English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
11
Librairie
Musicale
9
Matériel
de Musique
24
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
4215
PIANO & CLAVIERS
Piano seul
1359
Piano, Voix
733
Piano Facile
372
Piano, Voix et Guitare
367
Orgue
330
Accompagnement Piano
278
Instruments en Do
140
Piano Trio: piano, violon, violoncelle
89
1 Piano, 4 mains
25
Orgue, Trompette (duo)
16
Piano Quatuor: piano, 2 violons, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
13
2 Pianos, 4 mains
13
Piano grosses notes
8
Clavecin
6
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
153
Guitare notes et tablatures
35
Guitare
31
Ukulele
18
Piano, Guitare (duo)
15
Paroles et Accords
9
Basse electrique
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
2
Dulcimer
2
2 Guitares (duo)
1
Guitare Pedal Steel
1
2 Ukuleles
1
Banjo
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1857
Chorale Unison
779
Chorale 2 parties
643
Chorale 3 parties
504
Voix duo, Piano
269
Chorale TTBB
114
Voix duo
76
Chorale SSAA
52
Voix Soprano, Piano
22
Voix seule
18
Voix moyenne, Piano
13
Voix haute
9
Chorale
8
Voix Alto, Piano
8
Voix basse, Piano
3
Chorale SAATB A Cappella
2
Chorale SSATB
2
Chorale SSATTB
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAATB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
218
Flûte traversière et Piano
216
Hautbois, Piano (duo)
176
Saxophone Tenor et Piano
164
Saxophone Alto et Piano
157
Quatuor de Saxophones: 4 saxophones
152
Clarinette et Piano
144
Flûte, Hautbois, Clarinette, Basson
140
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
122
Saxophone Soprano et Piano
109
2 Flûtes traversières (duo)
99
2 Clarinettes (duo)
96
Saxophone Baryton, Piano
71
Quintette de Saxophone: 5 saxophones
66
Quatuor de Clarinettes: 4 clarinettes
66
Flûte, Clarinette (duo)
65
3 Saxophones (trio)
60
Saxophone, Clarinette (duo)
52
Clarinette, Violon (duo)
52
Clarinette
51
Flûte traversière
49
3 Clarinettes (trio)
48
Saxophone (partie séparée)
39
Quatuor de Flûtes : 4 flûtes
38
Trio de Flûtes: 3 flûtes
37
2 Hautbois (duo)
36
Hautbois, Basson (duo)
32
Clarinette, Trompette (duo)
30
Cor anglais, Piano
28
Saxophone Alto
25
Ensemble de Clarinettes
25
Hautbois, Clarinette (duo)
24
Clarinette et Alto
22
Flûte, Violon
22
Flûte, Violon et Violoncelle
21
Quintette de Clarinettes: 5 clarinettes
21
Flûte, Trompette (duo)
21
Hautbois, Flûte
20
Quatuor de Flûtes à bec
20
Flûte, Clarinette et Basson
19
Flûte, Saxophone (duo)
17
Flûte, Hautbois, Basson
16
Flûte, Clarinette, Piano (trio)
16
Clarinette Basse, Piano
15
Ensemble de saxophones
15
Flûte, trombone et piano
15
Flûte, Violoncelle, Piano (trio)
15
Clarinette, Basson (duo)
14
Ensemble de Flûtes
14
Flûte, Alto (duo)
13
Hautbois (partie séparée)
13
Flûte, Hautbois, Clarinette (trio)
12
2 Flûte à bec (duo)
12
3 Hautbois
11
Clarinette, Violoncelle, Piano (trio)
10
4 Hautbois
10
Flûte, Alto et Piano
10
Flûte, Violon, Piano
9
Flûte, Clarinette, Violon (trio)
8
2 Flûtes traversières, Piano
8
Flûte, Violon, Violoncelle et Piano
7
Flûte à bec Soprano, Piano
7
Flûte à bec Alto, Piano
7
2 Saxophones, Piano
7
Flûte, Hautbois, Piano (trio)
7
Saxophone Tenor
6
Flûte, Basson et Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Violoncelle
5
Clarinette (partie séparée)
5
2 Clarinettes, Piano
5
Quintette de Flûte : 5 flûtes
4
Clarinette, trompette et piano
4
Hautbois
4
Flute (partie séparée)
3
Clarinette, Alto et Piano (trio)
3
Flûte, Hautbois (duo)
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
3
Cor Anglais
2
Saxophone et Orgue
2
Flûte à Bec
2
Flûte, Trombone (duo)
2
Flûte, Violoncelle, Guitare
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec Tenor
1
2 Flûtes traversières, Harpe
1
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Guitare
1
Harmonica
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
207
Quatuor de Cuivres : 2 trompettes, trombone, tuba
169
Quatuor de Cuivres
166
Trompette, Piano
138
