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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Back For Good
Non classifié
170
Piano & claviers
Piano seul
193
Piano, Voix et Guitare
118
Piano, Voix
53
Piano Facile
47
Instruments en Do
16
Accordéon
16
Piano (partie séparée)
7
1 Piano, 4 mains
6
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Orgue
1
2 Pianos, 4 mains
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
61
Guitare
49
Basse electrique
44
Ligne De Mélodie, (Paroles) et Accords
15
Guitare (partie séparée)
13
Paroles et Accords
4
Ukulele
3
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Banjo
1
Mandoline
1
Ensemble de guitares
1
+ 7 instrumentations
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Voix
Chorale SATB
50
Voix seule
24
Chorale 3 parties
16
Chorale SSAA
10
Chorale TTBB
8
Chorale 2 parties
7
Voix Soprano, Piano
3
Chorale Unison
1
Voix duo, Piano
1
Voix, Guitare
1
Voix basse, Piano
1
+ 6 instrumentations
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Vents
Saxophone
141
Clarinette
59
Flûte traversière
57
2 Saxophones (duo)
52
Saxophone (partie séparée)
41
Saxophone Alto
20
Quatuor de Saxophones: 4 saxophones
15
Saxophone Tenor
14
Saxophone Tenor et Piano
14
Flûte traversière et Piano
12
Saxophone Alto et Piano
11
2 Clarinettes (duo)
8
Clarinette et Piano
8
Clarinette, Violon (duo)
6
Saxophone, Clarinette (duo)
5
2 Flûtes traversières (duo)
5
Hautbois (partie séparée)
5
Hautbois, Piano (duo)
5
Clarinette, Trompette (duo)
4
Saxophone Soprano
4
Quintette de Saxophone: 5 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Violon et Violoncelle
3
Quatuor de Flûtes : 4 flûtes
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Flute (partie séparée)
3
Flûte, Violon
3
Flûte, Clarinette, Piano (trio)
2
2 Hautbois (duo)
2
Hautbois, Basson (duo)
2
Saxophone Soprano et Piano
2
Flûte, Clarinette (duo)
2
Hautbois, Flûte
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Clarinette (partie séparée)
1
Flûte, trombone et piano
1
Ensemble de Flûtes
1
Saxophone Baryton, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Cor anglais, Piano
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Clarinettes, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette (duo)
1
Flûte à bec Tenor
1
Trio de Flûtes: 3 flûtes
1
+ 49 instrumentations
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Cuivres
Trombone
54
Trompette
52
Trombone (partie séparée)
28
Trompette (partie séparée)
25
Trompette, Saxophone (duo)
11
Cor
11
Trompette, Piano
10
Trombone et Piano
7
Cor et Piano
6
Tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Euphonium, Piano (duo)
1
Ensemble de Trompettes
1
Cor anglais, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon
21
Violoncelle
19
Violon et Piano
18
Alto, Piano
12
Contrebasse (partie séparée)
7
Violoncelle, Piano
7
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
2 Violons (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Harpe
5
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
4
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
4 Violoncelles
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
71
Ensemble Jazz
61
Batterie
58
Ensemble de cuivres
16
Orchestre à Cordes
13
Jazz combo
10
Batterie (partie séparée)
6
Orchestre
6
Cloches
4
Ensemble de Percussions
4
Orchestre de chambre
3
Fanfare
2
Marimba
1
Big band
1
Xylophone, Piano
1
+ 10 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CLOCHES
COR
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EUPHONIUM
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Tuba
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Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.74 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #2 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Blank Space
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.603982 By Taylor Swift. By Johan Sch…
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Tuba Solo - Level 2 - Digital Download SKU: A0.603982 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #3880157. Published by Kevin Busse (A0.603982). This is an exact transcription of Blank Space in a good range for Tuba.
$4.99
4.6 €
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Tuba
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Taylor Swift
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Kevin Busse
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Blank Space
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Kevin Busse
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SheetMusicPlus
Can't Stop The Feeling from TROLLS
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.601627 By Justin Timberlake. By Joha…
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Tuba Solo - Level 3 - Digital Download SKU: A0.601627 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Kevin Busse. Dance,Pop. Individual part. 3 pages. Kevin Busse #3509689. Published by Kevin Busse (A0.601627). This is a simple transcription of Can't Stop The Feeling in a good range for the Tuba
$4.99
4.6 €
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Tuba
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Justin Timberlake
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Kevin Busse
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Can't Stop The Feeling from TROLLS
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Kevin Busse
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SheetMusicPlus
Only Human
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.608755 By Jonas Brothers. By Joseph …
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Tuba Solo - Level 2 - Digital Download SKU: A0.608755 By Jonas Brothers. By Joseph Jonas, Kevin Jonas, Nick Jonas, and Shellback. Arranged by Kevin Busse. Pop. Individual part. 2 pages. Kevin Busse #5212729. Published by Kevin Busse (A0.608755). This is an exact transcription of Only Human by the Jonas Brothers in a good range for Tuba.
$4.99
4.6 €
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Tuba
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Jonas Brothers
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Kevin Busse
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Only Human
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Kevin Busse
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.63 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
#
SheetMusicPlus
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