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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
orchestra
Non classifié
10 808
Piano & claviers
Piano seul
8 728
Accordéon
1 123
Piano, Voix et Guitare
661
Accompagnement Piano
586
Piano (partie séparée)
366
Piano, Voix
287
Piano Facile
135
Instruments en Do
134
Orgue
59
2 Pianos, 4 mains
56
1 Piano, 4 mains
45
Piano grosses notes
31
Ensemble d'Accordéons
30
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon et Orchestre
7
Orgue, Piano (duo)
6
Orgue, Trompette (duo)
5
Orgue et Orchestre
5
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Ligne De Mélodie, Piano
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
2 Accordéons
2
Clavier
2
Accordéon, Corde(s)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
+ 23 instrumentations
Retracter
Guitares
Guitare
737
Guitare notes et tablatures
528
Ligne De Mélodie, (Paroles) et Accords
151
Guitare (partie séparée)
38
Ukulele
33
Basse electrique
24
Piano, Guitare (duo)
19
4 Guitares (Quatuor)
17
2 Guitares (duo)
16
Paroles et Accords
15
Orchestre à Plectres
14
Guitare, Orchestre
12
Ensemble de guitares
10
Mandoline
9
Basse électrique (partie séparée)
6
Ensemble de Ukulélés
6
Dulcimer
5
2 Guitares et Orchestre
4
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
3
3 Guitares (trio)
3
Guitare, Quatuor à cordes
2
Banjo
2
Luth
1
Partitions De Groupes
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 696
Pack Instrumental pour Chorale
693
Chorale 3 parties
264
Chorale TTBB
150
Voix seule
115
Chorale 2 parties
71
Chorale SSAA
70
Chorale Unison
61
Soli, choeur mixte et accompagnement
32
Chorale
24
Voix duo, Piano
20
Chorale SSATB
15
Voix haute
14
Voix duo
13
Voix Soprano, Orchestre
9
Voix Baryton, Piano
9
Voix Soprano, Piano
9
Chorale SSAATTBB
6
Voix moyenne, Piano
4
Chorale SSATTB
4
Voix basse, Piano
3
Voix Tenor, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale SSAATB
2
Voix Soprano
2
Chorale SSAB, Piano
1
Chorale SATTBB A Cappella
1
Voix Tenor
1
Voix Alto, Piano
1
+ 24 instrumentations
Retracter
Vents
Clarinette (partie séparée)
1 800
Flute (partie séparée)
1 019
Hautbois (partie séparée)
598
Saxophone (partie séparée)
506
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
204
Hautbois
191
Flûte traversière
190
Flûte traversière et Piano
130
Clarinette
110
Quintette de Saxophone: 5 saxophones
108
Quatuor de Saxophones: 4 saxophones
94
Clarinette et Piano
85
Saxophone Alto et Piano
81
Hautbois, Piano (duo)
77
Ensemble de saxophones
69
Quatuor de Clarinettes: 4 clarinettes
68
Ensemble de Clarinettes
64
Saxophone Tenor
64
Flûte, Hautbois, Clarinette, Basson
63
2 Saxophones (duo)
53
Saxophone
48
2 Flûtes traversières (duo)
46
Saxophone Alto
44
Saxophone Soprano et Piano
40
Saxophone Tenor et Piano
37
2 Clarinettes (duo)
35
Quatuor de Flûtes : 4 flûtes
34
Piccolo
32
Flûte traversière, Orchestre
31
Quatuor de Flûtes à bec
30
5 Flûtes à bec
29
Clarinette, Orchestre
24
Ensemble De Flûte à bec
24
Quintette de Clarinettes: 5 clarinettes
23
Ensemble de Flûtes
23
Quintette de Flûte : 5 flûtes
16
Saxophone Baryton, Piano
16
Saxophone et Orchestre
15
Quintette de Clarinette: Clarinette, Quatuor à Cordes
14
Saxophone, Clarinette (duo)
14
3 Clarinettes (trio)
14
2 Flûte à bec (duo)
14
3 Saxophones (trio)
14
2 Hautbois (duo)
13
Clarinette Basse
12
Cor Anglais
11
Flûte, Clarinette (duo)
11
Trio de Flûtes: 3 flûtes
11
Clarinette Basse, Piano
11
Cor anglais, Piano
11
Flûte et Guitare
10
Flûte, Violon
10
Ensemble à vent
10
Flûte à Bec
10
Hautbois, Basson (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Clarinette, Trompette (duo)
9
Saxophone Soprano
8
Clarinette, Violon (duo)
8
Flûte, Violon, Piano
7
Hautbois et Orchestre
7
Instruments en Mib
6
2 Cors Anglais Et Pianoforte
6
Hautbois, Flûte
6
Clarinette, Basson (duo)
