Partitions Numériques de But Not For Me pour Tuba

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 492

PIANO & CLAVIERS

Piano seul 305 Piano grosses notes 209 Piano, Voix 109 Piano, Voix et Guitare 69 Piano Facile 47

Instruments en Do 29 Orgue 15 1 Piano, 4 mains 12 Accompagnement Piano 7 Piano Trio: piano, violon, violoncelle 6 2 Pianos, 4 mains 3 Piano Quatuor: piano, 2 violons, violoncelle 2 2 Pianos, 8 mains 1 Piano (partie séparée) 1 Clavecin 1 Accordéon 1

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GUITARES

Guitare notes et tablatures 53 Guitare 31 Ligne De Mélodie, (Paroles) et Accords 22 Basse electrique 13 Ukulele 4

Dulcimer 3 Mandoline 3 2 Guitares (duo) 2 Guitare (partie séparée) 2 Banjo 2 Piano, Guitare (duo) 1 Ukulele Baryton 1

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VOIX

Chorale SATB 144 Chorale 3 parties 39 Chorale 2 parties 34 Chorale SSAA 28 Chorale TTBB 26

Chorale Unison 12 Voix duo, Piano 11 Voix haute 6 Voix Soprano, Piano 4 Voix seule 4 Voix duo 4 Voix Mezzo-Soprano, Piano 2 Chorale SSATTB 1 Voix Soprano 1 Voix Tenor 1 Voix basse 1 Voix moyenne, Piano 1

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VENTS

2 Saxophones (duo) 27 Clarinette et Piano 21 Quatuor de Saxophones: 4 saxophones 21 Flûte traversière et Piano 21 Hautbois, Piano (duo) 20

2 Flûtes traversières (duo) 19 Saxophone Tenor et Piano 17 Saxophone Alto et Piano 16 Clarinette 16 Flûte traversière 14 Flûte, Hautbois, Clarinette, Basson 14 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 14 2 Clarinettes (duo) 13 Saxophone Tenor 10 Saxophone Soprano et Piano 9 Saxophone Alto 7 Quatuor de Clarinettes: 4 clarinettes 6 2 Hautbois (duo) 6 Flûte, Clarinette (duo) 6 Saxophone (partie séparée) 6 Quintette de Saxophone: 5 saxophones 6 Quatuor de Flûtes : 4 flûtes 6 Saxophone Baryton, Piano 6 Saxophone, Clarinette (duo) 5 Ensemble de Clarinettes 5 Clarinette, Trompette (duo) 4 Clarinette, Violon (duo) 4 Cor anglais, Piano 4 Ensemble de Flûtes 4 Hautbois (partie séparée) 3 Clarinette, Harpe (duo) 3 Ensemble de saxophones 3 Quintette de Clarinettes: 5 clarinettes 3 Flûte et Guitare 3 3 Clarinettes (trio) 3 Flûte, Trompette (duo) 2 3 Saxophones (trio) 2 Hautbois, Clarinette (duo) 2 Trio de Flûtes: 3 flûtes 2 Flûte irlandaise 2 Clarinette et Alto 2 Flûte, Alto et Piano 2 Hautbois 2 Flûte, Hautbois, Basson 2 5 Flûtes à bec 2 Flûte, Alto (duo) 2 Hautbois, Clarinette, Basson (trio d'anches) 2 Flûte, Clarinette, Piano (trio) 2 Clarinette Basse, Piano 2 Saxophone Soprano 2 Flûte à bec Soprano 2 Saxophone Baryton 2 2 Saxophones, Piano 1 Saxophone et Orgue 1 Flûte, Violon 1 Flûte, Violoncelle 1 Flûte à bec Alto, Piano 1 Flute (partie séparée) 1 Clarinette, Guitare (duo) 1 Hautbois, Basson (duo) 1 Flûte à bec Tenor 1 Instruments en Mib 1 Flûte, Hautbois (duo) 1 Flûte, Clarinette et Basson 1 Flûte, Saxophone (duo) 1 2 Cors Anglais Et Pianoforte 1 Hautbois, Guitare (duo) 1 Saxophone 1 Flûte, Violon, Piano 1 Flûte à bec Soprano, Piano 1 Quintette de Flûte : 5 flûtes 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 35 Trombone et Piano 18 Trompette 14 Trompette, Piano 14 Trompette, Trombone (duo) 13 2 Trompettes (duo) 11 Cor et Piano 9 Trombone 9 Quatuor de Cuivres: 2 trompettes, Cor, trombone 8 Quatuor de Cuivres : 2 trompettes, trombone, tuba 8 2 Trombones (duo) 7 Tuba et Piano 7 Tuba 6

