Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
tempo.
Non classifié
1 898
Piano & claviers
Piano seul
1 691
Orgue
376
Piano Facile
352
Piano, Voix et Guitare
300
Piano, Voix
237
Instruments en Do
75
Piano (partie séparée)
71
1 Piano, 4 mains
35
Accompagnement Piano
35
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
13
Accordéon
10
Clavier
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano grosses notes
1
+ 14 instrumentations
Retracter
Guitares
Guitare
395
Ukulele
339
Mandoline
268
Guitare (partie séparée)
134
Guitare notes et tablatures
134
Ligne De Mélodie, (Paroles) et Accords
29
Basse electrique
19
Piano, Guitare (duo)
11
Banjo
9
2 Guitares (duo)
7
3 Guitares (trio)
4
4 Guitares (Quatuor)
3
Ensemble de guitares
3
Paroles et Accords
3
Dulcimer
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
2 Dulcimers (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
475
Chorale TTBB
184
Chorale 3 parties
141
Chorale SSAA
100
Chorale 2 parties
76
Chorale Unison
42
Voix duo, Piano
22
Voix seule
8
Voix Soprano, Piano
8
Voix Alto, Piano
7
Voix duo
6
Voix Baryton, Piano
5
Voix haute
4
Voix Tenor
3
Chorale SSAATTBB
1
Chorale SATTB
1
Voix Tenor, Piano
1
Chorale
1
+ 13 instrumentations
Retracter
Vents
Saxophone (partie séparée)
360
Ocarina
265
Flûte à bec Soprano
255
Harmonica
192
Quatuor de Saxophones: 4 saxophones
188
Flûte à bec Alto
184
2 Saxophones (duo)
171
Flûte, Hautbois, Clarinette, Basson
126
Flûte traversière et Piano
114
Clarinette
109
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
2 Clarinettes (duo)
91
Saxophone Alto et Piano
89
Clarinette et Piano
83
Saxophone, Clarinette (duo)
78
2 Flûtes traversières (duo)
76
Quatuor de Clarinettes: 4 clarinettes
73
Hautbois, Piano (duo)
70
Flûte traversière
66
Clarinette, Violon (duo)
58
Saxophone Tenor et Piano
55
Clarinette, Trompette (duo)
48
Flute (partie séparée)
47
Saxophone Soprano et Piano
39
Quatuor de Flûtes : 4 flûtes
38
3 Saxophones (trio)
34
Flûte, Clarinette (duo)
34
2 Hautbois (duo)
34
Clarinette (partie séparée)
33
Flûte, Violon
32
Saxophone Alto
32
Flûte à bec Alto, Piano
31
Hautbois, Clarinette (duo)
29
Clarinette et Alto
28
Quintette de Saxophone: 5 saxophones
28
Hautbois, Flûte
27
Flûte, Saxophone (duo)
27
3 Clarinettes (trio)
27
Hautbois, Basson (duo)
26
Trio de Flûtes: 3 flûtes
25
Flûte, Alto (duo)
22
Ensemble de saxophones
21
Ensemble de Clarinettes
20
Flûte, Trompette (duo)
20
Ensemble de Flûtes
20
Saxophone Tenor
19
Clarinette Basse, Piano
16
Hautbois (partie séparée)
16
Cor anglais, Piano
16
Saxophone Baryton, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Clarinette, Piano (trio)
9
Flûte, Violoncelle
8
Flûte et Guitare
7
Flûte, Clarinette et Basson
7
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon, Piano
6
2 Flûtes traversières, Piano
6
Hautbois
5
3 Flûtes à bec (trio)
5
Flûte, Violon et Violoncelle
5
Flûte à Bec
5
Flûte, Hautbois, Basson
4
2 Clarinettes, Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Piano (trio)
4
Flûte, trombone et piano
3
Clarinette, Basson (duo)
3
Hautbois, violon (duo)
3
Flûte, Hautbois (duo)
3
Clarinette Basse
3
Cor Anglais
3
Piccolo
2
Piccolo, Piano
2
Flûte, Alto et Piano
2
Flûte à bec Soprano, Piano
2
Clarinette, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, trompette et piano
2
Clarinette, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
2
Saxophone et Harpe
1
Cor anglais, Guitare (duo)
1
3 Hautbois
1
Flûte traversière, Orchestre
1
Clarinette, Saxophone, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Clarinettes, Basson
1
Ensemble à vent
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Saxophone Soprano
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 92 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
294
Trompette (partie séparée)
233
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Trompette, Piano
68
Trompette, Saxophone (duo)
56
Cor (partie séparée)
54
Trombone et Piano
53
Tuba (partie séparée)
