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ACCORDEON
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AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Non classifié
2887
PIANO & CLAVIERS
Piano seul
530
Piano, Voix
225
Piano Quintette: piano, 2 violons, alto, violoncelle
215
Piano Facile
196
Piano Trio: piano, violon, violoncelle
135
Piano Quatuor: piano, 2 violons, violoncelle
88
Piano Quatuor: piano, violon, alto, violoncelle
87
Piano, Voix et Guitare
53
Orgue
48
1 Piano, 4 mains
19
Instruments en Do
12
2 Pianos, 4 mains
10
Accompagnement Piano
4
Piano grosses notes
3
2 Pianos, 8 mains
3
Accordéon
3
2 Accordéons
2
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Clavecin
1
Clavier
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
324
Guitare
45
Piano, Guitare (duo)
21
Dulcimer
7
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
6
Ukulele
6
4 Guitares (Quatuor)
5
Basse electrique
2
Paroles et Accords
1
3 Guitares (trio)
1
2 Ukuleles
1
Mandoline, Piano (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
547
Chorale 3 parties
106
Chorale TTBB
67
Chorale SSAA
63
Chorale 2 parties
55
Chorale Unison
42
Chorale SSAATTBB
16
Voix duo, Piano
10
Voix Soprano, Piano
5
Chorale
5
Voix Alto, Piano
5
Voix Tenor, Piano
4
Chorale SSATTB
3
Voix haute
3
Voix moyenne, Piano
2
Voix duo
2
Voix d'Enfants
2
Male Voice
2
Voix seule
2
Chorale SSATB
1
Chorale SSAATB
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
161
Saxophone Alto et Piano
100
Clarinette
97
Hautbois, Piano (duo)
63
Quatuor de Saxophones: 4 saxophones
57
Clarinette et Piano
55
2 Flûtes traversières (duo)
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
2 Saxophones (duo)
46
Quatuor de Clarinettes: 4 clarinettes
38
Saxophone Tenor et Piano
38
2 Clarinettes (duo)
29
Flûte, Hautbois, Clarinette, Basson
23
Flûte, Violon, Piano
22
Quatuor de Flûtes : 4 flûtes
21
Flûte et Quatuor à Cordes
20
3 Clarinettes (trio)
16
Flûte, Violoncelle, Piano (trio)
15
Flûte traversière
15
Trio de Flûtes: 3 flûtes
15
Hautbois (partie séparée)
15
Ocarina
14
2 Hautbois (duo)
12
Saxophone Baryton, Piano
8
Saxophone, Clarinette (duo)
7
Saxophone Soprano et Piano
6
Cor anglais, Piano
6
Clarinette, Violoncelle (duo)
6
3 Saxophones (trio)
6
2 Flûte à bec (duo)
6
Quatuor de Flûtes à bec
6
Flûte, Violon
5
Ensemble de Clarinettes
5
Flûte, Violon et Violoncelle
5
Flûte, Clarinette (duo)
5
Flûte à Bec
5
Flûte et Guitare
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Alto
4
Ensemble de Flûtes
3
Quintette de Saxophone: 5 saxophones
3
Clarinette, Basson (duo)
3
Ensemble de saxophones
3
2 Cors Anglais Et Pianoforte
3
Hautbois
3
Hautbois, Clarinette (duo)
3
Flûte et Trio à cordes
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
3
Clarinette, Guitare (duo)
3
Flûte, Violoncelle
2
Flûte, Hautbois, Basson
2
Clarinette, Trombone (duo)
2
Flûte à bec Soprano
2
Flûte traversière, Orgue (duo)
2
Hautbois, Flûte
2
Cor Anglais
2
Flûte, Alto et Violoncelle
2
Hautbois, Basson (duo)
2
Flûte, Saxophone (duo)
2
Clarinette, Violon (duo)
2
Clarinette (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Clarinette et Alto
2
Ensemble De Flûte à bec
2
3 Flûtes à bec (trio)
2
2 Flûtes à bec, Piano
2
2 Clarinettes, Basson
2
5 Flûtes à bec
2
Flûte, Alto (duo)
1
Ensemble à vent
1
2 Clarinettes, Piano
1
Saxophone
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Trompette (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
75
Trompette
60
Trompette, Piano
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Tuba et Piano
22
Cor et Piano
20
2 Trompettes (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Ensemble de Trombones
11
2 Trombones (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Cors (duo)
9
Cor
8
Tuba
7
Quatuor de Cuivres
6
Cor anglais, Piano
6
Quatuor de cuivres: 4 cors
6
Trombone
6
Trompette, Trombone (duo)
5
Quatuor de cuivres: 4 trombones
5
2 Euphoniums et 2 Tubas
5
Ensemble de Trompettes
4
2 Tubas (duo)
4
2 Euphoniums (duo)
4
Ensemble de Cors
4
Quatuor de cuivres: 4 trompettes
4
2 Cors Anglais Et Pianoforte
3
3 Trombones (trio)
3
Trompette, Cor (duo)
3
Trompette, Saxophone (duo)
2
Cor Anglais
2
Trompette, violon (duo)
2
G Instruments
2
4 Tubas
2
Euphonium, Piano (duo)
2
Euphonium, Tuba (duo)
2
Tuba et Orgue
1
Trombone basse et Piano
1
Trombone, Cor (duo)
1
Euphonium
1
3 Tubas (trio)
1
Trompette (partie séparée)
1
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Cornet et Piano
1
Trio de Cuivres
1
Bass Clef Instruments
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
429
Violon et Piano
349
Violoncelle, Piano
309
Alto, Piano
280
2 Violons, Piano
95
Violon, Violoncelle (duo)
76
Trio à Cordes: violon, alto, violoncelle
60
4 Violoncelles
60
Trio à Cordes: 2 violons, violoncelle
53
Quatuor à cordes: 4 violons
47
2 Violoncelles, Piano
43
Trio à Cordes: 3 violoncelles
38
2 Violoncelles (duo)
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Altos, Piano
35
Violoncelle
31
Trio à cordes: 3 violins
31
2 Violons (duo)
27
Violon, Alto (duo)
23
Quatuor à cordes : 4 altos
23
Violon, Clarinette, Piano (trio)
20
Violon
19
Alto, Violoncelle (duo)
17
2 Altos (duo)
12
