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1087
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295
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45
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42
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13
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6
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5
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2
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1
Clavecin
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Ligne De Mélodie, (Paroles) et Accords
216
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211
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115
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85
Ukulele
54
Basse electrique
48
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7
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6
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4
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4
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4
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3
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2
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2
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1
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1
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1
Basse électrique (partie séparée)
1
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1
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VOIX
Chorale SATB
351
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194
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144
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103
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95
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60
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42
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38
Voix Soprano, Piano
22
Voix duo, Piano
20
Voix duo
17
Chorale
13
Voix Tenor, Piano
8
Voix moyenne, Piano
7
Voix haute
7
Voix Alto, Piano
6
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3
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1
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1
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1
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1
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1
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1
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1
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Flûte traversière
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63
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59
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50
Saxophone Tenor
50
Saxophone (partie séparée)
44
Quatuor de Saxophones: 4 saxophones
36
Flûte traversière et Piano
32
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31
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30
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27
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22
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22
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19
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19
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18
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17
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15
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15
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15
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14
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13
2 Flûtes traversières (duo)
13
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11
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9
3 Clarinettes (trio)
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8
Flûte à Bec
8
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7
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1
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84
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72
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48
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36
Cor
30
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29
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22
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22
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21
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14
Cor et Piano
11
2 Trombones (duo)
9
Euphonium
8
Tuba
7
2 Trompettes (duo)
6
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6
Cor (partie séparée)
6
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6
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6
Ensemble de Trompettes
5
Bass Clef Instruments
5
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3
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Euphonium, Piano (duo)
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Cor et Harpe
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
220
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133
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80
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50
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48
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36
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31
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28
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26
Violoncelle, Piano
24
2 Violons (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
8
2 Violoncelles (duo)
7
Contre Basse
6
Contrebasse (partie séparée)
6
Trio à cordes: 3 violins
5
Violon (partie séparée)
5
Alto, Violoncelle (duo)
5
4 Violoncelles
4
Violon, Guitare (duo)
4
2 Harpes (duo)
4
Harpe, Violon (duo)
4
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Violoncelle, Contrebasse (duo)
3
Contrebasse, Piano (duo)
3
Ensemble de Violons
3
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Violon, Alto (duo)
2
Ensemble d'Altos
2
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
1
2 Altos (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Harpe et Piano
1
Trio à cordes
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
161
Orchestre
127
Orchestre à Cordes
93
Ensemble Jazz
84
Fanfare
67
Ensemble de cuivres
51
Batterie
38
Orchestre de chambre
25
Jazz combo
20
Cloches
12
Ensemble de Percussions
12
Percussion (partie séparée)
10
Batterie (partie séparée)
8
Piano et Orchestre
2
Timbales (partie séparée)
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Percussion
1
Xylophone ou Marimba ou Vibraphone
1
Vibraphone
1
Timbales
1
Ensemble d'École
1
Quatuor à Vent : 4 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Vous avez sélectionné:
I Do I Do I Do I Do
Tuba
Partitions à imprimer
7 partitions trouvées
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(Everything I Do) I Do It For You
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.605600 By Bryan Adams. By Bryan Adam…
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Tuba Solo - Level 3 - Digital Download SKU: A0.605600 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Kevin Busse. Contemporary,Pop. Individual part. 2 pages. Kevin Busse #4302633. Published by Kevin Busse (A0.605600). This is an exact transcription of I Do It For You in the original key for Tuba.
$4.99
4.57 €
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Tuba
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Bryan Adams
#
Kevin Busse
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(Everything I Do) I Do It For You
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Kevin Busse
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SheetMusicPlus
(Everything I Do) I Do It For You
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.605609 By Bryan Adams. By Bryan Adam…
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Tuba Solo - Level 3 - Digital Download SKU: A0.605609 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Kevin Busse. Contemporary,Pop. Individual part. 2 pages. Kevin Busse #4302671. Published by Kevin Busse (A0.605609). This is an exact transcription of I Do It For You in a good range for Tuba.
