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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Variations
Sheetmusicplus
Non classifié
1 397
Piano & claviers
Piano seul
1 368
Orgue
274
Piano Facile
182
1 Piano, 4 mains
59
Piano, Voix
43
Piano, Voix et Guitare
32
2 Pianos, 4 mains
32
Accompagnement Piano
31
Piano Trio: piano, violon, violoncelle
18
Instruments en Do
11
Clavecin
8
Orgue, Trompette (duo)
7
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
3
2 Orgues (duo)
3
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Corde(s)
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare
166
Guitare notes et tablatures
56
2 Guitares (duo)
24
4 Guitares (Quatuor)
11
Ukulele
10
Dulcimer
7
Basse electrique
5
3 Guitares (trio)
4
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
4
Ensemble de guitares
3
Ukulele Baryton
2
Piano, Guitare (duo)
2
Banjo
2
Guitare, Violon, Violoncelle (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale 3 parties
27
Chorale 2 parties
21
Chorale TTBB
9
Chorale Unison
8
Chorale SSAA
6
Voix seule
3
Chorale SSATB
2
Voix Soprano, Piano
2
Voix haute
2
Voix Tenor
2
Voix duo, Piano
1
Voix Baryton, Piano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
165
Quatuor de Saxophones: 4 saxophones
115
2 Saxophones (duo)
105
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
104
2 Clarinettes (duo)
98
Flûte et Guitare
95
Clarinette et Piano
95
Clarinette (partie séparée)
89
2 Flûtes traversières (duo)
83
Quatuor de Flûtes : 4 flûtes
82
Flûte, Hautbois, Clarinette, Basson
82
Flûte traversière
80
Quatuor de Clarinettes: 4 clarinettes
77
Saxophone Alto et Piano
74
Saxophone (partie séparée)
73
Clarinette
71
Hautbois, Piano (duo)
55
Saxophone, Clarinette (duo)
51
Flûte, Clarinette (duo)
47
Clarinette, Guitare (duo)
42
Saxophone Soprano et Piano
36
Clarinette, Violon (duo)
36
Saxophone Tenor et Piano
33
Quatuor de Flûtes à bec
30
Clarinette, Trompette (duo)
29
Flute (partie séparée)
28
Ensemble de Clarinettes
28
Hautbois, Basson (duo)
27
Hautbois (partie séparée)
27
3 Clarinettes (trio)
26
Hautbois, Clarinette (duo)
22
Quintette de Clarinettes: 5 clarinettes
22
Clarinette et Alto
22
Flûte, Violon
22
2 Hautbois (duo)
21
Quintette de Saxophone: 5 saxophones
19
Flûte, Saxophone (duo)
19
3 Saxophones (trio)
18
Saxophone Alto
18
Cor anglais, Guitare (duo)
17
Trio de Flûtes: 3 flûtes
16
Saxophone et Guitare
16
Cor anglais, Piano
16
Hautbois, Clarinette, Basson (trio d'anches)
16
Flûte, Alto (duo)
16
Saxophone Baryton, Piano
16
Hautbois, Flûte
15
Ensemble de Flûtes
14
Flûte, Hautbois, Basson
14
Clarinette Basse, Piano
13
Hautbois
13
Saxophone Tenor
11
Flûte, Trompette (duo)
11
Clarinette, Basson (duo)
10
Flûte, Clarinette et Basson
9
Flûte à bec Alto, Piano
9
2 Flûte à bec (duo)
8
Harmonica
8
Hautbois, Guitare (duo)
8
Flûte, Violoncelle
7
Flûte, Hautbois, Clarinette (trio)
6
Ensemble de saxophones
6
Piccolo
6
Clarinette, Harpe (duo)
5
Piccolo, Piano
5
Cor anglais et Harpe (duo)
5
Flûte à bec Soprano, Piano
5
Flûte, Clarinette, Piano (trio)
4
3 Flûtes à bec (trio)
4
Flûte à bec, Harpe
4
Clarinette Basse
4
Quintette de Flûte : 5 flûtes
4
Cor Anglais
4
Flûte, Hautbois (duo)
3
Hautbois, Violoncelle
3
Flûte à bec, Guitare (duo)
3
Flûte à bec Alto
3
Clarinette, Violoncelle (duo)
3
Flûte, Violon, Piano
2
Saxophone et Piano
2
Flûte à bec Soprano
2
Flûte et Trio à cordes
2
Hautbois et alto (duo)
2
Flute, Cor (duo)
2
Saxophone
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois, violon (duo)
2
Flûte à bec Tenor
1
4 Hautbois
1
Saxophone et Orgue
1
Saxophone Soprano
1
Clarinette, Trombone (duo)
1
Ensemble De Flûte à bec
1
Flûte, Harpe et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
Saxophone, Basson (duo)
1
Flûte à Bec
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Saxophone Baryton
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
+ 102 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Trombone (partie séparée)
86
Trompette, Piano
56
Cor (partie séparée)
49
Cor et Piano
48
Trompette (partie séparée)
43
Trombone et Piano
43
Trompette
