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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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FLUTE A BEC
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1393
PIANO & CLAVIERS
Piano grosses notes
3295
Orgue
1653
Piano seul
1099
Piano Facile
887
Piano, Voix et Guitare
124
Piano, Voix
114
Clavier
59
Instruments en Do
38
1 Piano, 4 mains
32
Piano Trio: piano, violon, violoncelle
14
2 Pianos, 4 mains
11
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9
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
3
1 Piano, 6 mains
2
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
61
Guitare notes et tablatures
49
2 Guitares (duo)
18
Ligne De Mélodie, (Paroles) et Accords
9
Guitare (partie séparée)
8
Ukulele
8
4 Guitares (Quatuor)
4
Basse electrique
4
Ensemble de guitares
3
Piano, Guitare (duo)
1
Basse électrique (partie séparée)
1
Banjo
1
3 Guitares (trio)
1
Paroles et Accords
1
Mandoline
1
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VOIX
Chorale SATB
315
Chorale 3 parties
93
Chorale SSAA
67
Chorale Unison
56
Chorale 2 parties
55
Chorale TTBB
43
Voix Alto, Piano
13
Voix haute
8
Voix Tenor, Piano
5
Voix Soprano, Piano
5
Voix moyenne, Piano
5
Voix duo
2
Chorale
2
Voix basse
2
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
Voix duo, Piano
1
Chorale SSATB
1
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
135
2 Saxophones (duo)
97
Flûte traversière et Piano
89
Quatuor de Saxophones: 4 saxophones
80
Saxophone (partie séparée)
76
Flûte, Hautbois, Clarinette, Basson
76
2 Flûtes traversières (duo)
64
Clarinette et Piano
56
Saxophone Alto et Piano
46
Hautbois, Piano (duo)
46
Quatuor de Clarinettes: 4 clarinettes
43
2 Clarinettes (duo)
41
Flûte traversière
36
Saxophone, Clarinette (duo)
33
Clarinette
28
Saxophone Tenor et Piano
26
Hautbois (partie séparée)
25
Saxophone
24
Quatuor de Flûtes : 4 flûtes
23
Hautbois, Basson (duo)
21
2 Hautbois (duo)
21
Clarinette, Violon (duo)
20
Flûte, Clarinette (duo)
20
Saxophone Soprano et Piano
20
Ensemble de Flûtes
16
Saxophone Alto
16
Ensemble de Clarinettes
16
Clarinette (partie séparée)
15
3 Saxophones (trio)
15
Saxophone Tenor
15
Clarinette, Trompette (duo)
15
Quintette de Saxophone: 5 saxophones
14
Flûte, Violon
13
Flûte à Bec
11
Trio de Flûtes: 3 flûtes
10
3 Clarinettes (trio)
10
Hautbois, Clarinette (duo)
10
Clarinette et Alto
10
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, Flûte
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Saxophone (duo)
8
Hautbois
8
Flûte, Trompette (duo)
8
Flûte et Guitare
8
Cor anglais, Piano
8
Saxophone Baryton, Piano
7
Flûte, Alto (duo)
7
Clarinette, Basson (duo)
7
Clarinette Basse, Piano
6
2 Flûte à bec (duo)
6
Piccolo
5
Ensemble de saxophones
5
Flûte, Violoncelle
5
Flûte, Hautbois (duo)
5
Flûte à bec Alto
5
Flûte à bec Soprano
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Flûte, Clarinette et Basson
4
Saxophone Soprano
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Cor Anglais
3
Flûte, Hautbois, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Basson
3
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
2 Saxophones, Piano
2
2 Clarinettes, Piano
2
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Piano
2
Instruments en Mib
2
Saxophone Baryton
2
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Basse continue
1
5 Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Tenor
1
Clarinette, Orgue
1
3 Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Ocarina
1
Flute, harpe et violon
1
Flûte, Harpe et Violoncelle
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
150
Trompette (partie séparée)
60
Trombone (partie séparée)
54
Trombone et Piano
46
Trompette
46
Trompette, Piano
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Ensemble de Trompettes
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Cor et Piano
34
Trombone
26
Tuba et Piano
23
2 Trompettes (duo)
22
Trompette, Saxophone (duo)
22
2 Trombones (duo)
21
Trompette, Trombone (duo)
21
Quatuor de cuivres: 4 trombones
13
Quatuor de Cuivres
13
Euphonium, Piano (duo)
13
Cor
10
Tuba
9
2 Cors (duo)
9
Euphonium
8
Cor anglais, Piano
8
3 Trombones (trio)
7
Quatuor de cuivres: 4 trompettes
6
Trombone basse
6
Quatuor de cuivres: 4 cors
6
Cor (partie séparée)
5
3 Trompettes (trio)
5
Tuba (partie séparée)
5
Trombone basse et Piano
3
