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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
God Is There
Non classifié
505
Piano & claviers
Piano seul
231
Piano, Voix
88
Piano, Voix et Guitare
54
Orgue
41
Piano grosses notes
29
Piano Facile
23
Instruments en Do
14
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
5
Accompagnement Piano
4
Clavier
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
17
Guitare
13
Basse electrique
6
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
1
Banjo
1
+ 1 instrumentations
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Voix
Chorale SATB
270
Chorale Unison
49
Chorale 3 parties
38
Chorale 2 parties
23
Chorale TTBB
13
Voix seule
7
Voix duo, Piano
4
Voix duo
3
Chorale SSAA
3
Voix Alto, Piano
2
Voix basse, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Chorale
1
+ 11 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Flûte traversière et Piano
26
Quatuor de Saxophones: 4 saxophones
22
2 Flûtes traversières (duo)
21
Saxophone Alto et Piano
18
2 Saxophones (duo)
18
Clarinette
16
2 Clarinettes (duo)
14
Saxophone, Clarinette (duo)
14
Clarinette et Piano
13
Flûte traversière
11
Hautbois (partie séparée)
10
Ensemble de saxophones
10
Hautbois, Piano (duo)
9
Clarinette, Violon (duo)
9
Saxophone Tenor et Piano
8
Ensemble de Clarinettes
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Flûtes : 4 flûtes
7
Quintette de Flûte : 5 flûtes
7
Clarinette et Alto
6
Hautbois, Basson (duo)
6
Clarinette Basse, Piano
4
Flûte, Violon
4
3 Saxophones (trio)
4
Saxophone Alto
4
Flûte, Trompette (duo)
4
Flûte, Clarinette (duo)
4
Clarinette, Trompette (duo)
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Flûte
3
Quatuor de Flûtes à bec
3
Ensemble de Flûtes
3
Clarinette, Guitare (duo)
3
Saxophone Tenor
3
Flûte, Saxophone (duo)
3
Saxophone Soprano et Piano
3
Flûte, Alto (duo)
2
Flûte irlandaise
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
Clarinette, Basson (duo)
2
Flute, harpe et violon
2
Flûte à bec Soprano, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Harpe
1
Saxophone (partie séparée)
1
Ensemble de Hautbois
1
Clarinette, Trombone (duo)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
3 Clarinettes (trio)
1
Flûte à bec Soprano
1
Flûte à Bec
1
+ 55 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trombone et Piano
9
2 Cors (duo)
9
Trompette, Saxophone (duo)
8
Trompette, Piano
7
Ensemble de Trombones
6
2 Trombones (duo)
5
Trompette
5
Cor et Piano
4
Quatuor de Cuivres
4
2 Trompettes (duo)
4
Tuba et Piano
4
Ensemble de Trompettes
3
Tuba
3
Trompette, Trombone (duo)
2
Trombone
2
Quatuor de cuivres: 4 trombones
2
Cor
2
Cor anglais, Piano
2
2 Tubas (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
+ 20 instrumentations
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Cordes
Violon et Piano
38
Quatuor à cordes: 2 violons, alto, violoncelle
27
Harpe
15
2 Violons (duo)
15
Violoncelle, Piano
10
Violon, Violoncelle (duo)
8
Violon
8
Trio à Cordes: violon, alto, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto, Piano
6
Ensemble de Violons
5
Violon, Alto (duo)
5
Harpe, Voix
5
Ensemble d'Altos
5
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
4
Violoncelle
4
Harpe, Violon (duo)
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Alto seul
2
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
Violoncelle, Orchestre
1
+ 23 instrumentations
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Orchestre & Percussions
Cloches
35
Orchestre d'harmonie
29
Orchestre
21
Ensemble de cuivres
21
Orchestre à Cordes
13
Orchestre de chambre
7
Batterie
2
Jazz combo
2
Ensemble de Percussions
2
Fanfare
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
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God Is There
Tuba
Partitions à imprimer
3 partitions trouvées
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50 Favorite Hymns for Solo and Duet Instruments--Tuba
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Tuba
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Musique Sacrée
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Gospel Spirituel
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Chris Cooke
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50 Favorite Hymns for Solo and
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Chris Cooke
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SheetMusicPlus
Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published...
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Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
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God Is There