Piano Trio: Violon, Alto, Piano
12
Harpe
12
Violon (partie séparée)
7
Contre Basse
7
Alto seul
7
Contrebasse, Piano (duo)
6
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
4 Contrebasses
2
Trio à cordes: 3 altos
2
2 Harpes (duo)
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
2
Alto (partie séparée)
1
Harpe, Voix
1
Alto, Guitare (duo)
1
Violon, Orgue
1
2 Violons et Basse continue
1
Contrebasse (partie séparée)
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
478
Cloches
140
Orchestre d'harmonie
76
Orchestre à Cordes
54
Vibraphone (partie séparée)
39
Orchestre de chambre
29
Ensemble de cuivres
20
Ensemble de Percussions
17
Ensemble Jazz
16
Batterie
13
Jazz combo
9
Fanfare
4
Batterie (partie séparée)
2
Caisse Claire
1
Piano et Orchestre
1
Marimba
1
2 Xylophones
1
Vibraphone
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
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Tuba
Partitions à imprimer
7 partitions trouvées
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1
Brahms Waltz No.7 in C# minor for unaccompanied Tuba
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.896980 Composed by Johannes Brahms. …
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Tuba Solo - Level 2 - Digital Download SKU: A0.896980 Composed by Johannes Brahms. Arranged by James Strange. Instructional,Romantic Period. Individual part. 8 pages. Penny Music Co. #2855305. Published by Penny Music Co. (A0.896980). Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist, who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This waltz has been arranged from the original piano score for unaccompanied tuba. It presents a melodic scalic study and an effective sight reading exercise, whilst providing a great model for developing upper and lower registers.
$3.99
3.6 €
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Tuba
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Johannes Brahms
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James Strange
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Brahms Waltz No.7 in C# minor for unaccompanied Tuba
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Penny Music Co.
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SheetMusicPlus
Das Große Gastmahl (Tuba)
Tuba
B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Step…
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B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015252. Published by Stephan Langenberg (A0.1435146). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
4.5 €
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Tuba
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
What Was I Made For?
Tuba
B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1377348 By Billie Eilish…
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B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1377348 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Individual part. 1 pages. JLVPartitura #961940. Published by JLVPartitura (A0.1377348). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Tuba + Chords. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.5 €
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Tuba
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Billie Eilish
#
Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
#
SheetMusicPlus
What Was I Made For?
Tuba
B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1377347 By Billie Eilish…
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B-Flat Tuba,Tuba Solo - Level 1 - Digital Download SKU: A0.1377347 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Individual part. 1 pages. JLVPartitura #961937. Published by JLVPartitura (A0.1377347). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Tuba. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.5 €
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Tuba
#
Billie Eilish
#
Jhonatan Lucio Viana
#
What Was I Made For?
#
JLVPartitura
#
SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.41 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.43 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #2 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Vivaldi - The Four Seasons: Spring for Solo Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.548533 Composed by Antonio Vivaldi. …
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Tuba Solo - Level 5 - Digital Download SKU: A0.548533 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Individual part. 7 pages. Jmsgu3 #3392331. Published by jmsgu3 (A0.548533). Vivaldi's Concerto Op. 8 No. 1 Spring from the Four Seasons arranged for unaccompanied tuba.
$32.95
29.74 €
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Tuba
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Antonio Vivaldi
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James M
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Vivaldi - The Four Seasons: Spring for Solo Tuba
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jmsgu3
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SheetMusicPlus
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