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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Tuba (partie séparée)
11
Ensemble de Trompettes
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Cor et Piano
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Cor
5
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4
2 Trombones (duo)
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Tuba
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Euphonium
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Cor et Harpe
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4 Tubas
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Euphonium, Piano (duo)
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CORDES
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Alto, Piano
18
Violon
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14
2 Violons (duo)
11
Alto (partie séparée)
10
2 Violoncelles (duo)
9
Harpe
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8
Trio à Cordes: violon, alto, violoncelle
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Violon, Alto (duo)
7
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6
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5
Quintette à cordes: 2 violons, alto, violoncelle, basse
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4
Harpe, Flûte (duo)
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Piano Trio: Violon, Alto, Piano
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Harpe, Violoncelle (duo)
3
2 Harpes (duo)
3
Alto seul
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Harpe (partie séparée)
2
Alto et Harpe
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Violoncelle, Orgue
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Trio à Cordes: 2 violons, violoncelle
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Trio à cordes: 3 violins
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Trio à Cordes: 2 violons, alto
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Ensemble de Violons
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2 Violons, Piano
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4 Violoncelles
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Contre Basse
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Harpe et Orgue
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Ensemble d'Altos
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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4 Contrebasses
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Quatuor à cordes: 4 violons
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
335
Orchestre
47
Orchestre à Cordes
32
Ensemble de cuivres
18
Percussion (partie séparée)
17
Fanfare
16
Cloches
9
Ensemble Jazz
9
Jazz combo
9
Orchestre de chambre
6
Batterie (partie séparée)
3
Batterie
3
Timbales (partie séparée)
2
Xylophone
1
Xylophone, Piano
1
Ensemble d'École
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Marimba
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Percussion
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Ensemble de Percussions
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AUTRES
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H.O.L.Y.
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.602141 By Florida Georgia Line. By N…
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Tuba Solo - Level 3 - Digital Download SKU: A0.602141 By Florida Georgia Line. By Nate Cyphert, William Wiik Larsen, and busbee. Arranged by Kevin Busse. Country. Individual part. 3 pages. Kevin Busse #3519017. Published by Kevin Busse (A0.602141). This is a simple transcription of H.O.L.Y. by Florida Georgia Line in a good range for Tuba
$4.99
4.59 €
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Tuba
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Florida Georgia Line
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Kevin Busse
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H.O.L.Y.
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Kevin Busse
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SheetMusicPlus
H.O.L.Y.
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.602159 By Florida Georgia Line. By N…
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.602159 By Florida Georgia Line. By Nate Cyphert, William Wiik Larsen, and busbee. Arranged by Kevin Busse. Country. Individual part. 3 pages. Kevin Busse #3519093. Published by Kevin Busse (A0.602159). This is a simple transcription of H.O.L.Y. by Florida Georgia Line in the easy key of C for Tuba
$4.99
4.59 €
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Tuba
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Florida Georgia Line
#
Kevin Busse
#
H.O.L.Y.
#
Kevin Busse
#
SheetMusicPlus
H.O.L.Y.
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.602124 By Florida Georgia Line. By N…
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.602124 By Florida Georgia Line. By Nate Cyphert, William Wiik Larsen, and busbee. Arranged by Kevin Busse. Country. Individual part. 2 pages. Kevin Busse #3515293. Published by Kevin Busse (A0.602124). This is a simple transcription of H.O.L.Y. in the original key for Tuba
$4.99
4.59 €
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Tuba
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Florida Georgia Line
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Kevin Busse
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H.O.L.Y.
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Kevin Busse
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.61 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
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