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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two At A Time
Non classifié
845
Piano & claviers
Piano seul
288
Piano Facile
93
Piano, Voix et Guitare
66
Piano, Voix
49
2 Pianos, 4 mains
36
Orgue
19
1 Piano, 4 mains
17
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
29
2 Guitares (duo)
22
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Ukulele
2
Mandoline
2
Banjo
1
Dulcimer
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
96
Chorale 2 parties
50
Chorale 3 parties
26
Chorale Unison
23
Chorale TTBB
15
Chorale SSAA
9
Voix duo
7
Voix duo, Piano
6
Voix Soprano, Piano
4
Voix moyenne, Piano
4
Voix haute
4
Voix Alto, Piano
2
Voix Tenor, Piano
1
Chorale SSAATTBB
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
556
2 Clarinettes (duo)
194
2 Flûtes traversières (duo)
177
2 Hautbois (duo)
152
Saxophone, Clarinette (duo)
136
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
73
Flûte, Clarinette (duo)
64
Hautbois, Basson (duo)
51
2 Flûte à bec (duo)
49
Hautbois, Clarinette (duo)
48
Clarinette et Alto
45
Hautbois, Flûte
45
Flûte traversière et Piano
44
Flûte, Violon
43
Flûte, Saxophone (duo)
43
Clarinette et Piano
41
Hautbois, Piano (duo)
36
Flûte, Trompette (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
33
Saxophone Alto et Piano
30
Quintette de Saxophone: 5 saxophones
29
Flûte, Alto (duo)
28
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
26
Flûte traversière
25
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto
18
Saxophone Tenor
17
Hautbois (partie séparée)
15
Cor anglais, Piano
14
Ensemble de saxophones
13
Ensemble de Clarinettes
13
Flûte à bec Soprano
13
Saxophone (partie séparée)
11
Flûte et Guitare
11
Ensemble de Flûtes
11
Trio de Flûtes: 3 flûtes
10
Quatuor de Flûtes : 4 flûtes
10
3 Saxophones (trio)
9
Clarinette Basse, Piano
8
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
6
Cor Anglais
5
Flute (partie séparée)
4
Flûte à bec Soprano, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Violoncelle
4
Flûte, Hautbois (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
3
Clarinette, Harpe (duo)
2
Saxophone et Orgue
2
Clarinette Basse
2
Flûte à Bec
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violoncelle
2
2 Flûtes traversières, Piano
2
Piccolo
2
Flûte à bec Tenor
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois, Basson
1
Saxophone Soprano
1
Flûte, Basson et Piano
1
Hautbois, violon (duo)
1
Clarinette, Alto et Piano (trio)
1
Piccolo, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
+ 77 instrumentations
Retracter
Cuivres
2 Trombones (duo)
156
2 Trompettes (duo)
143
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
138
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
35
Trompette, Piano
26
Trompette
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Ensemble de Trombones
12
Cor
12
2 Euphoniums (duo)
10
Trombone
10
Cor et Piano
8
Ensemble de Trompettes
6
Cor Anglais
5
Quatuor de Cuivres
5
Tuba
5
Trompette (partie séparée)
5
2 Cors (duo)
4
2 Tubas (duo)
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
Cor et Harpe
2
Euphonium
2
Trio de Cuivres
2
3 Trompettes (trio)
2
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Tuba et Orgue
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
3 Euphoniums
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violon, Violoncelle (duo)
198
Violon
157
2 Violons (duo)
156
2 Altos (duo)
152
2 Violoncelles (duo)
139
Trio à Cordes: violon, alto, violoncelle
131
Violon et Piano
69
Violon, Alto (duo)
54
Violoncelle, Piano
43
Trio à Cordes: 2 violons, violoncelle
35
Alto, Piano
34
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Harpe
21
Alto seul
19
Contre Basse
7
4 Violoncelles
6
2 Harpes (duo)
6
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
2 Violons, Piano
2
Alto et Harpe
2
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Harpe, Violon (duo)
1
2 Violoncelles, Piano
1
Harpe, Trombone (duo)
1
Alto (partie séparée)
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
171
Orchestre à Cordes
117
Orchestre
57
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
24
Ensemble Jazz
22
Ensemble de Percussions
13
Jazz combo
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
3
Batterie
3
Xylophone, Piano
2
Vibraphone et Marimba
1
Ensemble d'École
1
Percussion
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Piano et Orchestre
1
2 Marimbas
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Two At A Time
Tuba
Partitions à imprimer
5 partitions trouvées
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1
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMÉDIAIRE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Publis...
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Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Elegy for solo tuba
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Tuba
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AVANCÉ
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Robert Chamberlin
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Elegy for solo tuba
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Robert Chamberlin
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Pub...
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Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba. In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time. Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage. Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni. It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day. Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain. Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences. The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute. Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed. The harmonic and echo-like acoustic effects created are stunning in every performance and venue. This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked. It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve. While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.
$3.99
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Miniature No. 1 - for Unaccompanied Tuba
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Tuba
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AVANCÉ
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C Blankenship
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Miniature No. 1 - for Unaccomp
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C Blankenship
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.899604 Composed by C Blankenship. 20th Century,Contemporary. Individual part. 1 pages. C Blankenship #4986763. Published b...
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Tuba Solo - Level 5 - SKU: A0.899604 Composed by C Blankenship. 20th Century,Contemporary. Individual part. 1 pages. C Blankenship #4986763. Published by C Blankenship (A0.899604). A short piece for solo unaccompanied tuba, Miniature No. 1 is a playful and light piece that shows the fun and technical side of solo tuba music, but it's also short enough to program as a breather piece between longer solos. It shares a rhythmic motif with another of my pieces, Fallen for unaccompanied tuba, both of which were written at the same time and influenced each other as a sort of positive/negative experience, this being the positive and brighter of the two pieces. Remember to have fun with it.
$5.99
The Progressive Warm Up-Tuba Edition
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Eric Bolvin
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The Progressive Warm Up-Tuba E
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SheetMusicPlus
Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, T...
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Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!
Description
The Warm Up is an integral component of every brass player?s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
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© 2000 - 2024
Accueil
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Nouveautés
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Compositeurs
Mentions légales
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Version intégrale
Two At A Time