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trompette, Saxophone (duo)
34
Tuba (partie séparée)
33
Euphonium, Piano (duo)
28
Tuba et Piano
26
Trompette, Trombone (duo)
25
Cor
24
2 Trombones (duo)
21
Quatuor de cuivres: 4 trombones
20
Tuba
18
2 Trompettes (duo)
18
Cor anglais, Guitare (duo)
17
Trombone
17
Cor anglais, Piano
16
Quatuor de Cuivres
14
Quatuor de cuivres: 4 cors
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
4 Tubas
9
Cornet et Piano
9
Cornet A Pistons
7
2 Euphoniums et 2 Tubas
7
Cor anglais et Harpe (duo)
5
Quatuor de cuivres: 4 trompettes
4
Ensemble de Cors
4
Cor Anglais
4
Euphonium
3
Trombone basse
3
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Tuba ou Euphonium ou Saxhorn
2
Ensemble de Trombones
2
2 Cors (duo)
2
Tuba et Orgue
2
2 Tubas (duo)
2
Bass Clef Instruments
1
3 Tubas (trio)
1
Trompette, violon (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
Trompette, Orchestre
1
Cor, Orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
277
Violon et Piano
168
Violon
144
Violoncelle, Piano
104
Violoncelle
86
Alto, Piano
82
Violon, Violoncelle (duo)
80
Alto seul
66
Violon (partie séparée)
65
2 Violons (duo)
59
Harpe
57
Trio à Cordes: violon, alto, violoncelle
53
Violon, Alto (duo)
48
2 Violoncelles (duo)
39
Violon, Guitare (duo)
37
Violoncelle , Guitare (duo)
31
2 Altos (duo)
28
Contrebasse (partie séparée)
25
Alto (partie séparée)
23
Alto, Guitare (duo)
21
Violoncelle (partie séparée)
20
Harpe, Flûte (duo)
15
Contre Basse
15
4 Violoncelles
13
Alto, Violoncelle (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Contrebasse, Piano (duo)
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
5
Harpe, Violon (duo)
5
Violoncelle, Contrebasse (duo)
5
Alto et Harpe
4
Quatuor à cordes : 4 altos
4
Harpe, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Violon, Basson (duo)
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 altos
3
Violoncelle, Orchestre
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Orgue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Violoncelle, Clarinette
1
Trio à cordes
1
2 Contrebasses (duo)
1
Harpe et mandoline
1
Harpe, Trombone (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
704
Orchestre à Cordes
213
Orchestre
145
Cloches
124
Ensemble de cuivres
47
Percussion (partie séparée)
46
Orchestre de chambre
38
Timbales (partie séparée)
15
Batterie
13
Ensemble Jazz
11
Percussion
10
Ensemble de Percussions
9
Quintette à Vent
5
Timbales
5
Quatuor à Vent : 4 instruments à vents
4
Marimba
3
Piano et Orchestre
2
Marimba, Piano (duo)
2
Xylophone
1
2 Xylophones
1
Batterie (partie séparée)
1
Jazz combo
1
Instrumentation Flexible
1
Xylophone, Piano
1
Orchestre, Violon
1
Caisse Claire
1
+ 21 instrumentations
Retracter
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ACCORDEON
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BASSON
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CLARINETTE
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DULCIMER
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HARMONICA
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HAUTBOIS
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Variations
SheetMusicPlus
Partitions à imprimer
18 partitions trouvées
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1
Practice With Bach for the Tuba Volume 4 based on the Goldberg Variations
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Tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Practice With Bach for the Tub
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.811142 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 32 page...
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Tuba Solo - Level 5 - SKU: A0.811142 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 32 pages. Gordon Cherry #5712043. Published by Gordon Cherry (A0.811142). Ralph Sauer's landmark new work, Practice With Bach for the Tuba, Volume IV, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Four Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Four contains Thirty-two études based upon the Goldberg Variations (BWV 988).
