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347
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186
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79
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8
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Clavecin
4
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Orgue, Trompette (duo)
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19
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8
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2
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1
Mandoline
1
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188
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32
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29
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28
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20
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12
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10
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9
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4
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3
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3
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3
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2
Voix Tenor, Piano
2
Voix duo
2
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1
Chorale
1
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46
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46
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36
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29
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27
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27
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25
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25
Saxophone Alto
20
Saxophone Alto et Piano
20
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19
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15
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15
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14
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14
Ensemble de Flûtes
14
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13
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13
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12
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11
Saxophone Tenor et Piano
10
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8
Saxophone Baryton, Piano
6
2 Saxophones (duo)
6
Cor anglais, Piano
6
Ensemble de saxophones
6
3 Clarinettes (trio)
5
5 Flûtes à bec
4
Quatuor de Flûtes à bec
4
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3
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3
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3
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2
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2
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2
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1
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1
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1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Cor anglais, Guitare (duo)
1
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1
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1
Hautbois
1
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1
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1
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1
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1
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32
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29
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27
Trombone
24
Trombone et Piano
15
Cor
12
Trompette, Piano
11
Cor et Piano
7
Cor anglais, Piano
6
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6
Tuba et Piano
4
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3
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3
2 Trompettes (duo)
3
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2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
2
Tuba
2
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2
Trompette, Euphonium (duo)
1
Quatuor de Cuivres
1
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1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
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74
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14
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13
2 Violons (duo)
11
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9
Harpe
9
4 Violoncelles
5
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3
Contre Basse
3
2 Violoncelles (duo)
3
Piano Trio: Violon, Alto, Piano
2
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2
Trio à Cordes: 2 violons, alto
2
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2
Ensemble de Violons
2
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2
Alto (partie séparée)
2
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1
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1
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23
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Cloches
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10
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9
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3
Vibraphone
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Marimba et Orgue
1
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Fanfare
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Vous avez sélectionné:
She Said She Said
Tuba
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Elegy for solo tuba
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Tuba
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AVANCÉ
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Robert Chamberlin
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Elegy for solo tuba
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Robert Chamberlin
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Pub...
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Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba. In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time. Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage. Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni. It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day. Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain. Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences. The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute. Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed. The harmonic and echo-like acoustic effects created are stunning in every performance and venue. This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked. It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve. While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.
$3.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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