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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
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BOUZOUKI
CHORALE - CHAN…
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CORNEMUSE
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FLUTE A BEC
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HARMONICA
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PIANO & CLAVIERS
Piano seul
1725
Piano, Voix et Guitare
249
Piano, Voix
203
Orgue
146
Accompagnement Piano
77
1 Piano, 4 mains
75
2 Pianos, 4 mains
72
Piano Trio: piano, violon, violoncelle
50
Piano Facile
40
Orgue, Trompette (duo)
38
Instruments en Do
37
Piano Quatuor: piano, violon, alto, violoncelle
13
Accordéon
11
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
232
Guitare
117
Paroles et Accords
98
Piano, Guitare (duo)
94
2 Guitares (duo)
92
Ligne De Mélodie, (Paroles) et Accords
78
Ukulele
45
Basse electrique
30
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19
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13
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10
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2 Dulcimers (duo)
6
Banjo
2
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1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
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1
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VOIX
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455
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Voix duo, Piano
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75
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30
Chorale Unison
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Chorale
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17
Voix Soprano, Piano
11
Voix moyenne, Piano
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Voix Tenor
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VENTS
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Hautbois, Piano (duo)
282
Saxophone Tenor et Piano
215
Saxophone Alto et Piano
200
Clarinette et Piano
153
Clarinette
150
2 Hautbois (duo)
141
3 Clarinettes (trio)
138
Quatuor de Saxophones: 4 saxophones
120
Saxophone, Clarinette (duo)
120
Saxophone Soprano et Piano
105
Clarinette, Violon (duo)
105
2 Flûte à bec (duo)
95
Quatuor de Clarinettes: 4 clarinettes
94
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
94
Flûte, Hautbois, Clarinette, Basson
79
Flûte, Clarinette (duo)
76
Flûte traversière
73
Flûte, Violon
66
Quatuor de Flûtes : 4 flûtes
65
Clarinette, Trompette (duo)
63
3 Saxophones (trio)
52
2 Flûtes traversières, Piano
50
Hautbois, Clarinette (duo)
48
Quintette de Saxophone: 5 saxophones
45
Hautbois, Basson (duo)
44
Hautbois, Flûte
44
Clarinette et Alto
43
Saxophone (partie séparée)
40
Trio de Flûtes: 3 flûtes
40
Flûte, Saxophone (duo)
39
Flûte, Clarinette, Piano (trio)
37
2 Clarinettes, Piano
36
Ensemble de Clarinettes
36
Flûte, Trompette (duo)
35
Saxophone Alto
34
Ensemble de saxophones
32
Flûte, trombone et piano
31
Hautbois (partie séparée)
29
Ensemble de Flûtes
28
Flûte, Violon et Violoncelle
28
Flûte, Alto (duo)
26
Clarinette, Violoncelle, Piano (trio)
25
Flûte, Violoncelle, Piano (trio)
24
2 Clarinettes, Basson
22
Flûte, Clarinette et Basson
22
Flûte, Hautbois, Clarinette (trio)
20
Saxophone Baryton, Piano
19
Flûte, Alto et Piano
18
Flûte, Hautbois, Piano (trio)
18
Flûte, Violon, Piano
18
Cor anglais, Piano
17
Flûte et Guitare
15
Quintette de Flûte : 5 flûtes
14
Clarinette, trompette et piano
12
Quintette de Clarinettes: 5 clarinettes
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Flûte, Violoncelle
11
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9
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9
Clarinette, Basson (duo)
9
Clarinette Basse, Piano
8
Ensemble De Flûte à bec
8
Flûte, Violon, Violoncelle et Piano
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Saxophone
7
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7
Flûte à bec Soprano
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Saxophone Tenor
7
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Flûtes à bec (trio)
6
Quatuor de Flûtes à bec
6
Flûte, Hautbois (duo)
6
Cor Anglais
6
Saxophone et Harpe
5
Flute, harpe et violon
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Flûte, Violoncelle, Guitare
5
Clarinette, Violoncelle (duo)
3
Flûte, Violon, Guitare
3
Clarinette Basse
3
Flûte à bec Alto
3
Flûte à bec Soprano, Piano
3
Hautbois, Harpe
3
2 Saxophones, Piano
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Violon
3
Flûte, Harpe et Violoncelle
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Flute, Cor (duo)
2
Clarinette, Alto et Piano (trio)
2
Flûte et Trio à cordes
2
Flûte, Clarinette, Violon (trio)
2
Flûte à Bec
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5 Flûtes à bec
2
Hautbois, Violoncelle
2
Clarinette, Tuba
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Hautbois
1
Hautbois et alto (duo)
1
Hautbois, violon (duo)
1
Hautbois, Guitare (duo)
1
Ensemble à vent
1
Cor anglais, Guitare (duo)
1
Clarinette, Orgue
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson, Piano (trio)
1
Saxophone et violoncelle
1
Piccolo
1
Flûte, Trombone (duo)
1
Clarinette (partie séparée)
1
Flûte à bec Tenor
1
Flute (partie séparée)
1
Saxophone, Basson (duo)
1
3 Hautbois
1
Flûte à bec Alto, Piano
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2 Flûtes, 2 Clarinettes (Quatuor)
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CUIVRES
2 Trompettes (duo)
470
2 Trombones (duo)
461
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
228
Trombone et Piano
227
Trompette, Piano
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
107
Trompette
92
Trompette, Saxophone (duo)
87
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Trompette, Trombone (duo)
59
Cor et Piano
51
2 Cors (duo)
36
Quatuor de cuivres: 4 trombones
30
Trombone
30
Trompette (partie séparée)
21
Quatuor de cuivres: 4 cors
21
2 Tubas (duo)
19
Euphonium, Piano (duo)
19
Quatuor de Cuivres
18
Cor
18
Cor anglais, Piano
