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AUTOHARPE
BANJO
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LUTH
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Always Be You
Non classifié
298
Piano & claviers
Piano seul
147
Piano Facile
65
Piano, Voix
53
Piano, Voix et Guitare
48
Piano grosses notes
12
Orgue
11
Instruments en Do
9
1 Piano, 4 mains
3
Accompagnement Piano
3
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare
21
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
10
4 Guitares (Quatuor)
1
Ensemble de guitares
1
2 Guitares (duo)
1
+ 1 instrumentations
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Voix
Chorale SATB
85
Chorale 3 parties
18
Chorale 2 parties
18
Chorale SSAA
11
Chorale TTBB
11
Chorale Unison
6
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix haute
2
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix basse
1
Chorale SSATTB
1
Chorale
1
Voix Tenor
1
+ 10 instrumentations
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Vents
2 Saxophones (duo)
39
Saxophone, Clarinette (duo)
22
2 Flûtes traversières (duo)
20
2 Clarinettes (duo)
19
Clarinette, Violon (duo)
13
Flûte traversière et Piano
12
Quatuor de Saxophones: 4 saxophones
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
9
Hautbois, Clarinette (duo)
8
Hautbois, Flûte
8
Quatuor de Clarinettes: 4 clarinettes
8
2 Hautbois (duo)
8
Flûte, Violon
8
Flûte, Saxophone (duo)
8
Clarinette et Piano
7
Flûte, Trompette (duo)
7
Flûte, Clarinette (duo)
6
Saxophone Alto et Piano
6
Clarinette et Alto
5
Ensemble de Clarinettes
5
Flûte traversière
5
Hautbois, Piano (duo)
5
Clarinette
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Tenor
4
Hautbois, Basson (duo)
4
Saxophone Tenor et Piano
4
Saxophone Alto
3
Ensemble de Flûtes
3
Flûte, Clarinette et Basson
2
Saxophone (partie séparée)
2
Harmonica
1
Ensemble de saxophones
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
+ 45 instrumentations
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Cuivres
Trompette, Saxophone (duo)
16
Trompette, Trombone (duo)
13
2 Trombones (duo)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Trompettes (duo)
9
Cor et Piano
8
Trombone et Piano
5
Trompette, Piano
5
Tuba
4
Trompette
4
2 Tubas (duo)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Trombone
1
Cor Anglais
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor
1
Quatuor de cuivres: 4 cors
1
Trompette (partie séparée)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon, Violoncelle (duo)
157
Trio à Cordes: violon, alto, violoncelle
118
Violon
116
Violon et Piano
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Harpe
18
Violon, Alto (duo)
14
Violoncelle, Piano
14
2 Violoncelles (duo)
13
Violoncelle
12
Alto, Piano
10
2 Altos (duo)
10
2 Violons (duo)
8
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
3
4 Violoncelles
3
2 Harpes (duo)
2
Harpe, Voix
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
125
Orchestre d'harmonie
45
Ensemble Jazz
28
Orchestre
11
Jazz combo
6
Orchestre de chambre
6
Fanfare
4
Cloches
4
Ensemble de Percussions
4
Ensemble de cuivres
4
Vibraphone
1
Batterie
1
Marimba
1
Ensemble d'École
1
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--INSTRUMENTS--
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ALTO
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BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Always Be You
Tuba
Partitions à imprimer
4 partitions trouvées
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Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #310...
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Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Elegy for solo tuba
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Tuba
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AVANCÉ
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Robert Chamberlin
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Elegy for solo tuba
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Robert Chamberlin
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Pub...
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Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba. In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time. Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage. Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni. It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day. Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain. Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences. The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute. Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed. The harmonic and echo-like acoustic effects created are stunning in every performance and venue. This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked. It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve. While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.
$3.99
The Progressive Warm Up-Tuba Edition
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Eric Bolvin
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The Progressive Warm Up-Tuba E
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SheetMusicPlus
Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, T...
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Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!
Description
The Warm Up is an integral component of every brass player?s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
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