Partitions Numériques de Will pour Tuba

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TRI ET FILTRES

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Non classifié 2126

PIANO & CLAVIERS

Piano seul 1264 Piano, Voix 359 Piano, Voix et Guitare 162 Instruments en Do 79 Orgue 78

1 Piano, 4 mains 51 2 Pianos, 4 mains 27 Piano Trio: piano, violon, violoncelle 20 Orgue, Piano (duo) 20 Accompagnement Piano 7 Piano Facile 5 Clavecin 2 2 Pianos, 8 mains 2 Accordéon 2 Orgue, Trompette (duo) 1 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Piano Quatuor: piano, violon, alto, violoncelle 1 Piano Quatuor: piano, 2 violons, violoncelle 1

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GUITARES

Guitare 130 Guitare notes et tablatures 98 Basse electrique 45 Piano, Guitare (duo) 40 Dulcimer 18

Ligne De Mélodie, (Paroles) et Accords 14 2 Guitares (duo) 12 4 Guitares (Quatuor) 10 Basse électrique (partie séparée) 3 Mandoline 3 2 Ukuleles 2 2 Dulcimers (duo) 2 Banjo 1 3 Guitares (trio) 1 Mandoline, Piano (duo) 1 Paroles et Accords 1 Ukulele 1

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VOIX

Chorale SATB 981 Chorale TTBB 166 Voix seule 122 Chorale 3 parties 121 Chorale SSAA 87

Voix Soprano, Piano 25 Chorale 2 parties 22 Chorale 14 Voix duo 12 Voix duo, Piano 9 Chorale Unison 9 Voix haute 8 Voix Baryton, Piano 4 Voix Tenor, Piano 3 Voix moyenne, Piano 3 Voix Tenor 2 Voix Soprano 2 Voix Alto, Piano 1 Voix Mezzo-Soprano, Piano 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 167 Quatuor de Saxophones: 4 saxophones 157 Flûte traversière et Piano 133 Clarinette et Piano 115 Quatuor de Clarinettes: 4 clarinettes 99

Saxophone Alto et Piano 96 Hautbois, Piano (duo) 96 Quintette de Saxophone: 5 saxophones 92 Flûte traversière 89 Ensemble de saxophones 89 Saxophone Tenor et Piano 82 2 Saxophones (duo) 79 Flûte, Hautbois, Clarinette, Basson 75 Saxophone Alto 70 Quatuor de Flûtes : 4 flûtes 63 Saxophone Tenor 60 Ensemble de Clarinettes 56 2 Clarinettes (duo) 54 Ensemble de Flûtes 53 Clarinette 50 Saxophone (partie séparée) 49 2 Flûtes traversières (duo) 45 3 Saxophones (trio) 37 Clarinette (partie séparée) 30 Hautbois (partie séparée) 29 Trio de Flûtes: 3 flûtes 29 Saxophone, Clarinette (duo) 27 3 Clarinettes (trio) 25 Flûte, Clarinette (duo) 22 Flute (partie séparée) 21 Clarinette, Violon (duo) 18 Saxophone Soprano et Piano 17 Saxophone 17 Quintette de Clarinettes: 5 clarinettes 17 Clarinette, Trompette (duo) 16 Flûte, Violon 16 Quintette de Flûte : 5 flûtes 14 2 Hautbois (duo) 13 Hautbois, Basson (duo) 13 Hautbois, Clarinette (duo) 12 Flûte, Clarinette et Basson 10 Hautbois, Flûte 10 Clarinette Basse, Piano 10 Clarinette et Alto 9 Flûte, Trompette (duo) 9 Flûte, Saxophone (duo) 8 Flûte, Alto (duo) 8 Flûte et Guitare 7 Flûte, Clarinette, Piano (trio) 6 Flûte, Hautbois, Basson 6 Flûte, Hautbois, Clarinette (trio) 6 Quatuor de Flûtes à bec 4 Saxophone Baryton, Piano 4 Cor anglais, Piano 4 3 Hautbois 4 Flûte à Bec 3 Flûte, Violon et Violoncelle 3 Flûte à bec Soprano 3 Hautbois 3 Flûte, Violoncelle 3 Clarinette, Basson (duo) 3 Saxophone Soprano 2 Flûte, Hautbois (duo) 2 Hautbois, Clarinette, Basson (trio d'anches) 2 Clarinette, Harpe (duo) 2 5 Flûtes à bec 2 4 Hautbois 2 Flûte, Harpe et Violoncelle 2 Flûte, Violon, Piano 1 Flûte, Basson et Piano 1 Flûte à bec Tenor 1 Flûte à bec Alto, Piano 1 Flûte, Clarinette, Cor, Basson (Quartet) 1 Hautbois, Violin, Alto et Violoncelle (Quatuor) 1 Flûte et Quatuor à Cordes 1 Flûte, Violon, Violoncelle et Piano 1 2 Flûtes traversières, Piano 1 Saxophone et Guitare 1 Piccolo 1 Clarinette, Guitare (duo) 1 Saxophone et Orgue 1 Flûte traversière, Orgue (duo) 1 Saxophone et Harpe 1 Clarinette, Violoncelle, Piano (trio) 1 Ensemble De Flûte à bec 1 Hautbois, violon (duo) 1 Ensemble à vent 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 233 Quatuor de Cuivres : 2 trompettes, trombone, tuba 122 Trompette 115 Trombone et Piano 101 Trompette, Piano 71 Trompette (partie séparée) 62 Trombone 60 Quatuor de cuivres: 4 trombones 47 Trombone (partie séparée) 41 Quatuor de Cuivres: 2 trompettes, Cor, trombone 40 Quatuor de Cuivres 40 Ensemble de Trombones 39 Ensemble de Trompettes 37 Cor (partie séparée) 33 2 Trompettes (duo) 26 2 Euphoniums et 2 Tubas 26 Quatuor de cuivres: 4 cors 24 Cor et Piano 24 Cor 22 2 Trombones (duo) 20 Trompette, Trombone (duo) 17 Trompette, Saxophone (duo) 16 Euphonium, Piano (duo) 14 Ensemble de Cors 11 2 Cors (duo) 10 Tuba et Piano 10 Tuba (partie séparée) 7 Tuba 6

