · Kumbaya My Lord, <br> <br> · Love Lifted Me, <br> <br> · Nobody Knows the Trouble I’ve Seen, <br> <br> · Nothing but the Blood of Jesus. <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Baritone Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/620318 Easy Gospel Hymns Vol.1 for Solo Baritone Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows<br> <br> · Abide with Me, <br> <br> · Amazing Grace, <br> <br> · Blessed Assurance, <br> <br> · Deep River, <br> <br> · Down by the Riverside, <br> <br> · Go Down Moses, <br> <br> · Go Tell It on the Mountain, <br> <br> · He’s Got the Whole World in HIs Hands, <br> <br> · Higher Ground, <br> <br> · Jesus on the Mainline, <br> <br> · Joshua Fought the Battle of Jericho, <br> <br> · Just a Closer Walk with Thee, <br> <br> · Just as I Am, <br> <br> · Just Over in the Glory Land, <br> <br> · Kumbaya My Lord, <br> <br> · Love Lifted Me, <br> <br> · Nobody Knows the Trouble I’ve Seen, <br> <br> · Nothing but the Blood of Jesus. <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Baritone Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.81 €
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Saxophone Baryton, Piano
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Various
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Worship
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18 Gospel Hymns Vol.1 for Solo Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.96 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.32 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Ga…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.32 €
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Saxophone Baryton, Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Adagio from BWV 974 for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1208360 Composed by J…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1208360 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #806468. Published by Diego Marani (A0.1208360). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for baritone sax with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.27 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Baritone Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Let It Be
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1492062 By The Beatle…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1492062 By The Beatles. By John Lennon and Paul McCartney. Arranged by FabioTagliaferri. Early Music,Multicultural,Pop,Rock,Wedding,World. Score and part. 3 pages. Fabio Tagliaferri #1068734. Published by Fabio Tagliaferri (A0.1492062). Let it be for Baritone Saxophone And Piano.
$5.99
5.51 €
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Saxophone Baryton, Piano
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The Beatles
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FabioTagliaferri
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Let It Be
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Fabio Tagliaferri
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SheetMusicPlus
Greensleeves
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1485897 By Unknown Au…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1485897 By Unknown Autor 16th Century. By Unknown Autor 16th Century. Arranged by Fabio Tagliaferri. Classical,Early Music,Medieval,Multicultural,Wedding,World. Score and part. 4 pages. Fabio Tagliaferri #1062947. Published by Fabio Tagliaferri (A0.1485897). Greensleeves for Baritone Saxophone and Piano.
$5.99
5.51 €
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Saxophone Baryton, Piano
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Unknown Autor 16th Century
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Fabio Tagliaferri
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Greensleeves
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Fabio Tagliaferri
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SheetMusicPlus
Bach: Sheep May Safely Graze for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.32 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.96 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Al…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Saxophone Baryton, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Feast of Love - Baritone Sax/Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.844549 Composed by Ro…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.844549 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517819. Published by Phil Beaman (A0.844549). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.59 €
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Saxophone Baryton, Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Baritone Sax/Piano
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Phil Beaman
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SheetMusicPlus
Debussy: Two Arabesques for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551656 Composed by Cl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551656 Composed by Claude Debussy. Arranged by James Guthrie, ASCAP. 20th Century,Concert,Instructional,Standards. Score and part. 44 pages. Jmsgu3 #5330335. Published by jmsgu3 (A0.551656). Claude Debussy: Two Arabesques (L.66) Early Impressionistic pieces composed between 1888 and 1891.No. 1. Duration: ca. 3:30 Score: 12 pagesNo. 2. Duration: ca. 3:45 Score: 12 pages
$34.95
32.16 €
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Saxophone Baryton, Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Two Arabesques for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Joshua Fought the Battles of Jericho, Gospel Song for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.592876 Composed by Tr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.592876 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413247. Published by David McKeown (A0.592876). Joshua Fought the Battle of Jericho is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.Joshua Fought the Battle of Jericho is a nineteenth century spiritual, though details of its exact origins are impossible to trace. It was first published in 1882 and recorded as early as 1922.
$2.49
2.29 €
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Saxophone Baryton, Piano
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Traditional
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David McKeown
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Joshua Fought the Battles of Jericho, Gospel Song for Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
Carol of the Bells - Baritone Sax and Piano - G Minor
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.720950 Composed by Le…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.720950 Composed by Leontovich, Mykola Dmytrovich. Arranged by Anne L Christopherson GRSM ARCM. 20th Century,Christmas,Holiday. Score and part. 4 pages. Music-Scores.com #3858903. Published by Music-Scores.com (A0.720950). Carol of the Bells, or the Ukrainian Bell Carol, is an old New Year Carol and was performed using hand bells. It is said to be based on the traditional Ukrainian folk chant, Shchedryk. Ideal for early intermediates.This arrangement is for Baritone Saxophone and Piano and is in G minor.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.48 €
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Saxophone Baryton, Piano
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Leontovich, Mykola Dmytrovich
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Carol of the Bells - Baritone Sax and Piano - G Minor
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Music-Scores.com
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SheetMusicPlus
Debussy: Arabesque 1 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551632 Composed by Cl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551632 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325663. Published by jmsgu3 (A0.551632). Claude Debussy: Arabesque 1. Duration: ca. 3:30 . Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.32 €
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Saxophone Baryton, Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Maple Leaf Rag - Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.722355 Composed by Sc…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.722355 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,Wedding. Score and part. 7 pages. Music-Scores.com #6439027. Published by Music-Scores.com (A0.722355). Maple Leaf Rag was an early ragtime piece that was arranged and played by many dance bands over the years. It could have been named after a club called the Maple Leaf Club in the city of Sedalia, Missouri, where Joplin later lived.This is a version for Baritone Saxophone and Piano.Duration: just over 3 minutes, with repeats.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
6.4 €
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Saxophone Baryton, Piano
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Scott Joplin
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Maple Leaf Rag - Baritone Saxophone and Piano
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Music-Scores.com
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SheetMusicPlus
Debussy: Arabesque 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551647 Composed by Cl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551647 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5330251. Published by jmsgu3 (A0.551647). Claude Debussy: Arabesque No. Duration ca 3:45Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.32 €
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Saxophone Baryton, Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Jo…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.32 €
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Saxophone Baryton, Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
I Write The Songs
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549336 By Barry Manil…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549336 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486311. Published by jmsgu3 (A0.549336). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.77 €
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Saxophone Baryton, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Fr…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.56 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
O Mary Don't You Weep, Gospel Song for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593076 Composed by Tr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593076 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415543. Published by David McKeown (A0.593076). O Mary Don’t You Weep is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.O Mary Don’t You Weep dates back to the American Civil War and was recorded as early as 1915. It was later covered by Aretha Franklin and became a favourite in the ‘sixties folk revival.
$2.49
2.29 €
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Saxophone Baryton, Piano
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Traditional
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David McKeown
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O Mary Don't You Weep, Gospel Song for Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
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