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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
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FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Non classifié
496
Piano & claviers
Piano seul
721
Piano, Voix et Guitare
412
Piano, Voix
383
Instruments en Do
38
Piano Facile
22
Orgue
19
Accordéon
16
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
164
Ligne De Mélodie, (Paroles) et Accords
118
Guitare
91
Ukulele
75
Paroles et Accords
74
Basse electrique
25
Banjo
10
Ukulele Baryton
8
Dulcimer
6
2 Guitares (duo)
4
Mandoline
4
Ensemble de guitares
3
2 Dulcimers (duo)
2
3 Dulcimers (trio)
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Partitions De Groupes
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
299
Chorale 3 parties
110
Chorale TTBB
96
Chorale
44
Chorale SSAA
36
Chorale 2 parties
20
Chorale Unison
8
Voix seule
6
Voix Soprano, Piano
5
Voix duo, Piano
5
Voix Tenor, Piano
4
Voix haute
4
Voix moyenne, Piano
1
Voix duo
1
Voix Alto, Piano
1
Voix basse, Piano
1
Chorale SSAB a cappella
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
49
Flûte traversière
46
Saxophone
43
Clarinette
43
Hautbois, Piano (duo)
39
Quatuor de Saxophones: 4 saxophones
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Saxophone (partie séparée)
35
Quatuor de Clarinettes: 4 clarinettes
34
2 Clarinettes (duo)
33
Clarinette et Piano
32
Saxophone Tenor
30
Saxophone Alto et Piano
29
Saxophone Alto
27
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Tenor et Piano
24
2 Saxophones (duo)
23
Quintette de Saxophone: 5 saxophones
23
Hautbois (partie séparée)
22
2 Flûtes traversières (duo)
21
Ensemble de Clarinettes
17
Ensemble de Flûtes
17
Flûte, Clarinette (duo)
15
Clarinette (partie séparée)
13
Saxophone Soprano et Piano
13
Saxophone Baryton, Piano
13
Flûte, Violon, Piano
13
3 Clarinettes (trio)
11
Quatuor de Flûtes : 4 flûtes
11
Flûte, Violon
9
Saxophone, Clarinette (duo)
9
Ocarina
9
Clarinette, Violon (duo)
9
Clarinette Basse, Piano
8
3 Saxophones (trio)
7
Flute (partie séparée)
7
Hautbois, Basson (duo)
7
Hautbois, Flûte
7
Flûte à Bec
6
2 Flûte à bec (duo)
6
Cor anglais, Piano
6
Trio de Flûtes: 3 flûtes
6
Ensemble de saxophones
6
Harmonica
5
Hautbois, Clarinette (duo)
5
Clarinette, Trompette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Quintette de Flûte : 5 flûtes
5
2 Hautbois (duo)
5
Flûte, Violoncelle
5
Flûte et Guitare
5
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette et Basson
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois (duo)
3
Flûte à bec Soprano
3
Clarinette, Guitare (duo)
2
Ensemble De Flûte à bec
2
Clarinette, Basson (duo)
2
Clarinette, Harpe (duo)
2
Cor Anglais
2
Flûte à bec Alto, Piano
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Hautbois, Violon
2
Saxophone et Harpe
1
Piccolo, Piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Guitare (duo)
1
3 Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Hautbois, Harpe
1
Cor anglais, Guitare (duo)
1
Flûte, Trompette (duo)
1
Hautbois
1
Saxophone et Guitare
1
Hautbois, Violoncelle
1
2 Clarinettes, Basson
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trompette
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone
37
Cor
25
Trompette (partie séparée)
19
Trombone et Piano
17
Cor et Piano
13
Quatuor de Cuivres
12
Trompette, Piano
12
Cor (partie séparée)
11
Trombone (partie séparée)
10
2 Trombones (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba
9
Tuba et Piano
9
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trombones
7
Trompette, Saxophone (duo)
7
Cor anglais, Piano
6
Ensemble de Trombones
5
Ensemble de Trompettes
5
2 Trompettes (duo)
5
3 Trombones (trio)
5
Tuba (partie séparée)
4
Trompette, Trombone (duo)
4
Euphonium
4
Quatuor de cuivres: 4 cors
3
Cor Anglais
2
2 Euphoniums et 2 Tubas
2
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Bass Clef Instruments
1
Ensemble de Cors
1
Euphonium (partie séparée)
1
Cornet et orchestre
1
Trompette, Harpe
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Tuba (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
2 Cors (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
200
Violon et Piano
79
Violon
75
Violon, Violoncelle (duo)
73
Harpe
47
Trio à Cordes: 2 violons, violoncelle
45
Violoncelle
43
Violoncelle, Piano
39
2 Violons (duo)
36
Trio à Cordes: violon, alto, violoncelle
30
Alto, Piano
29
Alto seul
26
Violon, Alto (duo)
24
Violon (partie séparée)
18
2 Violoncelles (duo)
17
Alto (partie séparée)
10
Alto, Violoncelle (duo)
9
Trio à cordes
6
2 Altos (duo)
6
Contrebasse, Piano (duo)
6
Trio à cordes: 3 violins
6
Harpe, Flûte (duo)
6
2 Harpes (duo)
6
Contrebasse (partie séparée)
5
4 Violoncelles
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Trio à Cordes: 3 violoncelles
4
Violoncelle (partie séparée)
4
Trio à cordes: 3 altos
3
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Quatuor à cordes : 4 altos
1
Contre Basse
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
241
Orchestre
75
Orchestre à Cordes
66
Ensemble Jazz
55
Fanfare
37
Ensemble de cuivres
35
Batterie
25
Cloches
21
Percussion (partie séparée)
19
Jazz combo
13
Orchestre de chambre
8
Xylophone
5
Ensemble de Percussions
4
Timbales (partie séparée)
3
Batterie (partie séparée)
2
Xylophone, Piano
2
Percussion
2
Piano et Orchestre
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone
1
+ 15 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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style (tous)
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Tuba
Partitions à imprimer
9 partitions trouvées