Trio de Cuivres 5 Trompette, Cor (duo) 5 Cor anglais, Piano 4 Euphonium 4 2 Trompettes, Clavier (piano ou orgue) 4 Trombone basse 3 3 Trompettes (trio) 3 Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3 Cor et Harpe 3 4 Tubas 3 2 Tubas (duo) 2 3 Trombones (trio) 2 Quatuor de cuivres: 4 trompettes 2 Trombone, Tuba (duo) 2 Euphonium, Tuba (duo) 2 Trompette, Violoncelle et Piano 2 Bass Clef Instruments 2 3 Cors (trio) 1 Trombone, Cor (duo) 1 Euphonium (partie séparée) 1 Trompette, Tuba (duo) 1 Trombone et orchestre 1 Cor et Orgue 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 530 Violon et Piano 179 Violon, Violoncelle (duo) 169 Violoncelle, Piano 113 Violon 102

Alto, Piano 100 Trio à Cordes: violon, alto, violoncelle 84 Harpe 74 Violoncelle 69 2 Violons (duo) 55 Trio à Cordes: 2 violons, violoncelle 46 2 Violoncelles (duo) 35 Violon, Alto (duo) 34 Alto seul 31 2 Altos (duo) 22 Quintette à cordes: 2 violons, alto, violoncelle, basse 19 4 Violoncelles 18 Trio à Cordes: 3 violoncelles 14 Alto, Violoncelle (duo) 13 Ensemble de Violons 13 Ensemble d'Altos 13 Violon, Guitare (duo) 11 Alto (partie séparée) 10 Trio à cordes: 3 violins 9 Trio à cordes: 3 altos 6 Trio à Cordes: 2 violons, alto 5 Harpe, Flûte (duo) 5 Violoncelle , Guitare (duo) 5 Piano Trio: Violon, Alto, Piano 5 Harpe, Voix 5 Harpe, Violon (duo) 4 Alto et Harpe 4 Contrebasse (partie séparée) 4 Quatuor à cordes: 4 violons 4 Quintette à cordes: 2 violons, 2 altos, violoncelle 4 2 Harpes (duo) 4 Harpe, Violoncelle (duo) 4 Contrebasse, Piano (duo) 3 Violoncelle, Orgue 2 Trio à cordes 2 Ensemble de Violoncelles 2 Alto, Guitare (duo) 2 Contre Basse 1 Violon (partie séparée) 1 2 Contrebasses (duo) 1 Violoncelle, Contrebasse (duo) 1 Violon, Tuba (duo) 1 Quatuor à cordes : 4 altos 1 4 Contrebasses 1

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PERCUSSIONS & ORCHESTRES

Fanfare 499 Orchestre d'harmonie 405 Orchestre 250 Ensemble Jazz 250 Ensemble de cuivres 233

