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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Minute By Minute - Trumpet 1
Non classifié
1 892
Piano & claviers
Piano seul
514
Piano Facile
144
1 Piano, 4 mains
131
Piano, Voix
120
Orgue
67
Instruments en Do
35
Piano Trio: piano, violon, violoncelle
22
Piano, Voix et Guitare
22
2 Pianos, 4 mains
18
1 Piano, 6 mains
4
Accompagnement Piano
3
Orgue, Piano (duo)
3
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
40
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
15
2 Guitares (duo)
5
Basse electrique
2
Mandoline, Guitare (duo)
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Ukulele
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
345
Chorale 3 parties
79
Chorale TTBB
63
Chorale 2 parties
34
Chorale SSAA
30
Chorale Unison
21
Voix Soprano, Piano
17
Chorale SSAATTBB
9
Voix haute
8
Chorale SSATB
5
Voix moyenne, Piano
5
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Chorale SSATTB
3
Soli, choeur mixte et accompagnement
2
Voix Soprano, Orchestre
2
Voix Alto, Piano
2
Chorale
2
Voix basse
1
Chorale SSAATB
1
Voix duo, Piano
1
Voix Tenor
1
Voix duo
1
+ 18 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
122
Saxophone Alto et Piano
88
Hautbois, Piano (duo)
88
2 Saxophones (duo)
87
Flûte traversière et Piano
77
Clarinette et Piano
72
Clarinette
71
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
62
2 Clarinettes (duo)
48
Flûte traversière
48
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Flûtes : 4 flûtes
45
Saxophone Tenor et Piano
40
2 Flûtes traversières (duo)
33
Hautbois (partie séparée)
30
2 Hautbois (duo)
26
3 Clarinettes (trio)
24
Ensemble de Flûtes
24
Ensemble de Clarinettes
23
3 Saxophones (trio)
21
Saxophone Alto
20
Saxophone Soprano et Piano
20
Quintette de Clarinettes: 5 clarinettes
19
Flûte, Clarinette (duo)
18
Quintette de Saxophone: 5 saxophones
18
Saxophone (partie séparée)
18
Saxophone, Clarinette (duo)
18
Trio de Flûtes: 3 flûtes
17
Saxophone Tenor
17
Saxophone Baryton, Piano
12
Clarinette, Violon (duo)
10
Clarinette Basse, Piano
9
Clarinette (partie séparée)
9
Ensemble de saxophones
8
Hautbois, Basson (duo)
7
Hautbois, Clarinette (duo)
6
2 Cors Anglais Et Pianoforte
6
2 Clarinettes, Piano
6
2 Flûte à bec (duo)
6
Cor Anglais
5
3 Hautbois
5
Flûte, Violon
5
Hautbois, Flûte
5
Quatuor de Flûtes à bec
5
Flûte, Alto (duo)
5
Clarinette et Alto
5
Flûte à bec Alto
4
Flûte, Violon, Piano
4
Flûte, Saxophone (duo)
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
Flûte et Guitare
4
Flûte à bec Soprano
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois (duo)
3
Clarinette, Orchestre
3
Hautbois, Quatuor à cordes
3
Cor anglais, Piano
3
Flûte, Hautbois, Basson
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Basson (duo)
3
Flûte, Clarinette et Basson
2
Hautbois
2
Piccolo
2
Flûte à Bec
2
Flûte traversière, Orgue (duo)
2
Flûte, Trombone (duo)
2
Saxophone et Orgue
2
Flûte à Bec, Piano
2
Clarinette, Harpe (duo)
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Piano
2
Hautbois, Guitare (duo)
2
2 Flûtes traversières, Piano
1
Flûte traversière, Orchestre
1
Ensemble à vent
1
Saxophone
1
Hautbois et Orchestre
1
Clarinette Basse
1
Piccolo, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Clarinette, Orgue
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte à bec, Harpe
1
5 Flûtes à bec
1
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
Flûte et Quatuor à Cordes
1
4 Hautbois
1
+ 89 instrumentations
Retracter
Cuivres
Trombone et Piano
58
Cor et Piano
44
Ensemble de Trombones
30
Quatuor de cuivres: 4 trombones
30
Trombone
26
Tuba et Piano
23
Euphonium, Piano (duo)
21
Quatuor de cuivres: 4 cors
20
2 Trombones (duo)
16
Cor
16
Trombone (partie séparée)
11
3 Trombones (trio)
11
2 Cors (duo)
10
Trombone basse
8
Tuba
7
3 Tubas (trio)
6
2 Cors Anglais Et Pianoforte
6
Cor Anglais
5
Cor (partie séparée)
5
Tuba (partie séparée)
3
Euphonium, Tuba (duo)
3
3 Cors (trio)
3
Trombone et orchestre
3
Cor anglais, Piano
3
Euphonium
3
2 Euphoniums et 2 Tubas
2
Trombone basse et Piano
2
Cor et Orgue
1
Cor, Tuba (duo)
1
Quatuor de Cuivres
1
Cor, Orchestre
1
3 Euphoniums
1
2 Tubas (duo)
1
Trombone, Orgue
1
4 Tubas
1
Tuba ou Euphonium ou Saxhorn
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
253
Violon et Piano
108
Violon, Violoncelle (duo)
93
Violon
81
Violoncelle, Piano
77
Violon (partie séparée)
74
Alto, Piano
66
Alto, Violoncelle (duo)
65
2 Violoncelles (duo)
62
Violoncelle
48
Trio à Cordes: violon, alto, violoncelle
41
Violon, Alto (duo)
35
2 Violons (duo)
34
Alto seul
27
Harpe
23
2 Altos (duo)
22
Alto (partie séparée)
21
Trio à Cordes: 2 violons, violoncelle
16
Trio à cordes: 3 violins
12
Violoncelle, Orchestre
11
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 altos
5
Trio à cordes
4
4 Violoncelles
4
Contre Basse
4
Violoncelle, Orgue
3
Violon, Orgue
3
Violoncelle (partie séparée)
3
Contrebasse, Piano (duo)
3
Alto, Orgue
3
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Altos, Piano
1
Harpe, Voix
1
2 Harpes (duo)
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
4 Contrebasses
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre
271
Orchestre à Cordes
137
Orchestre d'harmonie
112
Orchestre de chambre
108
Cloches
37
Ensemble de cuivres
32
Fanfare
24
Ensemble de Percussions
18
Batterie
15
Piano et Orchestre
13
Orchestre, Violon
9
Ensemble Jazz
5
Jazz combo
5
Percussion (partie séparée)
5
Batterie (partie séparée)
3
Vibraphone
3
Xylophone
2
Percussion
2