$25.00
New Name in Glory ( Theme and Variations)
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Tuba
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AVANCÉ
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Gospel Spirituel
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Charles Austin Miles
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Gordon Wolfe
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New Name in Glory
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Gordon Wolfe
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1003238 Composed by Charles Austin Miles. Arranged by Gordon Wolfe. Gospel. Individual part. 2 pages. Gordon Wolfe #291872...
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Tuba Solo - Level 5 - SKU: A0.1003238 Composed by Charles Austin Miles. Arranged by Gordon Wolfe. Gospel. Individual part. 2 pages. Gordon Wolfe #2918723. Published by Gordon Wolfe (A0.1003238). As is given it is a Theme and Variations for Tuba on the folk gospel song New Name in Glory.
$2.50
Aria (from Goldberg Variations - BWV 988) for Tuba
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Tuba
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FACILE
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Musique Sacrée
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Johann Sebastian Bach
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Cadenza Editions
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Aria
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Cadenza Editions
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.571200 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Christian,Praise & Worship,Sacred,Wedding....
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Tuba Solo - Level 2 - SKU: A0.571200 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Christian,Praise & Worship,Sacred,Wedding. Individual part. 1 pages. Cadenza Editions #6119107. Published by Cadenza Editions (A0.571200).
$4.99
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Variations on a Nautical Hymn: Tuba
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Tuba
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Methodes
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Mark Williams
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Variations on a Nautical Hymn:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Mark Williams. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Mark Williams. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #310...
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Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
Air ('on the G string') - Tuba (with chords)
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Tuba
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FACILE
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Classique
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Johann Sebastian Bach
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Alex Nunes Rodrigues
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Air
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Alex Rodrigues
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.1177476 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rod...
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Tuba Solo - Level 2 - SKU: A0.1177476 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rodrigues #777487. Published by Alex Rodrigues (A0.1177476). Air ('on the G string') is one of the most well-known variations of Johann Sebastian Bach's piece Air. It is a soft and melancholic music, known for its beautiful bass line. This sheet music offers an interpretation of Air, perfect for solo performances or personal practice.
$1.99
Amazing Grace
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Tuba
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DÉBUTANT
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John Newton
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Jackson Spindler
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Amazing Grace
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Jackson Spindler
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SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1214090 Composed by John Newton. Arranged by Jackson Spindler. Patriotic,Pop,Religious,Spiritual,Traditional. Individual p...
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Tuba Solo - Level 1 - SKU: A0.1214090 Composed by John Newton. Arranged by Jackson Spindler. Patriotic,Pop,Religious,Spiritual,Traditional. Individual part. 2 pages. Jackson Spindler #811287. Published by Jackson Spindler (A0.1214090). I wrote this arrangement of Amazing Grace inspired by Andrea Bocelli's performance in a live show at Times Square in New York. There are interesting variations on the original melody as well as modulations that make Amazing Grace even more beautiful.
$1.99
Last Night
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Tuba
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FACILE
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Morgan Wallen
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Rodrigo Faleiros
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Last Night
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Rodrigo Faleiros
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.1276743 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Individual part. 2 pag...
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Tuba Solo - Level 2 - SKU: A0.1276743 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Individual part. 2 pages. Rodrigo Faleiros #868321. Published by Rodrigo Faleiros (A0.1276743). This music arrangement is a tuba solo version of the song “Last Night†by Morgan Wallen, a country singer and songwriter. The arrangement follows the original melody and chords of the song, but adds some variations and embellishments to make it more interesting and unique. The tuba solo is suitable for intermediate players who enjoy playing country music, but it also has a simple approach that can reach beginners too.
$4.99
Amazing Grace
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Tuba
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DÉBUTANT
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John Newton
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Jackson Spindler
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Amazing Grace
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Jackson Spindler
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SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1214089 Composed by John Newton. Arranged by Jackson Spindler. Patriotic,Pop,Religious,Spiritual,Traditional. Individual p...
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Tuba Solo - Level 1 - SKU: A0.1214089 Composed by John Newton. Arranged by Jackson Spindler. Patriotic,Pop,Religious,Spiritual,Traditional. Individual part. 2 pages. Jackson Spindler #811286. Published by Jackson Spindler (A0.1214089). I wrote this arrangement of Amazing Grace inspired by Andrea Bocelli's performance in a live show at Times Square in New York. There are interesting variations on the original melody as well as modulations that make Amazing Grace even more beautiful.
$1.99
Orchestral Etudes for Tuba, Volume 2
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Tuba
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AVANCÉ
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Karl Hinterbichler
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Orchestral Etudes for Tuba, Vo
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherr...
