Partitions Numériques de I'm Her pour Tuba

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TRI ET FILTRES

Tri et filtres :

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PIANO & CLAVIERS

Piano seul 696 Piano, Voix 585 Piano, Voix et Guitare 361 Instruments en Do 144 Piano Facile 140

Orgue 73 Piano grosses notes 41 1 Piano, 4 mains 12 Accompagnement Piano 9 2 Pianos, 4 mains 7 Piano Quatuor: piano, violon, alto, violoncelle 7 Accordéon 5 Piano Trio: piano, violon, violoncelle 5 Piano (partie séparée) 2 1 Piano, 6 mains 1 2 Pianos, 8 mains 1 Orgue, Trompette (duo) 1

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GUITARES

Ligne De Mélodie, (Paroles) et Accords 2027 Guitare notes et tablatures 107 Paroles et Accords 35 Guitare 34 Basse electrique 24

Ukulele 7 2 Guitares (duo) 5 Piano, Guitare (duo) 4 4 Guitares (Quatuor) 4 Guitare (partie séparée) 3 3 Guitares (trio) 2 Guitare, Violon, Violoncelle (trio) 2 Banjo 1 Mandoline, Guitare (duo) 1 Dulcimer 1

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VOIX

Chorale SATB 315 Chorale 3 parties 93 Chorale SSAA 66 Chorale TTBB 64 Pack Instrumental pour Chorale 39

Chorale 2 parties 33 Chorale Unison 17 Voix Soprano, Piano 10 Voix seule 8 Voix haute 8 Voix moyenne, Piano 4 Voix duo, Piano 4 Voix Baryton, Piano 4 Voix duo 3 Voix, Guitare 1 Voix Alto, Piano 1 Voix Soprano 1 Voix basse 1

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VENTS

Quintette de Saxophone: 5 saxophones 142 Ensemble de saxophones 99 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 93 Flûte traversière et Piano 55 Quatuor de Saxophones: 4 saxophones 50

Ensemble de Clarinettes 46 Flûte, Hautbois, Clarinette, Basson 36 Clarinette et Piano 31 Hautbois, Piano (duo) 29 Flûte traversière 29 Clarinette 26 Quintette de Flûte : 5 flûtes 24 Quatuor de Clarinettes: 4 clarinettes 24 2 Flûtes traversières (duo) 23 2 Saxophones (duo) 21 Saxophone Alto et Piano 21 Ensemble de Flûtes 17 Saxophone (partie séparée) 16 Saxophone Tenor et Piano 16 Flûte à Bec 15 2 Clarinettes (duo) 12 Saxophone Tenor 12 Hautbois (partie séparée) 11 Saxophone Baryton, Piano 10 Saxophone Alto 10 Saxophone Soprano et Piano 10 Cor anglais, Piano 7 Hautbois, Basson (duo) 7 Clarinette Basse, Piano 7 Trio de Flûtes: 3 flûtes 6 Clarinette et Alto 6 3 Clarinettes (trio) 6 Quatuor de Flûtes : 4 flûtes 6 Flûte, Violoncelle 5 Flûte, Alto (duo) 5 Flûte, Clarinette (duo) 5 Flute (partie séparée) 5 2 Hautbois (duo) 5 3 Saxophones (trio) 5 Flûte et Guitare 4 Flûte à bec Soprano 4 2 Flûte à bec (duo) 3 Flûte, Violon 3 Clarinette, Violon (duo) 3 Saxophone, Clarinette (duo) 3 Flûte, Hautbois, Basson 3 Clarinette, Guitare (duo) 2 Clarinette (partie séparée) 2 Clarinette, Violoncelle (duo) 2 2 Cors Anglais Et Pianoforte 1 Flûte, Violoncelle, Guitare 1 Saxophone et Orgue 1 Instruments en Mib 1 Flûte et Trio à cordes 1 Flûte, Saxophone (duo) 1 Quintette de Clarinettes: 5 clarinettes 1 Hautbois, Flûte 1 Flûte, Hautbois (duo) 1 Saxophone et Guitare 1 Flûte, Clarinette et Basson 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Hautbois, Harpe 1 Hautbois, Clarinette (duo) 1 Hautbois, Violoncelle 1 Piccolo, Piano 1

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CUIVRES

Quatuor de Cuivres : 2 trompettes, trombone, tuba 117 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 103 Ensemble de Trompettes 44 Ensemble de Trombones 39 Quatuor de Cuivres: 2 trompettes, Cor, trombone 37 Trompette, Piano 24 Trombone et Piano 24 Trompette 23 Quatuor de Cuivres 19 Cor et Piano 15 Trompette (partie séparée) 15 Trombone (partie séparée) 13 Euphonium, Piano (duo) 10 Trompette, Trombone (duo) 8 Trio de Cuivres 8 Cor anglais, Piano 7 Trombone 7 2 Cors (duo) 6 Ensemble de Cors 5 2 Trompettes (duo) 5 Bass Clef Instruments 4 2 Trombones (duo) 4 2 Euphoniums (duo) 3 Tuba et Piano 3 Quatuor de cuivres: 4 cors 3 Tuba 3