17
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
15
Tuba et Piano
13
Ensemble de Trompettes
12
Ensemble de Trombones
11
Trio de Cuivres
8
Cor et Harpe
7
2 Euphoniums et 2 Tubas
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Tuba
6
3 Trompettes (trio)
6
Cor Anglais
6
Trompette, Violoncelle et Piano
5
Trombone, Tuba (duo)
4
Ensemble de Cors
4
3 Trombones (trio)
4
4 Tubas
3
2 Euphoniums (duo)
3
Trompette, Harpe
3
Euphonium
2
Trompette, Trombone, Piano
2
Trombone basse
2
Trombone, Cor (duo)
1
3 Cors (trio)
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Trompette, Basson (duo)
1
Cor, Violoncelle et Piano
1
Trompette et Guitare
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Cor, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Cor (partie séparée)
1
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CORDES
2 Violons (duo)
985
Harpe
762
2 Violoncelles (duo)
554
Quatuor à cordes: 2 violons, alto, violoncelle
491
Violon et Piano
370
Violon, Violoncelle (duo)
297
Trio à Cordes: violon, alto, violoncelle
283
Alto, Piano
279
Violon
266
Trio à Cordes: 2 violons, violoncelle
252
Violoncelle, Piano
235
2 Altos (duo)
213
2 Harpes (duo)
150
Violon, Alto (duo)
110
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
Violoncelle (partie séparée)
47
Harpe, Violon (duo)
44
Alto seul
38
Trio à Cordes: 2 violons, alto
36
Harpe et Piano
34
Harpe, Flûte (duo)
31
4 Violoncelles
30
Alto, Violoncelle (duo)
30
Trio à cordes: 3 violins
25
Quatuor à cordes: 4 violons
22
Alto (partie séparée)
22
Violon, Guitare (duo)
20
Piano Trio: Violon, Alto, Piano
13
Contrebasse, Piano (duo)
13
Contre Basse
11
Violon, Clarinette, Piano (trio)
10
Violoncelle
9
Trio à Cordes: 3 violoncelles
8
Harpe, Violoncelle (duo)
8
2 Contrebasses (duo)
8
Alto et Harpe
8
Violoncelle , Guitare (duo)
7
Violon (partie séparée)
7
Ensemble de Violons
7
Violoncelle, Contrebasse (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
2
Ensemble d'Altos
2
Ensemble de Violoncelles
1
2 Violons, Piano
1
Violon, Basson (duo)
1
2 Violoncelles, Piano
1
Quatuor à cordes : 4 altos
1
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
210
Orchestre d'harmonie
204
Cloches
161
Ensemble de cuivres
150
Orchestre
115
Ensemble Jazz
102
Orchestre de chambre
54
Jazz combo
45
Ensemble de Percussions
29
Batterie
26
Fanfare
18
Percussion
10
Batterie (partie séparée)
5
Marimba
4
Xylophone
3
Percussion (partie séparée)
2
Vibraphone et Marimba
2
2 Xylophones
2
Conga
1
Xylophone (partie séparée)
1
Caisse Claire
1
Vibraphone
1
Piano et Orchestre
1
Xylophone, Piano
1
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AUTRES
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LEVEL TWO
intermédiaire
Tuba
Partitions à imprimer
6 partitions trouvées
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1
Niehaus & Eastwood : Impitoyable - Thème de Claudia (niveau intermédiaire)
Tuba
Téléchargez la partition Tuba Impitoyable - Thème de Claudia (niveau …
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Téléchargez la partition Tuba Impitoyable - Thème de Claudia (niveau intermédiaire) de Niehaus & Eastwood. Partition pour Tuba avec accomp. orchestre -- Musique de film
5.99 €
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Tuba
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Niehaus & Eastwood
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Impitoyable
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Tomplay
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.14 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Landslide
Tuba
Instrumental Solo,Tuba - Level 3 - Interactive Download SKU: A0.1232602 By Fleetwoo…
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Instrumental Solo,Tuba - Level 3 - Interactive Download SKU: A0.1232602 By Fleetwood Mac. By Stevie Nicks. Arranged by Music Made Simple LLC. This edition: Interactive Download. Pop. Individual part. 8 pages. Duration 138. Music Made Simple LLC #14DGA1iLspBJ8pgQGDHrly. Published by Music Made Simple LLC (A0.1232602). Key: Eb major.Fingerpicking Arrangement.
$4.99
4.56 €
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Tuba
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Fleetwood Mac
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Music Made Simple LLC
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Landslide
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Music Made Simple LLC
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.49 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
En sourdine by Debussy for Tuba
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.1178176 Composed by Claude Debussy. …
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Tuba Solo - Level 3 - Digital Download SKU: A0.1178176 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778140. Published by Avery Lynn Jordan (A0.1178176). This score was adapted for tuba, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99
1.82 €
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Tuba
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Claude Debussy
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Langanho
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En sourdine by Debussy for Tuba
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Avery Lynn Jordan
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SheetMusicPlus
En sourdine by Debussy for Tuba and Chords
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.1178175 Composed by Claude Debussy. …
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.1178175 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778139. Published by Avery Lynn Jordan (A0.1178175). This score was adapted for tuba and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99
2.73 €
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Tuba
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Claude Debussy
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Langanho
#
En sourdine by Debussy for Tuba and Chords
#
Avery Lynn Jordan
#
SheetMusicPlus
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