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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The First Light
Non classifié
495
Piano & claviers
Piano seul
379
Piano, Voix
217
Piano Facile
74
Piano, Voix et Guitare
27
Orgue
25
Instruments en Do
12
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
39
Guitare notes et tablatures
19
2 Guitares (duo)
6
4 Guitares (Quatuor)
5
Ukulele
3
Ensemble de guitares
2
Mandoline
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Banjo
1
Orchestre à Plectres
1
Basse electrique
1
2 Dulcimers (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
214
Chorale 3 parties
38
Chorale 2 parties
34
Chorale Unison
25
Chorale SSAA
17
Chorale TTBB
11
Voix Soprano, Piano
7
Voix haute
4
Voix Baryton, Piano
3
Voix Alto, Piano
2
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
Chorale SSAATTBB
1
Chorale
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
42
Saxophone Alto et Piano
33
Quatuor de Clarinettes: 4 clarinettes
26
2 Saxophones (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Clarinette et Piano
23
Quatuor de Saxophones: 4 saxophones
22
Saxophone Soprano et Piano
22
Hautbois, Piano (duo)
22
Saxophone Tenor et Piano
16
2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
15
Saxophone, Clarinette (duo)
14
Flûte, Hautbois, Clarinette, Basson
13
Flûte, Clarinette (duo)
12
Clarinette, Violon (duo)
12
Clarinette
11
Ensemble de Clarinettes
11
Quintette de Clarinettes: 5 clarinettes
10
Clarinette, Trompette (duo)
9
Cor anglais, Piano
9
Flûte, Violon
9
Saxophone Baryton, Piano
9
Ensemble de saxophones
7
Clarinette Basse, Piano
7
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes : 4 flûtes
6
2 Hautbois (duo)
6
Flûte, Alto (duo)
6
Hautbois, Basson (duo)
6
Quintette de Saxophone: 5 saxophones
5
Hautbois, Flûte
5
Hautbois (partie séparée)
5
Clarinette et Alto
5
Hautbois, Clarinette (duo)
5
3 Clarinettes (trio)
5
Clarinette, Basson (duo)
5
Flûte et Guitare
4
Trio de Flûtes: 3 flûtes
4
Flûte traversière
4
Clarinette, Violoncelle (duo)
4
Flûte, Trompette (duo)
4
Clarinette (partie séparée)
3
Flute (partie séparée)
3
Saxophone Alto
3
Flûte, Violoncelle
3
Flûte à bec Soprano
3
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto, Piano
2
Hautbois, Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Saxophone et Guitare
2
Flûte, Hautbois, Basson
2
3 Saxophones (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Hautbois, Guitare (duo)
1
Hautbois, violon (duo)
1
Cor Anglais
1
Saxophone Tenor
1
Piccolo
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Hautbois et alto (duo)
1
Flûte, Violon et Violoncelle
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
+ 66 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trombone et Piano
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
15
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
10
2 Trombones (duo)
10
Cor anglais, Piano
9
Cor et Piano
9
Tuba
8
Trompette
8
Trompette, Trombone (duo)
6
Cor
6
Ensemble de Trombones
6
2 Trompettes (duo)
6
Quatuor de cuivres: 4 trombones
5
Tuba et Piano
5
Quatuor de Cuivres
5
Trompette (partie séparée)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
2
2 Cors (duo)
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Trombone, Orgue
1
Trompette, Harpe
1
Cor et Harpe
1
Tuba (partie séparée)
1
Cor Anglais
1
Cor (partie séparée)
1
Trio de Cuivres
1
Ensemble de Tubas
1
2 Tubas (duo)
1
Trombone
1
Ensemble de Trompettes
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
106
Violon et Piano
53
Harpe
34
Violoncelle, Piano
33
Alto, Piano
23
Trio à Cordes: violon, alto, violoncelle
20
2 Violons (duo)
17
Violon
16
Violon (partie séparée)
15
2 Violoncelles (duo)
14
Violon, Violoncelle (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon, Alto (duo)
9
2 Altos (duo)
9
Violoncelle
6
2 Harpes (duo)
5
Violon, Guitare (duo)
4
Contre Basse
4
Contrebasse, Piano (duo)
4
Alto seul
3
Contrebasse (partie séparée)
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
4 Harpes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basson (duo)
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Basson
1
Harpe, Trombone (duo)
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Violon, Violoncelle, Clarinette
1
4 Contrebasses
1
Alto et Harpe
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
334
Orchestre à Cordes
105
Orchestre
52
Ensemble de cuivres
33
Orchestre de chambre
25
Cloches
15
Ensemble Jazz
13
Jazz combo
7
Ensemble de Percussions
3
Percussion (partie séparée)
3
Orchestre, Violon
1
2 Marimbas
1
Batterie (partie séparée)
1
Marimba
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
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CITHARE
CLAIRON
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
In The First Light
Tuba
Partitions à imprimer
8 partitions trouvées
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1
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMÉDIAIRE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Publis...
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Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
50 Favorite Hymns for Solo and Duet Instruments--Tuba
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Tuba
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Musique Sacrée
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Gospel Spirituel
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Chris Cooke
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50 Favorite Hymns for Solo and
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Chris Cooke
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SheetMusicPlus
Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published...
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Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97
Unaccompanied Tuba Suite #3: Rhapsody in A
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Tuba
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AVANCÉ
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Jason Allie
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Unaccompanied Tuba Suite #3: R
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba L...
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Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba
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Tuba
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Publ...
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Tuba Solo - Level 5 - SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Published by Benjamin Sajo (A0.1018891). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Tuba Serenade
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Tuba
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AVANCÉ
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Contemporain
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David
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Tuba Serenade
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Modrana Music Publishers Ltd
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Pu...
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Tuba Solo - Level 5 - SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.
$11.99
Super Mario Fantasy for Unaccompanied Solo Tuba
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Tuba
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Film/TV
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Jeux Videos
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Koji Kondo
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Sarah Houle
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Super Mario Fantasy for Unacco
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Sarah Houle
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SheetMusicPlus
Tuba - By Koji Kondo. Arranged by Sarah Houle. Individual Part, Score, Solo Part. 4 pages. Published by Sarah Houle...
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Tuba - By Koji Kondo. Arranged by Sarah Houle. Individual Part, Score, Solo Part. 4 pages. Published by Sarah Houle
A virtuosic solo of epic proportions featuring the music of Koji Kondo that many of us enjoyed while playing any number of the Super Mario Bros. video games. This arrangement takes the tuba player through some crazy musical challenges throughout the Super Mario Bros. world. Your technique will be challenged in a multitude of ways! This arrangement has extremes in dynamics and range, technical facility, and virtuosic cadenza-like passages for you to score big points on.
The arrangement would be appropriate for lighter pops programming, worship or church services, special occasions, or recitals.
Enjoy the first solo piece I ever arranged that started it all!
Largely F Major and C Major. Virtuosic.
$15.00
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