Quatuor de cuivres: 4 trombones 3 Trompette, Saxophone (duo) 2 2 Cors Anglais Et Pianoforte 1 Cor (partie séparée) 1 Cor 1 Trombone basse et Piano 1 Trombone, Tuba (duo) 1 4 Tubas 1 Euphonium, Tuba (duo) 1 Tuba (partie séparée) 1 Instruments en Sib 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 304 Violon, Violoncelle (duo) 184 Violon 166 Trio à Cordes: violon, alto, violoncelle 145 Violon et Piano 58

Violoncelle 40 Violoncelle, Piano 35 Alto, Piano 33 Quintette à cordes: 2 violons, alto, violoncelle, basse 31 Harpe 27 Ensemble d'Altos 27 Violon, Alto (duo) 26 Ensemble de Violons 26 2 Violons (duo) 25 Alto seul 25 Trio à Cordes: 2 violons, violoncelle 19 2 Altos (duo) 12 2 Violoncelles (duo) 11 Contre Basse 10 4 Violoncelles 7 Alto (partie séparée) 7 Flûte, Contrebasse (duo) 5 Violoncelle, Contrebasse (duo) 5 Quatuor à cordes: 4 violons 3 Quintette à cordes: 2 violons, 2 altos, violoncelle 3 Contrebasse (partie séparée) 3 Violon, Guitare (duo) 2 2 Harpes (duo) 2 Trio à Cordes: 3 violoncelles 2 Violoncelle , Guitare (duo) 2 Quatuor à cordes : 4 altos 2 Harpe, Violon (duo) 1 Violoncelle, Orgue 1 Trio à cordes: 3 altos 1 Trio à Cordes: 2 violons, alto 1 Violon, Tuba (duo) 1 Trio à cordes: 3 violins 1 Alto, Guitare (duo) 1 Harpe, Flûte (duo) 1 2 Violons, Piano 1 2 Contrebasses (duo) 1 Quintette à cordes : 2 violons, alto et 2 violoncelles 1 Ensemble de Violoncelles 1 Alto, Violoncelle (duo) 1 Alto et Harpe 1 Violon (partie séparée) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 117 Orchestre à Cordes 112 Ensemble Jazz 69 Orchestre 54 Fanfare 29

Orchestre de chambre 26 Ensemble de cuivres 23 Jazz combo 20 Marimba 19 Ensemble de Percussions 11 Cloches 9 Batterie 8 Quintette de Cuivres: autres combinaisons 2 Batterie (partie séparée) 2 Vibraphone 1

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AUTRES

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I'm Her

Tuba

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Etudes with Style Music for the Tuba

Tuba

Tuba Solo - Level 3 - Digital Download SKU: A0.941530 Composed by Harry Salotti. 20…(+)

Tuba Solo - Level 3 - Digital Download SKU: A0.941530 Composed by Harry Salotti. 20th Century,Classical,Instructional,Jazz,Rock. Individual part. 39 pages. Harry Salotti #6269281. Published by Harry Salotti (A0.941530). Etudes with Style Music for the Tuba, (download only) winner of the International Tuba Euphonium Association etude composition contest. This book contains 25 original tunes, each in a different style. They cover large categories such as Music Over the Ages, Dance Music Around the World, American Music and Movie Music. (look inside to see the table of contents). Performance MP3s of all 25 songs are available on iTunes, Amazon and other sites, performed by Tuba virtuoso Patrick Sheridan. Listen to 16 of the tracks here. Here are some comments about Etudes with Style Music for the Tuba. - I ran through your etude book. Man, they're really a lot of fun. Howard Johnson - It remains my intent to have all my new freshman students go through the book in it's entirety during their first year. Thanks again for a great contribution to the literature. John Stevens - Etudes with Style will surely be a great teaching tool for many years to come in the future. Don Little - Your etudes really look terrific. I'm really impressed with the quality of what I see. I look forward to spending some time with these and recommending them to everyone. Winston Morris

$12.99 11.91 € #Tuba #Harry Salotti #Etudes with Style Music for the Tuba #Harry Salotti #SheetMusicPlus

Tuba Serenade

Tuba

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golight…(+)

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

$11.99 11 € #Tuba #David #Tuba Serenade #Modrana Music Publishers Ltd #SheetMusicPlus

Flex on the Move-Tuba Edition

Tuba

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…(+)

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material! Flex on the Move There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith. There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups. Why Practice Flexibility? Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”. Technique There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material! Flex on the Move There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith. There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups. Why Practice Flexibility? Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”. Technique There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.

$16.95 15.55 € #Tuba #Eric Bolvin #Flex on the Move-Tuba Edition #Faded Duck Music #SheetMusicPlus