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29
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3
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VENTS
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135
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133
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118
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112
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104
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103
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88
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82
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79
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78
2 Saxophones (duo)
71
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49
Quatuor de Flûtes : 4 flûtes
43
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39
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32
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31
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30
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28
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27
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21
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6
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185
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146
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116
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99
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68
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52
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33
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24
Cor
24
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23
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20
2 Trompettes (duo)
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Quatuor de cuivres: 4 cors
19
2 Trombones (duo)
17
Tuba et Piano
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2 Euphoniums et 2 Tubas
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12
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Euphonium
11
Trio de Cuivres
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7
3 Trombones (trio)
7
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Tuba
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Cor et Harpe
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2 Tubas (duo)
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Cor anglais, Piano
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2
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
415
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Violon
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99
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76
Trio à Cordes: violon, alto, violoncelle
67
Alto seul
64
2 Violons (duo)
54
Harpe
51
Violon, Alto (duo)
42
2 Violoncelles (duo)
33
Trio à Cordes: 2 violons, violoncelle
25
2 Harpes (duo)
20
2 Altos (duo)
20
Alto, Violoncelle (duo)
18
Harpe, Flûte (duo)
11
Contrebasse, Piano (duo)
11
Trio à cordes: 3 violins
10
Alto (partie séparée)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 3 violoncelles
9
4 Violoncelles
8
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
6
Harpe, Violon (duo)
6
Contre Basse
6
2 Contrebasses (duo)
5
Harpe, Voix
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Quatuor à cordes: 4 violons
4
Violon (partie séparée)
4
Trio à cordes
4
Alto et Harpe
4
Trio à Cordes: 2 violons, alto
4
Harpe, Violoncelle (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violon, Clarinette, Piano (trio)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Ensemble de Violons
2
Violon, Orgue
2
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et mandoline
1
Ensemble d'Altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre
317
Orchestre d'harmonie
241
Ensemble Jazz
147
Orchestre à Cordes
142
Ensemble de cuivres
122
Batterie
81
Orchestre de chambre
56
Jazz combo
41
Cloches
30
Fanfare
21
Ensemble de Percussions
10
Marimba
3
Vibraphone
1
Batterie (partie séparée)
1
Xylophone, Piano
1
Caisse Claire
1
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AUTRES
Formation musicale - Solfège
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Vous avez sélectionné:
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Tuba
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The Progressive Warm Up-Tuba Edition
Tuba
Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. …
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Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.5 €
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Tuba
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Eric Bolvin
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The Progressive Warm Up-Tuba Edition
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SheetMusicPlus
John Williams : Il faut sauver le soldat Ryan - Hymn to the Fallen (niveau intermédiaire/difficile)
Tuba
Téléchargez la partition Tuba Il faut sauver le soldat Ryan - Hymn to the Fallen (niveau…
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Téléchargez la partition Tuba Il faut sauver le soldat Ryan - Hymn to the Fallen (niveau intermédiaire/difficile) de John Williams. Partition pour Tuba avec accomp. orchestre -- Musique de film
5.99 €
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Tuba
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John Williams
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Il faut sauver le soldat Ryan
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Tomplay
John Williams : Hymn to the Fallen (niveau intermédiaire/difficile)
Tuba
Téléchargez la partition Tuba Hymn to the Fallen (niveau intermédiaire/difficile) de Jo…
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Téléchargez la partition Tuba Hymn to the Fallen (niveau intermédiaire/difficile) de John Williams. Partition pour Tuba avec accomp. orchestre -- Classique
5.99 €
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Tuba
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John Williams
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Hymn to the Fallen
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Tomplay
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.5 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
#
SheetMusicPlus
Verdi : Rigoletto - Acte III, Air du Duc « La donna è mobile » (niveau intermédiaire/difficile)
Tuba
Téléchargez la partition Tuba Rigoletto - Acte III, Air du Duc « La do…
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Téléchargez la partition Tuba Rigoletto - Acte III, Air du Duc « La donna è mobile » (niveau intermédiaire/difficile) de Verdi. Partition pour Tuba avec accomp. orchestre -- Classique
5.99 €
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Tuba
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Verdi
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Rigoletto
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Tomplay
Ping-Pong for Tuba Solo
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.876676 Composed by Dosia McKay. Cont…
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Tuba Solo - Level 4 - Digital Download SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1’25, suitable for advanced players.
$20.00
18.28 €
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Tuba
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Dosia McKay
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Ping-Pong for Tuba Solo
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Gavia Music
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SheetMusicPlus
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