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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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6
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4
Hautbois (partie séparée)
4
2 Flûtes traversières (duo)
3
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3
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3
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3
Ensemble De Flûte à bec
2
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2
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2
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Tuba
14
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13
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7
Cor
7
Trombone et Piano
6
2 Trompettes (duo)
5
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5
Bass Clef Instruments
5
2 Trombones (duo)
4
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3
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3
Cor et Piano
3
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2
3 Tubas (trio)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
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Trompette, Trombone (duo)
2
3 Cors (trio)
2
3 Trombones (trio)
2
2 Tubas (duo)
2
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Cornet A Pistons
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Tuba et Orgue
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Tuba et Piano
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Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 cors
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CORDES
Violon
89
Violoncelle
49
Violon et Piano
37
Alto seul
35
Quatuor à cordes: 2 violons, alto, violoncelle
28
Harpe
28
Trio à cordes: 3 violins
22
Violon (partie séparée)
14
Alto, Piano
12
2 Violons (duo)
11
Violoncelle, Piano
10
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
10
Violon, Violoncelle (duo)
9
Contre Basse
8
2 Violoncelles (duo)
8
Harpe et Piano
6
Autoharp
5
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto (partie séparée)
3
2 Altos (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
2
Harpe, Voix
2
4 Violoncelles
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe et mandoline
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
165
Batterie
40
Orchestre à Cordes
37
Orchestre
25
Cloches
15
Orchestre de chambre
9
Percussion
6
2 Xylophones
4
Conga
4
Vibraphone
3
Caisse Claire
3
Fanfare
3
Marimba
3
Jazz combo
2
Ensemble de cuivres
2
Orchestre, Violon
2
Ensemble d'École
2
Cajon
2
Instrumentation Flexible
1
Bongos
1
Piano et Orchestre
1
Ensemble de Percussions
1
Bodhran
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AUTRES
Formation musicale - Solfège
32
Théorie de la musique
27
Papeterie
3
Vous avez sélectionné:
Music Method
Tuba
Partitions à imprimer
14 partitions trouvées
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1
Celebrated Tutor for Tuba Method
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.810827 Composed by Langey, Otto. Arr…
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Tuba Solo - Level 2 - Digital Download SKU: A0.810827 Composed by Langey, Otto. Arranged by Cherry, Gordon. Instructional,Standards. Individual part. 127 pages. Gordon Cherry #3417301. Published by Gordon Cherry (A0.810827). The Otto Langey Tutors were THE method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote more than 28 method books for almost all of the major instruments. Many young instrumentalists used these books for their first studies. The book became their musical mainstay during their early musical studies. The Celebrated Tutors for Tuba of 127 pages is suitable for performers from beginner right up to advanced. We are pleased to add this special reprint of the original Hawkes and Son edition to our Vintage Brass collection.
$20.00
18.25 €
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Tuba
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Langey, Otto
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Cherry, Gordon
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Celebrated Tutor for Tuba Method
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Gordon Cherry
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.47 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
The Progressive Warm Up-Tuba Edition
Tuba
Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. …
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Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.47 €
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Tuba
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Eric Bolvin
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The Progressive Warm Up-Tuba Edition
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SheetMusicPlus
66 Etudes in all Major and Minor Keys for Tuba or Bass Trombone
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.792613 Composed by Anton Slama. Arra…
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Tuba Solo - Level 3 - Digital Download SKU: A0.792613 Composed by Anton Slama. Arranged by Ralph Sauer. 20th Century,Instructional,Romantic Period. Individual part. 48 pages. Gordon Cherry #5040935. Published by Gordon Cherry (A0.792613). The Slama 66 Etudes have been used for over 90 years as a tried and true method for learning all of the major and minor keys on bass clef instruments. It is an excellent book for honing the basics of technique and gaining knowledge of all the scales. This new improved edition has been carefully edited by Ralph Sauer, eliminating many misprints and articulation conflicts. In the transposing of Professor Slama’s music into the appropriate range for Tuba and Bass Trombone, Mr. Sauer has placed the etudes in a different order from the original Trombone method. However the book starts in C major and methodically proceeds through all of the keys in order to give the performer all of the tools necessary for a thorough technique on his or her instrument. We can recommend this method book for all students of intermediate level and above.