49
Trompette
44
2 Trombones (duo)
37
Cor et Piano
36
Quatuor de Cuivres
35
2 Trompettes (duo)
35
Trompette, Trombone (duo)
29
Tuba et Piano
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Trombone
22
Euphonium, Piano (duo)
17
Cor anglais, Piano
16
Cor
14
Tuba
9
Quatuor de cuivres: 4 trombones
8
Ensemble de Trombones
7
Trompette, Violoncelle et Piano
6
2 Cors (duo)
6
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
5
3 Trombones (trio)
5
2 Tubas (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trompettes
3
Cor Anglais
3
Euphonium
3
Trombone basse
2
Cor et Harpe
2
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Ensemble de Cors
1
Trompette, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Cor et Orgue
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
365
Violon et Piano
210
Violon
129
Contrebasse (partie séparée)
79
Violoncelle, Piano
71
Alto, Piano
69
2 Violoncelles (duo)
56
2 Violons (duo)
53
Violon, Violoncelle (duo)
52
Violoncelle
49
Harpe
41
Violon, Alto (duo)
38
2 Altos (duo)
37
Trio à Cordes: violon, alto, violoncelle
28
Alto seul
27
Violon (partie séparée)
22
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse, Piano (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contre Basse
11
Alto (partie séparée)
8
Violoncelle (partie séparée)
6
Violoncelle, Contrebasse (duo)
6
2 Harpes (duo)
6
4 Violoncelles
5
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Violon, Basson (duo)
3
Harpe et mandoline
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Violon, Trompette et Piano
2
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Orgue
1
Alto, Orgue
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
501
Ensemble Jazz
398
Orchestre à Cordes
168
Cloches
152
Orchestre
111
Ensemble de cuivres
98
Batterie (partie séparée)
66
Jazz combo
65
Ensemble de Percussions
57
Orchestre de chambre
33
Fanfare
25
Batterie
21
Percussion (partie séparée)
6
Vibraphone
6
Marimba
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Percussion
2
Xylophone, Piano
2
Marimba, Piano (duo)
1
Piano et Orchestre
1
Big band
1
2 Xylophones
1
Timbales (partie séparée)
1
Quintette à Vent
1
Caisse Claire
1
Orchestre, Violon
1
+ 22 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
22
Matériel de Musique
2 478
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
tempo.
Tuba
Partitions à imprimer
9 partitions trouvées
<
1
Unaccompanied Tuba Suite #2 in B-flat Major
#
Tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Jason Allie
#
Unaccompanied Tuba Suite #2 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #310...
(+)
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
Unaccompanied Tuba Suite #3: Rhapsody in A
#
Tuba
#
AVANCÉ
#
Jason Allie
#
Unaccompanied Tuba Suite #3: R
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba L...
(+)
Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
Greensleeves - Tuba (with chords)
#
Tuba
#
DÉBUTANT
#
Anonymus
#
Alex Nunes Rodrigues
#
Greensleeves - Tuba
#
Alex Rodrigues
#
SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1476861 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Ro...
(+)
Tuba Solo - Level 1 - SKU: A0.1476861 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Rodrigues #1054374. Published by Alex Rodrigues (A0.1476861). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99
Greensleeves - Tuba
#
Tuba
#
DÉBUTANT
#
Anonymus
#
Alex Nunes Rodrigues
#
Greensleeves - Tuba
#
Alex Rodrigues
#
SheetMusicPlus
Tuba Solo - Level 1 - SKU: A0.1476864 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Ro...
(+)
Tuba Solo - Level 1 - SKU: A0.1476864 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Rodrigues #1054377. Published by Alex Rodrigues (A0.1476864). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99
Orchestral Etudes for Tuba, Volume 2
#
Tuba
#
AVANCÉ
#
Karl Hinterbichler
#
Orchestral Etudes for Tuba, Vo
#
Gordon Cherry
#
SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherr...
