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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Is Home
Non classifié
258
Piano & claviers
Piano seul
232
Piano, Voix
154
Piano, Voix et Guitare
34
Instruments en Do
20
Piano Facile
9
Orgue
7
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Accordéon
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
18
Guitare
16
Ukulele Baryton
5
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
2
Basse electrique
2
2 Guitares (duo)
2
3 Guitares (trio)
1
Dulcimer
1
Mandoline, Guitare (duo)
1
Mandoline
1
Banjo
1
+ 7 instrumentations
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Voix
Chorale SATB
102
Chorale TTBB
22
Chorale 3 parties
20
Chorale SSAA
14
Chorale Unison
6
Chorale 2 parties
4
Voix duo, Piano
3
Voix Soprano, Piano
2
Voix Alto, Piano
1
+ 4 instrumentations
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Vents
Flûte traversière et Piano
25
Hautbois, Piano (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Quatuor de Saxophones: 4 saxophones
20
Quatuor de Clarinettes: 4 clarinettes
20
Saxophone Alto et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Clarinettes (duo)
16
Quintette de Saxophone: 5 saxophones
15
2 Saxophones (duo)
15
Hautbois (partie séparée)
15
Clarinette et Piano
13
Ensemble de Flûtes
13
Saxophone (partie séparée)
12
2 Flûtes traversières (duo)
12
Saxophone Tenor et Piano
12
Flûte, Clarinette (duo)
11
Flûte traversière
10
3 Clarinettes (trio)
10
Flûte, Violon
9
Ensemble de Clarinettes
9
Clarinette
9
Saxophone Baryton, Piano
9
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
8
Clarinette Basse, Piano
7
Quatuor de Flûtes : 4 flûtes
6
Saxophone Alto
5
Clarinette, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Saxophone Soprano et Piano
5
Hautbois, Basson (duo)
5
2 Flûte à bec (duo)
5
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Flûte et Guitare
4
Ensemble de saxophones
4
Hautbois, Flûte
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Hautbois (duo)
3
Flûte, Violoncelle
3
Trio de Flûtes: 3 flûtes
3
2 Hautbois (duo)
3
Saxophone Tenor
3
Flûte, Clarinette, Violon (trio)
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Violon
2
Clarinette, Harpe (duo)
2
Clarinette et Alto
2
Cor Anglais
2
Flûte, Alto (duo)
2
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Basson
1
Cor anglais, Guitare (duo)
1
Ensemble De Flûte à bec
1
Harmonica
1
Flûte, Clarinette et Basson
1
Flûte, Trompette (duo)
1
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone et Harpe
1
Saxophone et Guitare
1
Flute, harpe et violon
1
Piccolo, Piano
1
Hautbois, Harpe
1
+ 66 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Quatuor de Cuivres
11
Cor
11
Cor et Piano
11
Trompette
10
Trombone et Piano
9
2 Trombones (duo)
7
Euphonium, Piano (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba et Piano
6
Trompette, Saxophone (duo)
6
Tuba
6
Trompette, Piano
6
Trombone
6
Ensemble de Trompettes
5
Ensemble de Trombones
5
Cor anglais, Piano
4
Euphonium
4
3 Trombones (trio)
4
Trompette, Trombone (duo)
3
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor Anglais
2
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Harpe
1
Trombone, Orgue
1
Ensemble de Cors
1
Cornet et orchestre
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
100
Violon, Violoncelle (duo)
58
Trio à Cordes: 2 violons, violoncelle
40
Violon et Piano
34
Violon
30
Violoncelle
22
Violon, Alto (duo)
21
Harpe
20
Violoncelle, Piano
19
Trio à Cordes: violon, alto, violoncelle
19
Alto, Piano
18
2 Violons (duo)
16
Alto seul
9
Trio à cordes
6
Trio à cordes: 3 violins
5
Ensemble de Violons
4
Alto (partie séparée)
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
4
2 Harpes (duo)
4
Harpe, Flûte (duo)
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
39
Orchestre à Cordes
29
Orchestre
20
Ensemble de cuivres
18
Batterie
8
Fanfare
7
Cloches
5
Ensemble Jazz
5
Jazz combo
5
Ensemble de Percussions
3
Orchestre de chambre
2
Xylophone, Piano
1
Xylophone
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
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FANFARE - BAND…
FLUTE A BEC
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MANDOLINE
MARIMBA
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Vous avez sélectionné:
This Is Home
intermédiaire
Tuba
Partitions à imprimer
6 partitions trouvées
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Take Me Home, Country Roads
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Tuba
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INTERMÉDIAIRE
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Rock
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John Denver
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Kevin Busse
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Take Me Home, Country Roads
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.598097 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by Kevin Busse. Rock. Individual part. 2 pa...
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Tuba Solo - Level 3 - SKU: A0.598097 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by Kevin Busse. Rock. Individual part. 2 pages. Kevin Busse #3135219. Published by Kevin Busse (A0.598097). This is a transcription of Take Me Home Country Roads for Tuba. This sheet music can be played along with the official recording of this song.
$4.99
(There's No Place Like) Home For The Holidays
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Tuba
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INTERMÉDIAIRE
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Jazz
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Perry Como
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Kevin Busse
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(There's No Place Like) Home F
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.605106 By Perry Como. By Robert Allen. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3924911. Publ...
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Tuba Solo - Level 3 - SKU: A0.605106 By Perry Como. By Robert Allen. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3924911. Published by Kevin Busse (A0.605106). This is a simple transcription of There's No Place Like Home For The Holidays in the original key for Tuba.
$4.99
I'll Be Home For Christmas
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Tuba
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INTERMÉDIAIRE
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Jazz
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Rascal Flatts
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Kevin Busse
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I'll Be Home For Christmas
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Kevin Busse
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.604601 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Bus...
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Tuba Solo - Level 3 - SKU: A0.604601 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Kevin Busse. Jazz. Individual part. 1 pages. Kevin Busse #3908501. Published by Kevin Busse (A0.604601). This is an exact transcription of Bing Crosby's I'll Be Home For Christmas in the original key for Tuba.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Daily Warm-Up and Maintenance for Brass Instruments- Tuba in Bass Clef
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Tuba
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INTERMÉDIAIRE
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Methodes
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Bud Caputo
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Daily Warm-Up and Maintenance
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Bud Caputo
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.1162303 Composed by Bud Caputo. Instructional. Individual part. 18 pages. Bud Caputo #762660. Published by Bud Caputo (A0....
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Tuba Solo - Level 3 - SKU: A0.1162303 Composed by Bud Caputo. Instructional. Individual part. 18 pages. Bud Caputo #762660. Published by Bud Caputo (A0.1162303). This publication is a collection of Warmup and Daily Maintenance Exercises for typical classroom brass instrument instruction. However, it also meets the needs of students individual for home practice and private lessons. It serves the needs of both the beginner and professional brass player with several categories of exercises that are arranged from the most simple to the most challenging. Please read the preface that is included in the publication so that students of different levels will gain the greatest benefits from its organization.
$12.00
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This Is Home
