English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
7
Librairie
Musicale
44
Matériel
de Musique
138
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1117
PIANO & CLAVIERS
Piano seul
1490
Instruments en Do
1040
Piano, Voix et Guitare
979
Piano, Voix
688
Piano Facile
461
Piano grosses notes
215
Orgue
163
Accordéon
48
1 Piano, 4 mains
26
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
6
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
3
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
1712
Basse electrique
306
Guitare
108
Guitare Pedal Steel
65
Guitare notes et tablatures
58
Ukulele
41
Piano, Guitare (duo)
27
Paroles et Accords
11
Mandoline
11
Mandoline, Piano (duo)
10
2 Guitares (duo)
10
4 Guitares (Quatuor)
5
Banjo
4
Ukulele Baryton
3
Ensemble de guitares
2
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
645
Chorale SSAA
221
Chorale TTBB
179
Chorale Unison
125
Chorale 3 parties
41
Voix haute
32
Chorale 2 parties
16
Voix duo, Piano
8
Voix seule
7
Voix Soprano, Piano
7
Voix Baryton, Piano
4
Voix Tenor, Piano
4
Voix Alto, Piano
4
Voix Soprano
4
Voix duo
4
Voix moyenne, Piano
3
Chorale
3
Voix Tenor
2
Chorale SSAATB
1
Voix basse
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
1098
Flûte, Hautbois, Clarinette, Basson
968
Flûte traversière et Piano
331
Clarinette et Piano
270
Saxophone Alto et Piano
219
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
212
Hautbois, Piano (duo)
202
2 Saxophones (duo)
88
2 Flûtes traversières (duo)
72
Quintette de Saxophone: 5 saxophones
69
2 Clarinettes (duo)
67
Saxophone Tenor et Piano
57
Clarinette, Harpe (duo)
54
Clarinette
49
Quatuor de Clarinettes: 4 clarinettes
48
Quatuor de Flûtes : 4 flûtes
44
Flûte traversière
42
Quintette de Flûte : 5 flûtes
41
Flûte, Clarinette (duo)
35
3 Clarinettes (trio)
35
Quintette de Clarinettes: 5 clarinettes
28
Ensemble de Clarinettes
26
Saxophone Soprano et Piano
25
Saxophone Alto
25
2 Hautbois (duo)
24
Cor anglais, Piano
24
Flûte, Hautbois, Clarinette (trio)
23
Trio de Flûtes: 3 flûtes
23
Ensemble de saxophones
22
Saxophone Tenor
22
Hautbois (partie séparée)
16
Hautbois, Clarinette, Basson (trio d'anches)
15
Ocarina
14
Ensemble de Flûtes
12
Flûte à bec Soprano
11
Flûte, Violon
10
Flûte et Guitare
9
Harmonica
8
Flûte, Clarinette et Basson
7
Flûte à bec Alto
7
2 Flûte à bec (duo)
6
Flûte à bec Alto, Piano
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Violon, Piano
4
Saxophone Baryton, Piano
4
Ensemble De Flûte à bec
4
Clarinette, Violon (duo)
4
Quatuor de Flûtes à bec
4
5 Flûtes à bec
3
3 Saxophones (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Hautbois
3
Flûte, Alto (duo)
3
Saxophone (partie séparée)
3
Saxophone et Guitare
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Guitare (duo)
2
Saxophone Soprano
2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois (duo)
2
Saxophone
2
Flûte, Violoncelle
2
Saxophone Baryton
2
Hautbois, Basson (duo)
2
2 Clarinettes, Piano
2
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Clarinette, Violoncelle (duo)
1
Clarinette, Orchestre
1
Clarinette, Trompette (duo)
1
2 Flûtes traversières, Harpe
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Violon
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Flûte à Bec
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
700
Quatuor de Cuivres
209
Cor et Piano
99
Trompette
83
Trompette, Piano
78
Trombone et Piano
70
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Quatuor de cuivres: 4 trombones
38
Trio de Cuivres
37
Trombone
33
Cor anglais, Piano
24
2 Trombones (duo)
15
Ensemble de Trombones
13
Ensemble de Trompettes
11
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor
10
Trompette (partie séparée)
10
Tuba
7
Tuba et Piano
5
Euphonium, Piano (duo)
4
2 Cors (duo)
4
2 Tubas (duo)
3
2 Cors Anglais Et Pianoforte
2
Bass Clef Instruments
2
Trompette, Trombone (duo)
2
3 Trombones (trio)
2
Trombone basse et Piano
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Ensemble de Cors
1
Instruments en Sib
1
Instrumentations suivantes
Retracter
CORDES
Harpe
1961
Quatuor à cordes: 2 violons, alto, violoncelle
1241
Harpe, Flûte (duo)
245
Violon et Piano
181
Violon
109
Alto, Piano
80
Violoncelle, Piano
76
Violoncelle
41
2 Violons (duo)
40
2 Harpes (duo)
23
Quatuor à cordes: 4 violons
21
Alto seul
19
Harpe et mandoline
18
2 Violoncelles (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto (partie séparée)
12
Violon, Alto (duo)
11
Ensemble d'Altos
10
Ensemble de Violons
10
Violon, Violoncelle (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Trio à cordes: 3 violins
8
Trio à Cordes: 2 violons, alto
7
4 Violoncelles
6
Violon (partie séparée)
6
Harpe, Voix
5
Harpe, Violon (duo)
5
2 Altos (duo)
5
Violon, Guitare (duo)
5
Contre Basse
4
2 Violons, Piano
4
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
3
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Violoncelle, Orgue
2
Alto, Orgue
2
Violoncelle (partie séparée)
2
Violon, Orgue
1
Trio à cordes: 3 altos
1
Violon, Basson (duo)
1
3 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