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1
(There's No Place Like) Home For The Holidays
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Tuba
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INTERMÉDIAIRE
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Jazz
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Perry Como
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Kevin Busse
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(There's No Place Like) Home F
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.605106 By Perry Como. By Robert Allen. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3924911. Publ...
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Tuba Solo - Level 3 - SKU: A0.605106 By Perry Como. By Robert Allen. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3924911. Published by Kevin Busse (A0.605106). This is a simple transcription of There's No Place Like Home For The Holidays in the original key for Tuba.
$4.99
I'll Be Home For Christmas
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Tuba
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INTERMÉDIAIRE
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Jazz
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Rascal Flatts
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Kevin Busse
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I'll Be Home For Christmas
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.604601 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Bus...
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Tuba Solo - Level 3 - SKU: A0.604601 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3908501. Published by Kevin Busse (A0.604601). This is an exact transcription of Bing Crosby's I'll Be Home For Christmas in the original key for Tuba.
$4.99
Take Me Home, Country Roads
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Tuba
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INTERMÉDIAIRE
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Rock
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John Denver
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Kevin Busse
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Take Me Home, Country Roads
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.598097 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by Kevin Busse. Rock. Individual part. 2 pa...
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Tuba Solo - Level 3 - SKU: A0.598097 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by Kevin Busse. Rock. Individual part. 2 pages. Kevin Busse #3135219. Published by Kevin Busse (A0.598097). This is a transcription of Take Me Home Country Roads for Tuba. This sheet music can be played along with the official recording of this song.
$4.99
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Daily Warm-Up and Maintenance for Brass Instruments- Tuba in Bass Clef
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Tuba
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INTERMÉDIAIRE
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Methodes
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Bud Caputo
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Daily Warm-Up and Maintenance
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Bud Caputo
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1162303 Composed by Bud Caputo. Instructional. Individual part. 18 pages. Bud Caputo #762660. Published by Bud Caputo (A0....
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Tuba Solo - Level 3 - SKU: A0.1162303 Composed by Bud Caputo. Instructional. Individual part. 18 pages. Bud Caputo #762660. Published by Bud Caputo (A0.1162303). This publication is a collection of Warmup and Daily Maintenance Exercises for typical classroom brass instrument instruction. However, it also meets the needs of students individual for home practice and private lessons. It serves the needs of both the beginner and professional brass player with several categories of exercises that are arranged from the most simple to the most challenging. Please read the preface that is included in the publication so that students of different levels will gain the greatest benefits from its organization.
$12.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Drake: Hold On, We're Going Home - Tuba Solo (tuba)
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Tuba
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INTERMÉDIAIRE
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Mariage/Ballade
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Pop musique
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Drake
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Virtualsheetmusic
Instantly printable sheet music by Drake for Tuba Solo (tuba) of MEDIUM skill level. / love,pop,ballad
Instantly printable sheet music by Drake for Tuba Solo (tuba) of MEDIUM skill level. / love,pop,ballad
$3.97
Phillip Phillips: Home - Tuba Solo (tuba)
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Tuba
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INTERMÉDIAIRE
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Rock
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Phillip Phillips
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Virtualsheetmusic
Instantly printable sheet music by Phillip Phillips for Tuba Solo (tuba) of MEDIUM skill level. / country,pop,rock
Instantly printable sheet music by Phillip Phillips for Tuba Solo (tuba) of MEDIUM skill level. / country,pop,rock
$3.97
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