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Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherry #764528. Published by Gordon Cherry (A0.1164180). A wonderful collection of Orchestral Etudes for Tuba, Volume 2 by Karl Hinterbichler, one of America's leading educators and performers. These etudes are imaginative, and challenging, and concentrate on perfecting technique, style, rhythm, and tempo. Professor Hinterbichler's Etudes Volume 2 concentrate on fourteen of the most requested Tuba orchestral excerpts. They include the original keys and clefs. These etudes are for advanced performers.The works included in the Orchestral Etudes, Volume 2 are: Bruckner Symphonies No. 4 & 8, Elgar Pomp and Circumstance March No. 1 & Enigma Variations, Franck Symphony in D minor, Holst Planets, Revueltas Momenaje a Federico Garcia Lorca, Shostakovich Symphonies No. 5, 9 and Festive Overture, Richard Strauss Ein Heldenleben & Till Eulenspiegel, Stravinsky Rite of Spring & Petrushka, Verdi La Forza Del Destino Overture and Requiem. According to the composer, they are even more difficult than the actual excerpts themselves, so the real thing should seem simpler by comparison.This music is also available as an eBook on Amazon Kindle.The sound sample below contains an etude taken from Elgar Pomp and Circumstance March No. 1.
$25.00
Tuba Solo -"Smooth Jingle Bells" jazz version
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Tuba
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INTERMÉDIAIRE
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James Lord Pierpont
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Dan Cutchen
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Tuba Solo -"Smooth Jingle
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844335 Composed by James Lord Pierpont. Arranged by Dan Cutchen. Christmas,Jazz. Score and part. 8 pages. Dan Cutchen Mus...
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Piano,Tuba - Level 3 - SKU: A0.844335 Composed by James Lord Pierpont. Arranged by Dan Cutchen. Christmas,Jazz. Score and part. 8 pages. Dan Cutchen Music #3691341. Published by Dan Cutchen Music (A0.844335). For tuba and piano accompaniment.Tuba solo. Smooth jazz arrangement of the classic Christmas, Jingle Bells.Theme and variations treatmentMedium difficulty. Perfect for student Christmas concerts and other Christmas musical gatherings.You get the sheet music for solo tuba part and the piano score.Time: 2:40https://youtu.be/F4KH-3V1sG4
$6.00
Air ('on the G string') - Tuba
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Tuba
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FACILE
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Classique
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Johann Sebastian Bach
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Alex Nunes Rodrigues
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Air
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Alex Rodrigues
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.1177477 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rod...
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Tuba Solo - Level 2 - SKU: A0.1177477 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rodrigues #777488. Published by Alex Rodrigues (A0.1177477). Air ('on the G string') is one of the most well-known variations of Johann Sebastian Bach's piece Air. It is a soft and melancholic music, known for its beautiful bass line. This sheet music offers an interpretation of Air, perfect for solo performances or personal practice.
$1.99
Last Night
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Tuba
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FACILE
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Morgan Wallen
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Rodrigo Faleiros
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Last Night
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Rodrigo Faleiros
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.1276759 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Individual part. 2 pag...
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Tuba Solo - Level 2 - SKU: A0.1276759 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Individual part. 2 pages. Rodrigo Faleiros #868350. Published by Rodrigo Faleiros (A0.1276759). This music arrangement is a tuba solo version of the song “Last Night†by Morgan Wallen, a country singer and songwriter. The arrangement follows the original melody and chords of the song, but adds some variations and embellishments to make it more interesting and unique. The tuba solo is suitable for intermediate players who enjoy playing country music, but it also has a simple approach that can reach beginners too.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Spoon River Variations: Tuba
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Tuba
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Methodes
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Frank Erickson
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Spoon River Variations: Tuba
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Frank Erickson. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music. Digital Sheet Music...
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By Frank Erickson. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music. Digital Sheet Music
$3.00
Variations on a Theme of Robert Schumann: Tuba
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Tuba
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Methodes
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Robert Jager
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Variations on a Theme of Rober
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Robert Jager (1939-). For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music. Digital Sheet Music...
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By Robert Jager (1939-). For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music. Digital Sheet Music
$3.00
Variations on a Paganini Theme: Tuba
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Tuba
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Classique
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Sergei Rachmaninoff
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Vernon Leidig
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Variations on a Paganini Theme
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Sergei Rachmaninoff (1873-1943). Arranged by Vernon Leidig. For Full Orchestra. Classical. Part. 4 pages. Published by Alfred Music. Digital Sheet Music...
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By Sergei Rachmaninoff (1873-1943). Arranged by Vernon Leidig. For Full Orchestra. Classical. Part. 4 pages. Published by Alfred Music. Digital Sheet Music
$3.00
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