Trompette (partie séparée) 5 Trombone (partie séparée) 5 2 Cors (duo) 4 Euphonium, Piano (duo) 4 Cor anglais, Piano 4 Cor 4 2 Tubas (duo) 2 Trio de Cuivres 2 Quatuor de Cuivres 2 Quatuor de cuivres: 4 trombones 2 3 Trombones (trio) 1 Trompette, Trombone, Piano 1 Trompette, Saxophone (duo) 1 2 Cors Anglais Et Pianoforte 1 Quatuor de cuivres: 4 cors 1 Instruments en Sib 1 Ensemble de Tubas 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 213 Violon, Violoncelle (duo) 162 Violon 141 Trio à Cordes: violon, alto, violoncelle 127 Violon et Piano 34

Quintette à cordes: 2 violons, alto, violoncelle, basse 25 Violoncelle, Piano 20 Alto, Piano 16 Violon, Alto (duo) 16 2 Violons (duo) 15 Violoncelle 14 2 Violoncelles (duo) 14 Harpe 13 2 Altos (duo) 12 Alto seul 7 Trio à Cordes: 2 violons, violoncelle 7 Contre Basse 5 Contrebasse, Piano (duo) 4 Trio à cordes: 3 violins 2 2 Contrebasses (duo) 2 Trio à Cordes: 3 violoncelles 2 4 Violoncelles 2 Quintette à cordes: 2 violons, 2 altos, violoncelle 2 Harpe, Voix 2 3 Harpes 1 Trio à Cordes: 2 violons, alto 1 Harpe et Piano 1 Violon (partie séparée) 1 2 Violons, Piano 1 Contrebasse (partie séparée) 1 Violoncelle , Guitare (duo) 1 Alto (partie séparée) 1 Piano Trio: Violon, Alto, Piano 1 Alto et Harpe 1

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PERCUSSIONS & ORCHESTRES

Orchestre à Cordes 113 Orchestre 49 Orchestre d'harmonie 46 Ensemble Jazz 40 Jazz combo 40

Orchestre de chambre 28 Ensemble de cuivres 24 Batterie 5 Cloches 5 Ensemble de Percussions 3 Fanfare 2 Xylophone, Piano 1 Batterie (partie séparée) 1 Piano et Orchestre 1 Marimba 1

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AUTRES

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But Not For Me

Tuba

Partitions à imprimer

6 partitions trouvées

Ping-Pong for Tuba Solo

Tuba

Tuba Solo - Level 4 - Digital Download SKU: A0.876676 Composed by Dosia McKay. Cont…(+)

Tuba Solo - Level 4 - Digital Download SKU: A0.876676 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325317. Published by Gavia Music (A0.876676). When I originally spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldnâ€™t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1â€™25, suitable for advanced players.

$20.00 18.32 € #Tuba #Dosia McKay #Ping-Pong for Tuba Solo #Gavia Music #SheetMusicPlus

50 Favorite Hymns for Solo and Duet Instruments--Tuba

Tuba

Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gosp…(+)

Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordanâ€™s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Fatherâ€™s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F

$7.97 7.3 € #Tuba #Chris Cooke #50 Favorite Hymns for Solo and Duet Instruments--Tuba #Chris Cooke #SheetMusicPlus

The Boy And The Heron

Tuba

Tuba Solo - Level 3 - Digital Download SKU: A0.1418178 By Joe Hisaishi. By Jou Hisa…(+)

Tuba Solo - Level 3 - Digital Download SKU: A0.1418178 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Individual part. 2 pages. Glauco Fernandes #999732. Published by Glauco Fernandes (A0.1418178). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.

$4.99 4.57 € #Tuba #Joe Hisaishi #the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself #Glauco Fernandes #The Boy And The Heron #Glauco Fernandes #SheetMusicPlus

The Boy And The Heron

Tuba

Tuba Solo - Level 3 - Digital Download SKU: A0.1418179 By Joe Hisaishi. By Jou Hisa…(+)

Tuba Solo - Level 3 - Digital Download SKU: A0.1418179 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. Individual part. 2 pages. Glauco Fernandes #999733. Published by Glauco Fernandes (A0.1418179). Discover the captivating beauty of Ask Me Why (Mother's Message), the enchanting soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that captured the hearts of the world and won the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive duet arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginners to experienced professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, allowing musicians of all ages and abilities to share the joy of bringing this moving piece to life.Ideal for ensemble performances, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to captivate your audience, whether in an educational setting or on a larger stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging musicians to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive duet arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.

Flex on the Move-Tuba Edition

Tuba

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…(+)

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material! Flex on the Move There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith. There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups. Why Practice Flexibility? Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”. Technique There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material! Flex on the Move There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith. There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups. Why Practice Flexibility? Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”. Technique There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.

$16.95 15.53 € #Tuba #Eric Bolvin #Flex on the Move-Tuba Edition #Faded Duck Music #SheetMusicPlus