$4.99
4.57 €
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Tuba
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Bryan Adams
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Kevin Busse
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(Everything I Do) I Do It For You
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Kevin Busse
#
SheetMusicPlus
I Can Do It With A Broken Heart
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.1494351 By Taylor Swift. By Jack Ant…
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Tuba Solo - Level 1 - Digital Download SKU: A0.1494351 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by André Nusa. 21st Century,Pop,Singer/Songwriter. Individual part. 3 pages. Andre_Nusa #1070944. Published by Andre_Nusa (A0.1494351). Explore the emotional depth of Taylor Swift's I Can Do It With a Broken Heart with this arrangement for solo tuba, tailored for beginner players. This arrangement simplifies the melody while capturing the heartfelt essence of the original, making it an ideal piece for young musicians to develop their skills. Perfect for practice or performance, it offers an accessible yet expressive experience.
$4.99
4.57 €
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Tuba
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Taylor Swift
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André Nusa
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I Can Do It With A Broken Heart
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Andre_Nusa
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SheetMusicPlus
O Mio Babbino Caro by Puccini for Tuba and Chords
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.1175279 Composed by Giacomo Puccini.…
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Tuba Solo - Level 1 - Digital Download SKU: A0.1175279 Composed by Giacomo Puccini. Arranged by Langanho. Opera,Romantic Period,Wedding. Individual part. 1 pages. Avery Lynn Jordan #775433. Published by Avery Lynn Jordan (A0.1175279). This score was adapted for tuba with chord symbols, so that it can be used in its greatest essence, but with all the practicality to the interpreter. The piece is about O Mio Babbino Caro, from the opera Gianni Schichi, and is considered one of the most beautiful works by Giacomo Puccini. Made especially for the female soprano voice, where in the aria, Lauretta, who is immensely in love with Rinuccio, asks her father to do something for the Donati. For those people? he questions. Nothing! I do nothing at all! It is Lauretta's turn, with her famous aria Oh, my dear little father, to strive and soften the heart of her father, Gianni.
$2.99
2.74 €
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Tuba
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Giacomo Puccini
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Langanho
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O Mio Babbino Caro by Puccini for Tuba and Chords
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Avery Lynn Jordan
#
SheetMusicPlus
O Mio Babbino Caro by Puccini for Tuba
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.1175280 Composed by Giacomo Puccini.…
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Tuba Solo - Level 1 - Digital Download SKU: A0.1175280 Composed by Giacomo Puccini. Arranged by Langanho. Opera,Romantic Period,Wedding. Individual part. 1 pages. Avery Lynn Jordan #775434. Published by Avery Lynn Jordan (A0.1175280). This score was adapted for tuba, so that it can be used in its greatest essence, but with all the practicality to the interpreter. The piece is about O Mio Babbino Caro, from the opera Gianni Schichi, and is considered one of the most beautiful works by Giacomo Puccini. Made especially for the female soprano voice, where in the aria, Lauretta, who is immensely in love with Rinuccio, asks her father to do something for the Donati. For those people? he questions. Nothing! I do nothing at all! It is Lauretta's turn, with her famous aria Oh, my dear little father, to strive and soften the heart of her father, Gianni.
$1.99
1.82 €
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Tuba
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Giacomo Puccini
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Langanho
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O Mio Babbino Caro by Puccini for Tuba
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Avery Lynn Jordan
#
SheetMusicPlus
Unaccompanied Suites for Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.810845 Composed by Johann Sebastian …
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Tuba Solo - Level 5 - Digital Download SKU: A0.810845 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464557. Published by Gordon Cherry (A0.810845). Bach's Unaccompanied Suites beautifully and meticulously edited for Tuba or Bass Trombone by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...
$27.50
25.19 €
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Tuba
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Johann Sebastian Bach
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Ralph Sauer
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Unaccompanied Suites for Tuba
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Gordon Cherry
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.53 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
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