(+)
Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherry #764528. Published by Gordon Cherry (A0.1164180). A wonderful collection of Orchestral Etudes for Tuba, Volume 2 by Karl Hinterbichler, one of America's leading educators and performers. These etudes are imaginative, and challenging, and concentrate on perfecting technique, style, rhythm, and tempo. Professor Hinterbichler's Etudes Volume 2 concentrate on fourteen of the most requested Tuba orchestral excerpts. They include the original keys and clefs. These etudes are for advanced performers.The works included in the Orchestral Etudes, Volume 2 are: Bruckner Symphonies No. 4 & 8, Elgar Pomp and Circumstance March No. 1 & Enigma Variations, Franck Symphony in D minor, Holst Planets, Revueltas Momenaje a Federico Garcia Lorca, Shostakovich Symphonies No. 5, 9 and Festive Overture, Richard Strauss Ein Heldenleben & Till Eulenspiegel, Stravinsky Rite of Spring & Petrushka, Verdi La Forza Del Destino Overture and Requiem. According to the composer, they are even more difficult than the actual excerpts themselves, so the real thing should seem simpler by comparison.This music is also available as an eBook on Amazon Kindle.The sound sample below contains an etude taken from Elgar Pomp and Circumstance March No. 1.
$25.00
Twelve Orchestral Etudes for Tuba
#
Tuba
#
AVANCÉ
#
Karl Hinterbichler
#
Twelve Orchestral Etudes for T
#
Gordon Cherry
#
SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1038104 Composed by Karl Hinterbichler. 20th Century,Romantic Period. Individual part. 33 pages. Gordon Cherry #643033. Pu...
(+)
Tuba Solo - Level 5 - SKU: A0.1038104 Composed by Karl Hinterbichler. 20th Century,Romantic Period. Individual part. 33 pages. Gordon Cherry #643033. Published by Gordon Cherry (A0.1038104). A wonderful collection of Twelve Orchestral Etudes for Tuba by Karl Hinterbichler, one of America's leading educators and performers. These etudes are imaginative, and challenging, and concentrate on perfecting technique, style, rhythm, and tempo. Professor Hinterbichler's Etudes concentrate on twelve of the most requested Tuba orchestral excerpts. They include the original keys and clefs. These etudes are for advanced performers. Works included in the Twelve Orchestral Etudes are: Berlioz Symphonie Fantastique, Corsair Overture and Hungarian March, Bruckner Symphony No. 7, Hindemith Symphonic Metamorphosis, Mahler Symphony No. 5, Prokofiev Symphony No. 5, Respighi Fountains of Rome, Revueltas Sensemaya, Wagner Prelude to Act III from Lohengrin, Prelude to Die Meistersinger and Ride of the Valkyries. According to the composer, they are even more difficult than the actual excerpts themselves, so the real thing should seem simpler by comparison. This music is available as an eBook on Amazon Kindle.
$25.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
#
Tuba
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
(+)
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Unaccompanied Tuba Suite #1 in B-flat Major
#
Tuba
#
INTERMÉDIAIRE
#
Jason Allie
#
Unaccompanied Tuba Suite #1 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Publis...
(+)
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Twelve Fantasias for Tuba
#
Tuba
#
AVANCÉ
#
Telemann, George
#
Sauer, Ralph
#
Twelve Fantasias for Tuba
#
Gordon Cherry
#
SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.792325 Composed by Telemann, George. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Individual part. 26 pages. G...
(+)
Tuba Solo - Level 5 - SKU: A0.792325 Composed by Telemann, George. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Individual part. 26 pages. Gordon Cherry #4804587. Published by Gordon Cherry (A0.792325). Georg Philip Telemann published his Twelve Fantasias in 1732 -33, originally for transverse flute. In making this version for the Tuba, Mr. Sauer has used all of Telemann’s original tempos, slurs and dynamics, and expanded on these ideas when appropriate. This edition has been customized for the Tuba, ie., the keys have been changed from the original to best fit the tessitura of the instrument, breath marks added & ornaments used when appropriate.For advanced performers.
$15.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
tempo.