Cor et Piano
95
Quatuor de Cuivres: 2 trompettes, Cor, trombone
90
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
2 Trompettes (duo)
62
2 Trombones (duo)
58
Trompette
47
2 Cors (duo)
42
Trompette, Saxophone (duo)
39
Trompette, Trombone (duo)
35
Trompette, Cor (duo)
30
Cor anglais, Piano
28
Quatuor de cuivres: 4 trombones
22
Euphonium, Piano (duo)
21
Tuba et Piano
21
Trombone
20
Ensemble de Trombones
15
Quatuor de cuivres: 4 cors
14
Quatuor de cuivres: 2 trompettes, 2 trombones
12
Tuba
11
Trompette (partie séparée)
9
Trio de Cuivres
8
Cor
8
2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
6
Ensemble de Trompettes
6
2 Euphoniums (duo)
5
Trombone (partie séparée)
4
3 Trompettes (trio)
4
2 Trombones, Piano
3
2 Euphoniums et 2 Tubas
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Trombone, Orgue
3
Cor, Tuba (duo)
3
Trombone basse
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Violoncelle et Piano
2
Cor Anglais
2
3 Trombones (trio)
2
Trombone, Cor (duo)
1
Trompette, violon (duo)
1
Cor et Orgue
1
Ensemble de Cors
1
Trombone basse et Piano
1
Euphonium
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
311
Violon et Piano
292
Violoncelle, Piano
206
Alto, Piano
168
Violon, Violoncelle (duo)
101
Trio à Cordes: violon, alto, violoncelle
83
2 Violons (duo)
82
Harpe
63
2 Violoncelles (duo)
62
Violon
53
Violon, Alto (duo)
52
Trio à Cordes: 2 violons, violoncelle
48
2 Altos (duo)
43
2 Harpes (duo)
35
Violoncelle (partie séparée)
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Piano Trio: Violon, Alto, Piano
26
Alto seul
19
Trio à Cordes: 3 violoncelles
18
Contrebasse, Piano (duo)
18
Alto, Violoncelle (duo)
17
Trio à cordes: 3 violins
13
4 Violoncelles
11
Violoncelle
9
Alto (partie séparée)
8
Violon (partie séparée)
8
2 Contrebasses (duo)
8
Contrebasse (partie séparée)
6
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes: 4 violons
5
Ensemble de Violons
5
Violon, Clarinette, Piano (trio)
5
2 Violons, Piano
5
Harpe, Voix
5
Ensemble d'Altos
4
Contre Basse
3
Harpe, Violon (duo)
3
Violoncelle , Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
Harpe (partie séparée)
2
Alto et Harpe
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violon, Trompette et Piano
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Cloches
178
Orchestre
153
Ensemble de cuivres
85
Orchestre d'harmonie
76
Ensemble Jazz
73
Orchestre à Cordes
58
Orchestre de chambre
52
Jazz combo
11
Batterie
4
Percussion (partie séparée)
3
Ensemble de Percussions
2
Timbales (partie séparée)
2
Xylophone, Piano
1
Fanfare
1
Batterie (partie séparée)
1
Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
ALL THE PRAISE
Tuba
Partitions à imprimer
11 partitions trouvées
<
1
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.52 €
#
Tuba
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Tuba solo - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
50 Favorite Hymns for Solo and Duet Instruments--Tuba
Tuba
Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gosp…
(+)
Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97
7.34 €
#
Tuba
#
Chris Cooke
#
50 Favorite Hymns for Solo and Duet Instruments--Tuba
#
Chris Cooke
#
SheetMusicPlus
Let There Be Peace On Earth
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.1096192 Composed by Jill Jackson and…
(+)
Tuba Solo - Level 1 - Digital Download SKU: A0.1096192 Composed by Jill Jackson and Sy Miller. Arranged by P. R. Frederick. Folk,Praise & Worship,Religious. Individual part. 1 pages. P. R. Frederick #700152. Published by P. R. Frederick (A0.1096192). The song is performed worldwide throughout the year, and particularly during the Christmas season, which has led to it being considered a Christmas song. It is included in the hymnals of a variety of Christian denominations,[2] and is used in worship services even by a number of denominations that do not include it in their hymnals. It typically concludes Unity Church services each week.