Orchestre à Cordes 211 Jazz combo 93 Orchestre de chambre 87 Cloches 78 Batterie 34 Ensemble de Percussions 17 Percussion (partie séparée) 16 Batterie (partie séparée) 10 Vibraphone 7 Marimba 5 Timbales (partie séparée) 3 Quatuor à Vent : 4 instruments à vents 1 Quintette à Vent 1 Xylophone, Piano 1 Piano et Orchestre 1

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AUTRES

Formation musicale - Solfège 1 Théorie de la musique 1

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John Williams : Il faut sauver le soldat Ryan - Hymn to the Fallen (niveau intermédiaire/difficile)

Tuba

Téléchargez la partition Tuba Il faut sauver le soldat Ryan - Hymn to the Fallen (niveau…(+)

Téléchargez la partition Tuba Il faut sauver le soldat Ryan - Hymn to the Fallen (niveau intermédiaire/difficile) de John Williams. Partition pour Tuba avec accomp. orchestre -- Musique de film

5.99 € #Tuba #John Williams #Il faut sauver le soldat Ryan #Tomplay

John Williams : Hymn to the Fallen (niveau intermédiaire/difficile)

Tuba

Téléchargez la partition Tuba Hymn to the Fallen (niveau intermédiaire/difficile) de Jo…(+)

Téléchargez la partition Tuba Hymn to the Fallen (niveau intermédiaire/difficile) de John Williams. Partition pour Tuba avec accomp. orchestre -- Classique

5.99 € #Tuba #John Williams #Hymn to the Fallen #Tomplay

Unaccompanied Tuba Suite #2 in B-flat Major

Tuba

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…(+)

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introductionâ€ƒThis piece boldly explores the Bâ™ Major key and related tonalities. It yields exciting moves to tease the audienceâ€™s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variationâ€™s title indicates how to play it; further notes below. 1 PLAYFULâ€ƒStretches the themeâ€™s rhythms for a friendly teasing. 2 MAJESTICâ€ƒThis variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHTâ€ƒPractice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILEâ€ƒPractice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFULâ€ƒLet the notes do the work-donâ€™t try too hard. 6 FESTIVEâ€ƒMust use repeats. A gigue that washes away the previous variationâ€™s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUSâ€ƒMolto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKENâ€ƒChicken chickens chicken. Chicken! 9 FANTASTICALâ€ƒNo repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCHâ€ƒMust use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUESâ€ƒBe sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICEâ€ƒAkin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUEâ€ƒDistinguish the two lines and itâ€™ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and itâ€™ll be a dazzler. 14 FAREWELLâ€ƒA bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.

$15.99 14.67 € #Tuba #Jason Allie #Unaccompanied Tuba Suite #2 in B-flat Major #Joaba LLC #SheetMusicPlus

Eskimo Lumber

Tuba

Tuba Solo - Level 4 - Digital Download SKU: A0.748220 Composed by William M Sulliva…(+)

Tuba Solo - Level 4 - Digital Download SKU: A0.748220 Composed by William M Sullivan and William Sullivan. Arranged by Patrick Sheehan. Contemporary. Individual part. 1 pages. Patrick Sheehan #6099067. Published by Patrick Sheehan (A0.748220). From the album As Heard on TV: Junk Food, as used on HBOâ€™s curb your enthusiasmABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

$5.00 4.59 € #Tuba #William M Sullivan and William Sullivan #Patrick Sheehan #Eskimo Lumber #Patrick Sheehan #SheetMusicPlus

When I can Read About the Lily

Tuba

Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnso…(+)

Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnson, William S. Hays. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3048025. Published by Gordon Wolfe (A0.1003255). A Sonata Form solo for Tuba intended as the second and primary movement of a Church Sonata in Gospel style. It is based on two hymns: When I can Read my Title Clear and Lily of the Valley.

$2.10 1.93 € #Tuba #Alexander Johnson, William S #Gordon Wolfe #When I can Read About the Lily #Gordon Wolfe #SheetMusicPlus

Flex on the Move-Tuba Edition

Tuba

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…(+)

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material! Flex on the Move There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith. There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups. Why Practice Flexibility? Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”. Technique There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material! Flex on the Move There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith. There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups. Why Practice Flexibility? Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”. Technique There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.

$16.95 15.55 € #Tuba #Eric Bolvin #Flex on the Move-Tuba Edition #Faded Duck Music #SheetMusicPlus