5
Clarinette, Guitare (duo)
5
Flûte, Saxophone (duo)
5
Hautbois, Clarinette (duo)
5
Flûte à bec Soprano
4
Flûte, Trompette (duo)
4
Clarinette et Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Alto (duo)
3
Flûte à bec Soprano, Piano
2
Flûte et Trio à cordes
2
Flute, harpe et violon
2
3 Hautbois
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
4 Hautbois
2
Harmonica, Piano
2
2 Saxophones, Piano
2
Clarinette, Basson, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
Flûte à bec Alto
1
Flûte à bec, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Harpe
1
Ensemble de Hautbois
1
Saxophone Baryton
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Basson et Piano
1
Hautbois et alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Guitare
1
Hautbois, violon (duo)
1
Flûte traversière, Orgue (duo)
1
Cornemuse
1
Piccolo, Piano
1
2 Flûtes, Basse continue
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle
1
+ 107 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
1 913
Trompette (partie séparée)
1 386
Cor (partie séparée)
1 159
Tuba (partie séparée)
481
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
Cor
152
Quatuor de Cuivres : 2 trompettes, trombone, tuba
136
Trompette
98
Trombone
72
Trombone et Piano
70
Trompette, Piano
55
Tuba
44
Cor et Piano
40
Ensemble de Trombones
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Ensemble de Trompettes
23
Trompette, Orchestre
17
Euphonium, Piano (duo)
17
Quatuor de Cuivres
17
Tuba et Piano
15
2 Trompettes (duo)
14
2 Trombones (duo)
13
Cor Anglais
11
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
11
Cor, Orchestre
10
Trompette, Saxophone (duo)
9
Trompette, Trombone (duo)
8
Ensemble de Cors
8
Bass Clef Instruments
8
Trombone et orchestre
8
2 Euphoniums et 2 Tubas
7
2 Cors Anglais Et Pianoforte
6
Instruments en Sib
6
Quatuor de cuivres: 4 cors
6
3 Euphoniums
5
Euphonium
5
Trombone basse et Piano
4
Trompette, violon (duo)
3
3 Trompettes (trio)
3
2 Tubas (duo)
3
2 Cors (duo)
2
Instruments en Fa
2
Cornet et orchestre
2
4 Tubas
2
Trombone basse
2
3 Trombones (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Cors (trio)
2
Clarinette, Cor (duo)
1
Trio de Cuivres
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
2 Euphoniums (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
1
Cor et Harpe
1
Cor anglais et Harpe (duo)
1
+ 55 instrumentations
Retracter
Cordes
Violon (partie séparée)
7 328
Violoncelle (partie séparée)
2 399
Contrebasse (partie séparée)
2 199
Alto seul
1 379
Quatuor à cordes: 2 violons, alto, violoncelle
1 270
Alto (partie séparée)
1 216
Violon
304
Violon et Piano
295
Violoncelle
294
Quintette à cordes: 2 violons, alto, violoncelle, basse
277
Contre Basse
204
Harpe
203
Violon, Violoncelle (duo)
145
Violoncelle, Piano
135
Trio à Cordes: violon, alto, violoncelle
114
Alto, Piano
87
Trio à Cordes: 2 violons, violoncelle
81
Harpe (partie séparée)
72
Violoncelle, Orchestre
68
Violon, Alto (duo)
46
2 Violons (duo)
39
2 Violoncelles (duo)
35
Violon, Guitare (duo)
28
4 Violoncelles
24
Contrebasse, Piano (duo)
24
2 Altos (duo)
22
Trio à cordes: 3 violins
21
Alto et orchestre
19
2 Harpes (duo)
18
Ensemble d'Altos
13
Ensemble de Violons
13
Alto, Violoncelle (duo)
10
Harpe, Orchestre
9
Harpe, Violon (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Trio à cordes: 3 altos
6
Violoncelle, Contrebasse (duo)
6
Violoncelle , Guitare (duo)
6
Trio à cordes
5
Flûte, Contrebasse (duo)
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
4
Alto, Guitare (duo)
4
Violoncelle, Orgue
4
Harpe, Quatuor à cordes
4
Violoncelle, Basse continue
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, alto
3
Violon, Basse continue
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quatuor à cordes : 4 altos
2
Harpe, Violoncelle (duo)
2
3 Harpes
1
Violon, Basson (duo)