Cor Anglais
3
2 Tubas (duo)
3
Ensemble de Trombones
3
3 Euphoniums
3
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
2
Trompette, Cor (duo)
2
Trombone, Tuba (duo)
2
Instruments en Sib
2
Bass Clef Instruments
2
Trombone et orchestre
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Trompette, Euphonium (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
395
Violon, Violoncelle (duo)
265
Trio à Cordes: violon, alto, violoncelle
238
Violon
232
Violon et Piano
95
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Violoncelle, Piano
61
Alto, Piano
51
2 Violons (duo)
40
Violoncelle
38
Alto seul
36
Violon, Alto (duo)
35
Harpe
31
2 Altos (duo)
29
2 Violoncelles (duo)
26
Alto (partie séparée)
23
Violon (partie séparée)
20
Contrebasse (partie séparée)
15
Trio à Cordes: 2 violons, violoncelle
14
Alto, Violoncelle (duo)
14
Contrebasse, Piano (duo)
8
2 Harpes (duo)
7
4 Violoncelles
7
Harpe, Flûte (duo)
6
Violoncelle (partie séparée)
5
Quatuor à cordes: 4 violons
4
Flûte, Contrebasse (duo)
4
Contre Basse
4
Trio à cordes: 3 violins
4
Violon, Guitare (duo)
3
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 2 violons, alto
3
Trio à Cordes: 3 violoncelles
3
Alto et Harpe
3
Trio à cordes: 3 altos
3
2 Contrebasses (duo)
2
Ensemble d'Altos
2
Harpe, Violoncelle (duo)
2
Ensemble de Violons
2
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
288
Orchestre à Cordes
206
Cloches
111
Orchestre
108
Ensemble de cuivres
58
Fanfare
58
Ensemble Jazz
48
Orchestre de chambre
36
Ensemble de Percussions
17
Jazz combo
14
Batterie
10
Percussion (partie séparée)
7
Batterie (partie séparée)
5
Vibraphone (partie séparée)
4
Vibraphone
3
Xylophone
2
Timbales (partie séparée)
1
Bodhran
1
Piano et Orchestre
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
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Tuba
Partitions à imprimer
9 partitions trouvées
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Terry Gilkyson : Le Livre de la jungle - Il en faut peu pour être heureux (niveau très facile) - Version courte
Tuba
Téléchargez la partition Tuba Le Livre de la jungle - Il en faut peu pour &e…
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Téléchargez la partition Tuba Le Livre de la jungle - Il en faut peu pour être heureux (niveau très facile) - Version courte de Terry Gilkyson. Partition pour Tuba avec accomp. orchestre -- Musique de film,Broadway et Musical
5.99 €
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Tuba
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Terry Gilkyson
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Le Livre de la jungle
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Tomplay
Alan Menken,Vanessa Williams : Pocahontas - L'air du vent (niveau très facile) - Version courte
Tuba
Téléchargez la partition Tuba Pocahontas - L'air du vent (niveau tr&egr…
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Téléchargez la partition Tuba Pocahontas - L'air du vent (niveau très facile) - Version courte de Alan Menken. Partition pour Tuba avec accomp. orchestre -- Musique de film,Broadway et Musical
4.99 €
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Tuba
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Alan Menken,Vanessa Williams
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Pocahontas
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Tomplay
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.14 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Miniature No. 1 - for Unaccompanied Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.899604 Composed by C Blankenship. 20…
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Tuba Solo - Level 5 - Digital Download SKU: A0.899604 Composed by C Blankenship. 20th Century,Contemporary. Individual part. 1 pages. C Blankenship #4986763. Published by C Blankenship (A0.899604). A short piece for solo unaccompanied tuba, Miniature No. 1 is a playful and light piece that shows the fun and technical side of solo tuba music, but it's also short enough to program as a breather piece between longer solos. It shares a rhythmic motif with another of my pieces, Fallen for unaccompanied tuba, both of which were written at the same time and influenced each other as a sort of positive/negative experience, this being the positive and brighter of the two pieces. Remember to have fun with it.
