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Vous avez sélectionné:
On My Way to You
Tuba
Partitions à imprimer
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I Did It My Way
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1347489 By Jay-Z. By Claude Francois…
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Tuba Solo - Level 2 - Digital Download SKU: A0.1347489 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Rock,Wedding. Individual part. 2 pages. Glauco Fernandes #932298. Published by Glauco Fernandes (A0.1347489). Exclusive Sheet Music for My Way - Easy/Intermediate Arrangement---Awaken the Musician in You! Exclusive Sheet Music for Frank Sinatra's My WayWhether you're a dedicated student or an experienced teacher, we present a unique opportunity! Acquire now the customized sheet music for the classic My Way by Frank Sinatra, featuring a carefully crafted arrangement for easy/intermediate level.Stand Out at Special Events: Weddings, Birthdays, Corporate Events!With this sheet music, musicians and instrumentalists will have in their hands a captivating interpretation, perfect for memorable moments. Surprise your audience with a unique performance, adding a touch of elegance and emotion to any special occasion.Perfect for Developing Students and Innovative Teachers!Ideal for students in musical development and teachers seeking differentiated material for their classes. The My Way sheet music offers a rewarding challenge, enhancing technical and expressive skills.If you're intrigued by diverse interpretations, consider exploring Jay-Z's version of this timeless classic. His unique take on My Way adds a contemporary flair, demonstrating the song's enduring appeal across genres. Feel free to delve into Jay-Z's rendition to discover a fresh perspective on this iconic piece. If you're interested in incorporating elements from his version, let your creativity flow and make the music truly your own.Furthermore, for a classical perspective, discover the iconic rendition by Elvis Presley. The King of Rock immortalized My Way with his unique interpretation, adding an unparalleled shine to the melody. Explore the depth of this song through Elvis Presley's singular interpretation and further enrich your musical experience.No less impressive, the renowned Celine Dion offers an emotionally charged interpretation of My Way. Her powerful and emotive voice transforms the song into a compelling experience. Discover the unique beauty that Celine Dion brings to this timeless melody.For more quality sheet music, search for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$4.99
4.52 €
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Tuba
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Jay-Z
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Glauco Fernandes
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I Did It My Way
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Glauco Fernandes
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SheetMusicPlus
I Did It My Way
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1347488 By Jay-Z. By Claude Francois…
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Tuba Solo - Level 2 - Digital Download SKU: A0.1347488 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Rock,Wedding. Individual part. 2 pages. Glauco Fernandes #932297. Published by Glauco Fernandes (A0.1347488). Exclusive Sheet Music for My Way - Easy/Intermediate Arrangement---Awaken the Musician in You! Exclusive Sheet Music for Frank Sinatra's My WayWhether you're a dedicated student or an experienced teacher, we present a unique opportunity! Acquire now the customized sheet music for the classic My Way by Frank Sinatra, featuring a carefully crafted arrangement for easy/intermediate level.Stand Out at Special Events: Weddings, Birthdays, Corporate Events!With this sheet music, musicians and instrumentalists will have in their hands a captivating interpretation, perfect for memorable moments. Surprise your audience with a unique performance, adding a touch of elegance and emotion to any special occasion.Perfect for Developing Students and Innovative Teachers!Ideal for students in musical development and teachers seeking differentiated material for their classes. The My Way sheet music offers a rewarding challenge, enhancing technical and expressive skills.If you're intrigued by diverse interpretations, consider exploring Jay-Z's version of this timeless classic. His unique take on My Way adds a contemporary flair, demonstrating the song's enduring appeal across genres. Feel free to delve into Jay-Z's rendition to discover a fresh perspective on this iconic piece. If you're interested in incorporating elements from his version, let your creativity flow and make the music truly your own.Furthermore, for a classical perspective, discover the iconic rendition by Elvis Presley. The King of Rock immortalized My Way with his unique interpretation, adding an unparalleled shine to the melody. Explore the depth of this song through Elvis Presley's singular interpretation and further enrich your musical experience.No less impressive, the renowned Celine Dion offers an emotionally charged interpretation of My Way. Her powerful and emotive voice transforms the song into a compelling experience. Discover the unique beauty that Celine Dion brings to this timeless melody.For more quality sheet music, search for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$4.99
4.52 €
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Tuba
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Jay-Z
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Glauco Fernandes
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I Did It My Way
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Glauco Fernandes
#
SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.37 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. In…
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Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.53 €
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Tuba
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Elegy for solo tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.917229 Composed by Robert Chamberlin…
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Tuba Solo - Level 5 - Digital Download SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba. In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time. Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage. Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni. It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day. Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain. Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences. The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute. Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed. The harmonic and echo-like acoustic effects created are stunning in every performance and venue. This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked. It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve. While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.
$3.99
3.62 €
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Tuba
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Robert Chamberlin
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Elegy for solo tuba
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Robert Chamberlin
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SheetMusicPlus
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