1
Violon, Orgue
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
4 Harpes
1
2 Violons et Basse continue
1
Harpe et Piano
1
Alto, Orgue
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre
19 807
Orchestre à Cordes
19 243
Orchestre de chambre
3 609
Percussion (partie séparée)
1 651
Orchestre d'harmonie
1 618
Ensemble Jazz
447
Timbales (partie séparée)
343
Percussion
260
Batterie (partie séparée)
165
Ensemble de cuivres
125
Piano et Orchestre
105
Timbales
95
Ensemble de Percussions
72
Orchestre, Violon
71
Jazz combo
58
Fanfare
52
Cloches
36
Batterie
32
Instrumentation Flexible
9
Big band
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
7
Ensemble d'École
7
Voix et Orchestre
7
Vibraphone
5
Xylophone, Piano
3
Marimba
3
Vibraphone (partie séparée)
2
Voix Mezzo-Soprano, Orchestre
2
Orchestre Symphonique
2
Xylophone
1
Vibraphone et Marimba
1
2 Xylophones
1
+ 27 instrumentations
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--INSTRUMENTS--
ACCORDEON
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BASSE
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CHORALE - CHAN…
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Saxophone Baryton, Piano
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1
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Elegy, Op. 24
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Saxophone Baryton, Piano
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AVANCÉ
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Classique
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Gabriel Faure
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Robert Stevens
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Elegy, Op. 24
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SAXpress.com
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SheetMusicPlus
Baritone Saxophone,Piano - Level 5 - SKU: A0.1393227 Composed by Gabriel Faure. Arranged by Robert Stevens. 19th Century,Chamber,Classical,Contest,Festi...
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Baritone Saxophone,Piano - Level 5 - SKU: A0.1393227 Composed by Gabriel Faure. Arranged by Robert Stevens. 19th Century,Chamber,Classical,Contest,Festival. Score and part. 20 pages. SAXpress.com #976708. Published by SAXpress.com (A0.1393227). Élégie, Op. 24 by Gabriel Fauré, arranged for Baritone Saxophone and Piano. Composed in 1889, It is one of a number of significant works for cello composed by French composer Gabriel Fauré. Élégie, Op.24 was conceived as the slow movement of a cello sonata. The sonata was never completed. Élégie was first performed in 1883 and later published as a stand-alone piece. The work features a somber opening then an intense central section before returning to the elegiac opening theme in C minor.Elegie is dedicated to the cellist Jules Loeb, who gave the first performances accompanied by the composer in December 1883. It was later orchestrated and performed at the Societe Nationale in April 1901, with Pablo Casals as the soloist and the composer as conductor.Fauré later orchestrated this work for cello and orchestra. Many other arrangements exist as solo with piano. This version is for solo baritone saxophone with piano. Difficulty level: advanced. The bari sax part extends well into the altissimo range. Alternate notes are provided in the part for performers who do not wish to play altissimo.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Baritone Saxophone and Piano)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Raymond Fenech
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Lascia Ch'io Pianga - From Ope
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Baritone Saxophone,Piano - Level 4 - SKU: A0.760003 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Ins...