Timbales (partie séparée)
2
Marimba
1
2 Xylophones
1
Xylophone, Piano
1
+ 17 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLON
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XYLOPHONE
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Vous avez sélectionné:
Minute By Minute - Trumpet 1
Tuba
Partitions à imprimer
7 partitions trouvées
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1
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.21 €
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Tuba
#
Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Das Große Gastmahl (Tuba)
Tuba
B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Step…
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B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015252. Published by Stephan Langenberg (A0.1435146). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
4.6 €
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Tuba
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
Partita No. 3 BWV 1006 for Unaccompanied Tuba
Tuba
Tuba - Advanced - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arr…
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Tuba - Advanced - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Coulter. Classical Period, Baroque Period, Renaissance. Solo Part. 15 pages. Published by Cherry Classics Music
Bach's Partita No. 3, BWV 1006 originally composed for Violin, is the last work in a series of Sonatas and Partitas and includes the following movements: 1. Preludio, 2. Lourée, 3. Gavotte en Rondeau, 4. Menuets I and II, 5. Bourrée and 6. Gigue.<br> <br> This great arrangement by Robert Coulter for Tuba in the key of E-flat, is about 20 minutes in length and appropriate for advanced performers.Bach's Partita No. 3, BWV 1006 originally composed for Violin, is the last work in a series of Sonatas and Partitas and includes the following movements: 1. Preludio, 2. Lourée, 3. Gavotte en Rondeau, 4. Menuets I and II, 5. Bourrée and 6. Gigue.<br> <br> This great arrangement by Robert Coulter for Tuba in the key of E-flat, is about 20 minutes in length and appropriate for advanced performers.
$22.50
20.74 €
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Tuba
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Johann Sebastian Bach
#
Robert Coulter
#
Partita No. 3 BWV 1006 for Unaccompanied Tuba
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Cherry Classics Music
#
SheetMusicPlus
Shepherd's Song from Tristan & Isolde for Unaccompanied Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.810783 Composed by Richard Wagner. A…
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Tuba Solo - Level 5 - Digital Download SKU: A0.810783 Composed by Richard Wagner. Arranged by Sauer, Ralph. Opera,Romantic Period. Individual part. 3 pages. Gordon Cherry #3025583. Published by Gordon Cherry (A0.810783). Shepherd's Song is heard in the prelude to the Finale, Act 3 of Wagner's great opera, Tristan & Isolde. It is a bleak and doleful lament played mostly unaccompanied by a shepherd boy keeping watch for Isolde's ship to arrive. The melody is later heard throughout scene 1. Ralph Sauer, has done a beautiful job in arranging this music (originally played offstage on the English Horn) for Tuba or Bass Trombone It is about 2 1/2 minutes in length and appropriate for advanced performers.
$5.00
4.61 €
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Tuba
#
Richard Wagner
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Sauer, Ralph
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Isolde
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Shepherd's Song from Tristan & Isolde for Unaccompanied Tuba
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Gordon Cherry
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SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.74 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #2 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Sunset - Bb Tuba
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.948423 Composed by JoJoH. Contempora…
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Tuba Solo - Level 2 - Digital Download SKU: A0.948423 Composed by JoJoH. Contemporary. Individual part. 1 pages. Musician Place #3075352. Published by Musician Place (A0.948423). Sunset is an intermediate concert band song, about two and a half minutes long. Each instrument gets to play the melody at some point in the song, which is fun. The hardest part to play is the tuba's (there are a couple of altissimo notes), otherwise the rest of the parts are quite easy. It's great for a middle or high school, or an adult concert band.
$2.00
1.84 €
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Tuba
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JoJoH
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Sunset - Bb Tuba
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Musician Place
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SheetMusicPlus
Unaccompanied Tuba Suite #3: Rhapsody in A
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Roma…
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Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
11.98 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #3: Rhapsody in A
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Joaba LLC
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SheetMusicPlus
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