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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Do Or Die
Sheetmusicplus
Non classifié
139
Piano & claviers
Instruments en Do
303
Piano seul
87
Piano Facile
43
Piano, Voix
14
Piano, Voix et Guitare
13
Orgue
7
Accordéon
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 7 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
9
Guitare
9
Guitare notes et tablatures
5
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Basse electrique
2
Ukulele
1
Paroles et Accords
1
+ 3 instrumentations
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Voix
Chorale SATB
19
Chorale 2 parties
10
Chorale 3 parties
7
Chorale TTBB
6
Chorale SSAA
5
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3
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2
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2
Voix duo, Piano
1
Voix duo
1
Voix Alto, Piano
1
+ 6 instrumentations
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Vents
2 Flûtes traversières, Piano
25
Clarinette
17
Quatuor de Saxophones: 4 saxophones
11
Saxophone Tenor et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Ensemble de Flûtes
8
Quintette de Saxophone: 5 saxophones
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte, Hautbois, Clarinette, Basson
6
Ensemble de Clarinettes
5
Clarinette et Piano
5
Saxophone Alto et Piano
4
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
Hautbois, Piano (duo)
4
Flûte et Guitare
4
Ensemble de saxophones
3
Saxophone Soprano et Piano
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Soprano
2
Hautbois (partie séparée)
2
2 Clarinettes (duo)
2
Flûte traversière et Piano
2
Hautbois
2
Saxophone Tenor
2
Flûte traversière
2
Cor anglais, Piano
2
Ocarina
2
Saxophone Alto
2
Saxophone Baryton
2
Clarinette, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
2 Flûte à bec (duo)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Piccolo
1
Hautbois, Guitare (duo)
1
5 Flûtes à bec
1
Cor anglais et Harpe (duo)
1
2 Hautbois (duo)
1
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
Clarinette Basse, Piano
1
Cor anglais, Guitare (duo)
1
+ 40 instrumentations
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Cuivres
2 Trombones (duo)
10
Trompette
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
2 Euphoniums (duo)
5
Trompette (partie séparée)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor
4
Tuba
4
Cor et Piano
3
Trombone et Piano
3
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
3
2 Trompettes (duo)
3
Trombone
3
Trompette, Piano
2
Cor anglais, Piano
2
Ensemble de Trompettes
2
4 Tubas
1
Trio de Cuivres
1
Euphonium, Piano (duo)
1
Ensemble de Trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais et Harpe (duo)
1
Trompette, Trombone (duo)
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Cor anglais, Guitare (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle
9
Violon
9
Alto, Piano
6
Alto seul
6
Violon et Piano
5
Violoncelle, Piano
5
Trio à Cordes: violon, alto, violoncelle
4
Harpe
4
Contre Basse
2
2 Violoncelles (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
4 Contrebasses
2
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
2 Violons (duo)
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violon, Violoncelle (duo)
1
2 Altos (duo)
1
Quatuor à cordes : 4 altos
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
64
Orchestre à Cordes
15
Orchestre
14
Orchestre de chambre
8
Ensemble de cuivres
8
Ensemble Jazz
7
Ensemble de Percussions
3
Jazz combo
2
Cloches
2
Piano et Orchestre
1
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
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Vous avez sélectionné:
Do Or Die
SheetMusicPlus
Partitions à imprimer
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1
Dandelions
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.1422567 By Ruth B. By Ruth Berhe. Ar…
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Tuba Solo - Level 3 - Digital Download SKU: A0.1422567 By Ruth B. By Ruth Berhe. Arranged by Glauco Fernandes. Contemporary,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #1003912. Published by Glauco Fernandes (A0.1422567). Immerse yourself in the delicate beauty of Dandelions by Ruth B., a captivating piece perfect for performances. With its heartfelt melody and emotive lyrics, Dandelions invites listeners into a world of introspection and nostalgia, making it an ideal choice for musicians seeking to convey depth and emotion in their performances.Our score features an exclusive arrangement that allows musicians to explore the intricate harmonies and subtle nuances of Ruth B.'s composition. Whether you are a student, teacher, or professional musician, this arrangement offers a rewarding musical experience that celebrates the essence of Dandelions.Ideal for intimate performances, recitals, or even personal practice sessions, this arrangement enriches the musical repertoire with its evocative melodies and expressive potential. It provides musicians with the opportunity to connect with audiences on a profound level, evoking feelings of nostalgia, reflection, and beauty.Furthermore, Dandelions serves as an excellent educational resource, encouraging students to explore musical interpretation, expressive performance techniques, and musical dynamics. Its lyrical quality and emotional depth make it a valuable addition for any musician, offering students the chance to engage with contemporary music in a meaningful way.Do not miss the opportunity to bring the enchanting world of Dandelions to life through this exclusive arrangement. Whether performing on stage, teaching in the classroom, or simply exploring the beauty of music, Dandelions promises to inspire and captivate audiences with its timeless appeal.Tags: Ruth B., Dandelions, musical arrangement, music education, emotive performance, expressive music, musical interpretation, nostalgic melodies, intimate performances, Piano, Wedding.
$4.99
4.59 €
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Tuba
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Ruth B
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Glauco Fernandes
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Dandelions
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Glauco Fernandes
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SheetMusicPlus
Dandelions
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.1422564 By Ruth B. By Ruth Berhe. Ar…
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Tuba Solo - Level 3 - Digital Download SKU: A0.1422564 By Ruth B. By Ruth Berhe. Arranged by Glauco Fernandes. Contemporary,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #1003909. Published by Glauco Fernandes (A0.1422564). Immerse yourself in the delicate beauty of Dandelions by Ruth B., a captivating piece perfect for performances. With its heartfelt melody and emotive lyrics, Dandelions invites listeners into a world of introspection and nostalgia, making it an ideal choice for musicians seeking to convey depth and emotion in their performances.Our score features an exclusive arrangement that allows musicians to explore the intricate harmonies and subtle nuances of Ruth B.'s composition. Whether you are a student, teacher, or professional musician, this arrangement offers a rewarding musical experience that celebrates the essence of Dandelions.Ideal for intimate performances, recitals, or even personal practice sessions, this arrangement enriches the musical repertoire with its evocative melodies and expressive potential. It provides musicians with the opportunity to connect with audiences on a profound level, evoking feelings of nostalgia, reflection, and beauty.Furthermore, Dandelions serves as an excellent educational resource, encouraging students to explore musical interpretation, expressive performance techniques, and musical dynamics. Its lyrical quality and emotional depth make it a valuable addition for any musician, offering students the chance to engage with contemporary music in a meaningful way.Do not miss the opportunity to bring the enchanting world of Dandelions to life through this exclusive arrangement. Whether performing on stage, teaching in the classroom, or simply exploring the beauty of music, Dandelions promises to inspire and captivate audiences with its timeless appeal.Tags: Ruth B., Dandelions, musical arrangement, music education, emotive performance, expressive music, musical interpretation, nostalgic melodies, intimate performances, Piano, Wedding.
$4.99
4.59 €
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Tuba
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Ruth B
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Glauco Fernandes
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Dandelions
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Glauco Fernandes
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SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.72 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #2 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.6 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
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