$5.99
5.48 €
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Tuba
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C Blankenship
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Miniature No. 1 - for Unaccompanied Tuba
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C Blankenship
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SheetMusicPlus
Swan Lake Theme by Tchaikovsky
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1455345 Composed by Peter Ilyich Tch…
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Tuba Solo - Level 2 - Digital Download SKU: A0.1455345 Composed by Peter Ilyich Tchaikovsky. Arranged by Rika K. 19th Century,Chamber,Romantic Period. Individual part. 1 pages. Rika K. #1034435. Published by Rika K. (A0.1455345). We proudly present the sheet music for a unique arrangement of Pyotr Ilyich Tchaikovsky’s Swan Lake Theme, a short version adapted for Tuba Solo. This iconic ballet score, known for its deep emotion and complex beauty, has been gracefully simplified to make it accessible to a diverse range of performers. Ideal for music instructors seeking valuable teaching resources, families wanting to immerse their children in classic music, or professional musicians in need of an elegant yet straightforward piece for encores or intimate performances. This arrangement is also perfectly suited for academic showcases or community concerts.Delve into the enchanting world of Tchaikovsky’s song and experience the magic of one of the most beloved works in the classical music repertoire. Embrace the opportunity to explore the narrative depths and emotional highs of this timeless ballet.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Swan Lake Theme!
$1.99
1.82 €
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Tuba
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Peter Ilyich Tchaikovsky
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Rika K
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Swan Lake Theme by Tchaikovsky
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Rika K.
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SheetMusicPlus
Swan Lake Theme by Tchaikovsky
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1455344 Composed by Peter Ilyich Tch…
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Tuba Solo - Level 2 - Digital Download SKU: A0.1455344 Composed by Peter Ilyich Tchaikovsky. Arranged by Rika K. 19th Century,Chamber,Romantic Period. Individual part. 1 pages. Rika K. #1034434. Published by Rika K. (A0.1455344). We proudly present the sheet music for a unique arrangement of Pyotr Ilyich Tchaikovsky’s Swan Lake Theme, a short version adapted for Tuba Solo. This iconic ballet score, known for its deep emotion and complex beauty, has been gracefully simplified to make it accessible to a diverse range of performers. Ideal for music instructors seeking valuable teaching resources, families wanting to immerse their children in classic music, or professional musicians in need of an elegant yet straightforward piece for encores or intimate performances. This arrangement is also perfectly suited for academic showcases or community concerts.Delve into the enchanting world of Tchaikovsky’s song and experience the magic of one of the most beloved works in the classical music repertoire. Embrace the opportunity to explore the narrative depths and emotional highs of this timeless ballet.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Swan Lake Theme!
$1.99
1.82 €
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Tuba
#
Peter Ilyich Tchaikovsky
#
Rika K
#
Swan Lake Theme by Tchaikovsky
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Rika K.
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.5 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
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