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Chamber Orchestra Baritone Saxophone,Piano - Level 4 - SKU: A0.760003 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Praise & Worship,Standards. Score and part. 17 pages. Raymond Fenech #3479945. Published by Raymond Fenech (A0.760003). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for Baritone Saxophone and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$3.50
It's Been A Long, Long Time
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366361. Published by David McKeown (A0.592551). It’s Been a Long Long Time is arranged as a solo for one Baritone Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
New Horizon - For Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Raymond Fenech
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New Horizon - For Baritone Sax
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Baritone Saxophone,Piano - Level 3 - SKU: A0.759949 Composed by Raymond Fenech. Easter,Holiday,Instructional,Standards,Wedding. Score ...
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Chamber Orchestra Baritone Saxophone,Piano - Level 3 - SKU: A0.759949 Composed by Raymond Fenech. Easter,Holiday,Instructional,Standards,Wedding. Score and part. 15 pages. Raymond Fenech #3465822. Published by Raymond Fenech (A0.759949). This Solo with piano accompaniment could be an additional piece for a something different. The Level is Intermediate and the duration is approximately 2.56 minutes. It could be played in any type of recital/concert.
$3.99
Mundi Mundi
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Cezary Skubiszewski
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Daryl McKenzie
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Mundi Mundi
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Daryl McKenzie
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.718476 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 1...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.718476 Composed by Cezary Skubiszewski. Arranged by Daryl McKenzie. Contemporary,Film/TV. Score and part. 12 pages. Daryl McKenzie #6252415. Published by Daryl McKenzie (A0.718476). The classic theme (Closing Credits music) from the Australian film Lillian's Story arranged for Solo Baritone Saxophone and Piano accompaniment by the film's Orchestrator Daryl McKenzieFull audio demo here: https://tinyurl.com/yx9s72acAlso available for Solo Piano or numerous other solo instruments with Piano Accompaniment. Also Solo Piano with String Orchestra. Search here: http://bit.ly/39MilvtMore arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfenwww.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$19.99
Badinerie
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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John G
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Badinerie
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 4 - SKU: R0.46197 From the Suite for Orchestra Nr. 2 in B Minor. Composed by Johann Sebastian Bach. Arranged b...
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Baritone Saxophone & Piano - Grade 4 - SKU: R0.46197 From the Suite for Orchestra Nr. 2 in B Minor. Composed by Johann Sebastian Bach. Arranged by John G. Mortimer. Baritone Saxophone & Piano. Score and parts. 5 pages. Duration 1'36. Editions Marc Reift - Digital #46197. Published by Editions Marc Reift - Digital (R0.46197).
$8.95
Pachelbel: Canon for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Air on the G String by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
O Come, All Ye Faithful for Solo Bari Saxophone
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Attr
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Lawrence H
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O Come, All Ye Faithful for So
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Lawrence H Underwood
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.967689 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Conte...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.967689 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189343. Published by Lawrence H Underwood (A0.967689). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember!
$5.99
Queen of the Night - From the Magic Flute - Baritone Sax and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Baritone Saxophone,Piano - Level 3 - SKU: A0.760211 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest...
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Chamber Orchestra Baritone Saxophone,Piano - Level 3 - SKU: A0.760211 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3518967. Published by Raymond Fenech (A0.760211). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
O Holy Night for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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Adam
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James M
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O Holy Night for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Mr. Blue Sky
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Rock
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Electric Light Orchestra
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Lawrence H Underwood
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Mr. Blue Sky
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Lawrence H Underwood
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SheetMusicPlus
By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century, Film/TV, Pop, Rock. Score and part. 12 pages. Lawrence H U...
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By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century, Film/TV, Pop, Rock. Score and part. 12 pages. Lawrence H Underwood #695821. Published by Lawrence H Underwood
$5.99
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