$5.00
4.6 €
#
Tuba
#
Jill Jackson and Sy Miller
#
P
#
Let There Be Peace On Earth
#
P. R. Frederick
#
SheetMusicPlus
Deck the Halls (for Tuba)
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.571439 Composed by Traditional. Arra…
(+)
Tuba Solo - Level 1 - Digital Download SKU: A0.571439 Composed by Traditional. Arranged by Cadenza Editions. Christian,Christmas,Praise & Worship,Sacred. Individual part. 1 pages. Cadenza Editions #6142469. Published by Cadenza Editions (A0.571439).
$1.99
1.83 €
#
Tuba
#
Traditional
#
Cadenza Editions
#
Deck the Halls
#
Cadenza Editions
#
SheetMusicPlus
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.2 €
#
Tuba
#
Jason Allie
#
Unaccompanied Tuba Suite #1 in B-flat Major
#
Joaba LLC
#
SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
(+)
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.72 €
#
Tuba
#
Jason Allie
#
Unaccompanied Tuba Suite #2 in B-flat Major
#
Joaba LLC
#
SheetMusicPlus
Oceans (Where Feet May Fail)
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1364442 By Hillsong United. By Joel …
(+)
Tuba Solo - Level 2 - Digital Download SKU: A0.1364442 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Iury Cardoso. Christian,Pop,Praise & Worship,Religious,Sacred. Individual part. 2 pages. Iury Cardoso #948734. Published by Iury Cardoso (A0.1364442). EASY TUBA arrangement of the song: Oceans (Where Feet May Fail) by Hillsong United. This is a version of the classic song Oceans for TUBA SOLO. In this arrangement, the simplified chords and melody make it easy to learn. Call a friend to play with you!The CHORDS are included on this arrangement (there is also a version WITHOUT THE CHORDS on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments.See more arrangements by Iury Cardoso, thank you so much! © 2013 HILLSONG MUSIC PUBLISHING (APRA) Admin. in the United States and Canada at CAPITOLCMGPUBLISHING.COM All Rights Reserved Used by Permission Oceans tuba sheet musicOceans where feet may fail tuba sheet musicHillsong United tuba sheet musicOceans easy arrangementtuba easy intermediate tuba easy tuba oceansEasy tuba hillsong unitedEasy tuba Beginner tuba tuba for beginnerstuba sheet musicHillsong United for tuba tuba sheet musictuba easy score.
$4.99
4.59 €
#
Tuba
#
Hillsong United
#
Iury Cardoso
#
Oceans
#
Iury Cardoso
#
SheetMusicPlus
Unaccompanied Tuba Suite #3: Rhapsody in A
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Roma…
(+)
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
11.96 €
#
Tuba
#
Jason Allie
#
Unaccompanied Tuba Suite #3: Rhapsody in A
#
Joaba LLC
#
SheetMusicPlus
Hallelujah
Tuba
Instrumental Solo,Tuba - Level 3 - Digital Download SKU: A0.1409257 By Andrea Bocel…
(+)
Instrumental Solo,Tuba - Level 3 - Digital Download SKU: A0.1409257 By Andrea Bocelli. By Leonard Cohen. Arranged by Gildson Cerqueira. Folk,Pop,Praise & Worship,Rock,Spiritual. Individual part. 2 pages. Gildson Cerqueira #991861. Published by Gildson Cerqueira (A0.1409257). Discover the enchanting melodies of Hallelujah with our meticulously crafted sheet music. Perfect for musicians of all levels, our arrangements capture the essence of this timeless masterpiece. Elevate your performance and immerse yourself in the magic of Hallelujah today![VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$6.99
6.44 €
#
Tuba
#
Andrea Bocelli
#
Gildson Cerqueira
#
Hallelujah
#
Gildson Cerqueira
#
SheetMusicPlus
Hallelujah
Tuba
Instrumental Solo,Tuba - Level 3 - Digital Download SKU: A0.1409256 By Andrea Bocel…
(+)
Instrumental Solo,Tuba - Level 3 - Digital Download SKU: A0.1409256 By Andrea Bocelli. By Leonard Cohen. Arranged by Gildson Cerqueira. Folk,Pop,Praise & Worship,Rock,Spiritual. Individual part. 2 pages. Gildson Cerqueira #991860. Published by Gildson Cerqueira (A0.1409256). Discover the enchanting melodies of Hallelujah with our meticulously crafted sheet music. Perfect for musicians of all levels, our arrangements capture the essence of this timeless masterpiece. Elevate your performance and immerse yourself in the magic of Hallelujah today![VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$6.99
6.44 €
#
Tuba
#
Andrea Bocelli
#
Gildson Cerqueira
#
Hallelujah
#
Gildson Cerqueira
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