146
Orchestre d'harmonie
60
Ensemble de cuivres
54
Orchestre
52
Orchestre à Cordes
45
Cloches
32
Orchestre de chambre
25
Ensemble de Percussions
15
Batterie
8
Jazz combo
7
Fanfare
5
Vibraphone
3
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
My Boo
Tuba
Partitions à imprimer
7 partitions trouvées
<
1
Menuet (from the Anna Magdalena notebooks)
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1446498 Composed by Johann Sebastian…
(+)
Tuba Solo - Level 2 - Digital Download SKU: A0.1446498 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1026263. Published by Rodrigo Faleiros (A0.1446498). Elevate Your Tuba Skills with Bach’s “Menuet”Are you a beginner to intermediate tuba player looking to enhance your musical abilities? Look no further! Here’s an adapted Johann Sebastian Bach’s delightful “Menuet” from the Anna Magdalena Bach notebooks specifically for solo tuba. This arrangement retains the essence of the original composition while tailoring it to suit your skill level.Key Features: Beginner to Intermediate Level: Perfect for those who have mastered the basics and are ready to explore more challenging musical phrases. Ready to take your tuba playing to the next level? Dive into the “Menuet” and experience the joy of playing Bach’s music on your instrument!For more arrangements and tips, explore my full collection here.
$1.99
1.82 €
#
Tuba
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Menuet
#
Rodrigo Faleiros
#
SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1446499 Composed by Johann Sebastian…
(+)
Tuba Solo - Level 2 - Digital Download SKU: A0.1446499 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1026264. Published by Rodrigo Faleiros (A0.1446499). Elevate Your Tuba Skills with Bach’s “Menuet”Are you a beginner to intermediate tuba player looking to enhance your musical abilities? Look no further! Here’s an adapted Johann Sebastian Bach’s delightful “Menuet” from the Anna Magdalena Bach notebooks specifically for solo tuba. This arrangement retains the essence of the original composition while tailoring it to suit your skill level.Key Features: Beginner to Intermediate Level: Perfect for those who have mastered the basics and are ready to explore more challenging musical phrases. Chord Symbols Included: Our arrangement features chord symbols, allowing you to interpret and embellish the music as you play. Ready to take your tuba playing to the next level? Dive into the “Menuet” and experience the joy of playing Bach’s music on your instrument!For more arrangements and tips, explore my full collection here.
$1.99
1.82 €
#
Tuba
#
Johann Sebastian Bach
#
Rodrigo Faleiros
#
Menuet
#
Rodrigo Faleiros
#
SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.49 €
#
Tuba
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Tuba solo - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
50 Favorite Hymns for Solo and Duet Instruments--Tuba
Tuba
Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gosp…
(+)
Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97
7.29 €
#
Tuba
#
Chris Cooke
#
50 Favorite Hymns for Solo and Duet Instruments--Tuba
#
Chris Cooke
#
SheetMusicPlus
Etudes with Style Music for the Tuba
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.941530 Composed by Harry Salotti. 20…
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.941530 Composed by Harry Salotti. 20th Century,Classical,Instructional,Jazz,Rock. Individual part. 39 pages. Harry Salotti #6269281. Published by Harry Salotti (A0.941530). Etudes with Style Music for the Tuba, (download only) winner of the International Tuba Euphonium Association etude composition contest. This book contains 25 original tunes, each in a different style. They cover large categories such as Music Over the Ages, Dance Music Around the World, American Music and Movie Music. (look inside to see the table of contents). Performance MP3s of all 25 songs are available on iTunes, Amazon and other sites, performed by Tuba virtuoso Patrick Sheridan. Listen to 16 of the tracks here. Here are some comments about Etudes with Style Music for the Tuba. - I ran through your etude book. Man, they're really a lot of fun. Howard Johnson - It remains my intent to have all my new freshman students go through the book in it's entirety during their first year. Thanks again for a great contribution to the literature. John Stevens - Etudes with Style will surely be a great teaching tool for many years to come in the future. Don Little - Your etudes really look terrific. I'm really impressed with the quality of what I see. I look forward to spending some time with these and recommending them to everyone. Winston Morris
$12.99
11.88 €
#
Tuba
#
Harry Salotti
#
Etudes with Style Music for the Tuba
#
Harry Salotti
#
SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
(+)
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.5 €
#
Tuba
#
Eric Bolvin
#
Flex on the Move-Tuba Edition
#
Faded Duck Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale