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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I DON
Non classifié
425
Piano & claviers
Piano, Voix
528
Piano seul
337
Piano, Voix et Guitare
320
Instruments en Do
24
Orgue
14
Piano Facile
12
1 Piano, 4 mains
10
2 Accordéons
4
Accordéon
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
99
Basse electrique
85
Guitare notes et tablatures
69
Guitare
59
Paroles et Accords
52
Ukulele
18
2 Guitares (duo)
3
Banjo
2
Mandoline
2
Piano, Guitare (duo)
2
Ensemble de guitares
2
Ukulele Baryton
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
+ 10 instrumentations
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Voix
Chorale SATB
133
Chorale 3 parties
79
Chorale TTBB
62
Chorale SSAA
46
Chorale 2 parties
14
Chorale
12
Voix duo, Piano
6
Chorale Unison
5
Voix seule
4
Voix Soprano, Piano
3
Voix Alto, Piano
3
Voix duo
3
Voix haute
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Chorale SSATB
1
Voix moyenne, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quatuor de Saxophones: 4 saxophones
52
Flûte, Hautbois, Clarinette, Basson
32
Flûte traversière
27
Flûte traversière et Piano
26
Saxophone Alto et Piano
22
Clarinette
22
Hautbois, Piano (duo)
21
Saxophone Tenor
21
Clarinette et Piano
19
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto
17
Saxophone Tenor et Piano
15
Ensemble de Clarinettes
14
Quatuor de Flûtes : 4 flûtes
13
Ensemble de saxophones
13
Saxophone (partie séparée)
12
2 Saxophones (duo)
12
Flûte et Guitare
10
Hautbois (partie séparée)
9
Saxophone
9
Ensemble de Flûtes
8
Saxophone Baryton, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
7
3 Saxophones (trio)
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Guitare (duo)
5
Trio de Flûtes: 3 flûtes
5
2 Clarinettes (duo)
4
Cor Anglais
3
Quatuor de Flûtes à bec
2
Flûte à Bec
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Cor anglais, Guitare (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Hautbois (duo)
1
Clarinette, Violon (duo)
1
Piccolo
1
Flute, harpe et violon
1
Flûte, Violon
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
3 Clarinettes (trio)
1
Hautbois
1
Flûte à bec Alto
1
Harmonica
1
Clarinette Basse, Piano
1
2 Clarinettes, Piano
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette (duo)
1
Flûte à bec Tenor
1
2 Flûte à bec (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette
24
Trombone
23
Trompette, Piano
22
Trombone et Piano
19
Cor et Piano
13
Cor
13
Tuba et Piano
7
Tuba
7
Ensemble de Trompettes
6
Trompette, Saxophone (duo)
5
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres
3
Cor Anglais
3
2 Trombones (duo)
2
Cor anglais, Guitare (duo)
2
Euphonium
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
2 Cors (duo)
1
Trio de Cuivres
1
2 Trompettes (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violon et Piano
32
Violon
31
Trio à Cordes: violon, alto, violoncelle
24
Harpe
23
Violoncelle, Piano
23
Violoncelle
19
Alto, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse, Piano (duo)
10
Alto seul
10
2 Violons (duo)
9
Violon, Violoncelle (duo)
9
2 Harpes (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Alto (partie séparée)
5
Contre Basse
4
Ensemble de Violons
4
2 Violoncelles (duo)
4
Ensemble d'Altos
4
Violon, Alto (duo)
3
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
2 Altos (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
55
Orchestre d'harmonie
49
Ensemble de cuivres
37
Orchestre
33
Batterie
22
Orchestre à Cordes
15
Jazz combo
14
Orchestre de chambre
11
Ensemble de Percussions
6
Cloches
4
Fanfare
4
Xylophone, Piano
1
+ 7 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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PATRIOTIQUE
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
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intermédiaire
Tuba
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Etudes with Style Music for the Tuba
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Tuba
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INTERMÉDIAIRE
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Harry Salotti
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Etudes with Style Music for th
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Harry Salotti
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.941530 Composed by Harry Salotti. 20th Century,Classical,Instructional,Jazz,Rock. Individual part. 39 pages. Harry Salotti...
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Tuba Solo - Level 3 - SKU: A0.941530 Composed by Harry Salotti. 20th Century,Classical,Instructional,Jazz,Rock. Individual part. 39 pages. Harry Salotti #6269281. Published by Harry Salotti (A0.941530). Etudes with Style Music for the Tuba, (download only) winner of the International Tuba Euphonium Association etude composition contest. This book contains 25 original tunes, each in a different style. They cover large categories such as Music Over the Ages, Dance Music Around the World, American Music and Movie Music. (look inside to see the table of contents). Performance MP3s of all 25 songs are available on iTunes, Amazon and other sites, performed by Tuba virtuoso Patrick Sheridan. Listen to 16 of the tracks here. Here are some comments about Etudes with Style Music for the Tuba. - I ran through your etude book. Man, they're really a lot of fun. Howard Johnson - It remains my intent to have all my new freshman students go through the book in it's entirety during their first year. Thanks again for a great contribution to the literature. John Stevens - Etudes with Style will surely be a great teaching tool for many years to come in the future. Don Little - Your etudes really look terrific. I'm really impressed with the quality of what I see. I look forward to spending some time with these and recommending them to everyone. Winston Morris
$12.99
Habanera (for solo tuba)
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Tuba
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INTERMÉDIAIRE
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Opera
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Classique
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Georges Bizet
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Rodrigo Faleiros
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Habanera
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Rodrigo Faleiros
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1292023 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Peri...
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Tuba Solo - Level 3 - SKU: A0.1292023 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #882585. Published by Rodrigo Faleiros (A0.1292023). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo tuba. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
Habanera (for solo tuba)
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Tuba
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INTERMÉDIAIRE
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Opera
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Classique
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Georges Bizet
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Rodrigo Faleiros
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Habanera
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Rodrigo Faleiros
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1292007 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Peri...
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Tuba Solo - Level 3 - SKU: A0.1292007 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #882557. Published by Rodrigo Faleiros (A0.1292007). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo tuba. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
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