$17.50
15.97 €
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Tuba
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Anton Slama
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Ralph Sauer
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66 Etudes in all Major and Minor Keys for Tuba or Bass Trombone
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Gordon Cherry
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SheetMusicPlus
Tuning for Wind Instruments: A Roadmap to Successful Intonation - Fingering Charts - Tuba
Tuba
Warm-up. Instructional Method. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX…
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Warm-up. Instructional Method. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.273754). - Instructional Method - Warm-up - Hal Leonard - Digital Sheet Music
$1.99
1.82 €
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Tuba
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Tuning for Wind Instruments: A Roadmap to Successful Intonation - Fingering Charts - Tuba
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.48 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
60 Etudes for High Tuba or Euphonium
Tuba
Composed by Georg Kopprasch. Methods/studies/etudes. 50 pages. Published by Cimarron Music…
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Composed by Georg Kopprasch. Methods/studies/etudes. 50 pages. Published by Cimarron Music Press (CX.CM3020). - - methods/studies/etudes - Cimarron Music Press
$20.00
18.25 €
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Tuba
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Georg Kopprasch
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60 Etudes for High Tuba or Euphonium
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Cimarron Music Press
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SheetMusicPlus
The Contemporary Tuba
Tuba
Composed by Barton Cummings. Methods/Studies/Etudes. 77 pages. Published by Cimarron Music…
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Composed by Barton Cummings. Methods/Studies/Etudes. 77 pages. Published by Cimarron Music Press - Digital (CX.CM0189). - - Methods/Studies/Etudes - Cimarron Music Press - Digital
$21.00
19.17 €
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Tuba
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Barton Cummings
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The Contemporary Tuba
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Cimarron Music Press - Digital
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SheetMusicPlus
Advanced Studies for Tuba
Tuba
By John Paff. For Tuba Methods/Studies/Etudes. Published by Cimarron Music Press
By John Paff. For Tuba Methods/Studies/Etudes. Published by Cimarron Music Press
$17.00
15.52 €
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Tuba
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John Paff
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Advanced Studies for Tuba
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Cimarron Music Press
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SheetMusicPlus
Flexibility Studies for Tuba
Tuba
By D. Ware. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Published by Cimar…
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By D. Ware. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Published by Cimarron Music Press
$17.00
15.52 €
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Tuba
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D
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Flexibility Studies for Tuba
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Cimarron Music Press
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SheetMusicPlus
Twenty Etudes for Tuba
Tuba
By Waddell and Nelson. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Publish…
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By Waddell and Nelson. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Published by Cimarron Music Press
$18.00
16.43 €
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Tuba
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Waddell and Nelson
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Twenty Etudes for Tuba
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Cimarron Music Press
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SheetMusicPlus
Etudes in 24 Keys
Tuba
By Unknown. Arranged by Bryan Doughty. For tuba methods/studies/etudes. Studies. Etudes/Ex…
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By Unknown. Arranged by Bryan Doughty. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Published by Cimarron Music Press
$18.00
16.43 €
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Tuba
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Unknown
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Bryan Doughty
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Etudes in 24 Keys
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Cimarron Music Press
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SheetMusicPlus
Studies in Ancient Irish Song
Tuba
By Jeff Cottrell. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Published by…
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By Jeff Cottrell. For tuba methods/studies/etudes. Studies. Etudes/Exercises. Published by Cimarron Music Press
$17.00
15.52 €
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Tuba
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Jeff Cottrell
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Studies in Ancient Irish Song
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Cimarron Music Press
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SheetMusicPlus
14 Characteristic Studies
Tuba
By Jean-Baptiste Arban. Arranged by Claude Egea. Tuba Solo. For Tuba solo. Instructional m…
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By Jean-Baptiste Arban. Arranged by Claude Egea. Tuba Solo. For Tuba solo. Instructional method, Classical, Educational, Jazz. Tuba Part. 32 pages. Published by FLEX Editions - Digital Sheet Music
$17.95
16.38 €
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Tuba
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Jean-Baptiste Arban
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Claude Egea
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14 Characteristic Studies
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
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